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An International Journal of Music and Technology

  • Editor(s):
  • Leigh Landy, De Montfort University, Leicester, UK

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Table of Contents - Volume 9 - Issue 02  

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Editorial

 
 

Complex systems in composition and improvisation

David Worrall

Organised Sound, Volume 9, Issue 02, August 2004, pp 121-122
doi:10.1017/S1355771804000202 (About doi), Published Online by Cambridge University Press 06 Oct 2004
 

Research Articles

 
 

Self-organised music

TIM BLACKWELL and MICHAEL YOUNG

Organised Sound, Volume 9, Issue 02, August 2004, pp 123-136
doi:10.1017/S1355771804000214 (About doi), Published Online by Cambridge University Press 06 Oct 2004
 

Musical pattern generation with variable-coupled iterated map networks

BRET BATTEY

Organised Sound, Volume 9, Issue 02, August 2004, pp 137-150
doi:10.1017/S1355771804000226 (About doi), Published Online by Cambridge University Press 06 Oct 2004
 

Spontaneous organisation, pattern models, and music

YON VISELL

Organised Sound, Volume 9, Issue 02, August 2004, pp 151-165
doi:10.1017/S1355771804000238 (About doi), Published Online by Cambridge University Press 06 Oct 2004
 

PIWeCS: enhancing human/machine agency in an interactive composition system

IAN WHALLEY

Organised Sound, Volume 9, Issue 02, August 2004, pp 167-174
doi:10.1017/S135577180400024X (About doi), Published Online by Cambridge University Press 06 Oct 2004
 

Modelling storms in sound: the Atmospherics/Weather Works project

ANDREA POLLI

Organised Sound, Volume 9, Issue 02, August 2004, pp 175-180
doi:10.1017/S1355771804000251 (About doi), Published Online by Cambridge University Press 06 Oct 2004
 

Absolute pitch accessible to everyone by turning off part of the brain?

TERRY BOSSOMAIER and ALLAN SNYDER

Organised Sound, Volume 9, Issue 02, August 2004, pp 181-189
doi:10.1017/S1355771804000263 (About doi), Published Online by Cambridge University Press 06 Oct 2004
 

An aesthetic comparison of rule-based and genetic algorithms for generating melodies

ANDREW R. BROWN

Organised Sound, Volume 9, Issue 02, August 2004, pp 191-197
doi:10.1017/S1355771804000275 (About doi), Published Online by Cambridge University Press 06 Oct 2004
 

Women and ‘Kraakgeluiden’: the participation of women improvisers in the Dutch electronic music scene

HELEN METZELAAR

Organised Sound, Volume 9, Issue 02, August 2004, pp 199-206
doi:10.1017/S1355771804000287 (About doi), Published Online by Cambridge University Press 06 Oct 2004
 

Atoms and errors: towards a history and aesthetics of microsound

PHIL THOMSON

Organised Sound, Volume 9, Issue 02, August 2004, pp 207-218
doi:10.1017/S1355771804000299 (About doi), Published Online by Cambridge University Press 06 Oct 2004
 

Book Reviews

 
 

Martha Brech, Analyse elektroakustischer Musik mit Hilfe von Sonagrammen. Peter Lang, Frankfurt, 1994. 211 pp. ISBN 3-631-47427-X.

Leigh Landy

Organised Sound, Volume 9, Issue 02, August 2004, pp 219-220
doi:10.1017/S1355771804210305 (About doi), Published Online by Cambridge University Press 06 Oct 2004
 

Simon Emmerson (ed.), Music, Electronic Media and Culture. Ashgate, Aldershot, 2000. ISBN 0-7546-0109-9 (hardback).

Peter Nelson

Organised Sound, Volume 9, Issue 02, August 2004, pp 220-223
doi:10.1017/S1355771804230308 (About doi), Published Online by Cambridge University Press 06 Oct 2004
 

Imke Misch and Christoph von Blumröder (eds.), François Bayle – L'image de son/Klangbilder: Technique de mon écoute/Technik meines Hörens. Series – Signale aus Köln/Musik der Zeit, LIT Verlag, Münster, 2003. xi + 234 pp. With CD. ISBN 3-8258-7106-1.

Leigh Landy

Organised Sound, Volume 9, Issue 02, August 2004, pp 220-220
doi:10.1017/S1355771804220301 (About doi), Published Online by Cambridge University Press 06 Oct 2004
 

Errata

 
 

Errata Organised Sound 9/1, April, 2004

Organised Sound, Volume 9, Issue 02, August 2004, pp 224-224
doi:10.1017/S1355771804000317 (About doi), Published Online by Cambridge University Press 06 Oct 2004
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