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An International Journal of Music and Technology

  • Editor(s):
  • Leigh Landy, De Montfort University, Leicester, UK

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Table of Contents - Volume 9 - Issue 01  

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Editorial

 
 

Electroacoustic musics: a century of innovation involving sound and technology – resources, discourse, analytical tools

Marc Battier and Leigh Landy

Organised Sound, Volume 9, Issue 01, April 2004, pp 1-2
doi:10.1017/S1355771804000019 (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

Research Articles

 
 

Electronic music and life

JOEL CHADABE

Organised Sound, Volume 9, Issue 01, April 2004, pp 3-6
doi:10.1017/S1355771804000020 (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

Sound morphology and the articulation of structure in electroacoustic music

JOHN YOUNG

Organised Sound, Volume 9, Issue 01, April 2004, pp 7-14
doi:10.1017/S1355771804000032 (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

Theories market: open for trading

ROSEMARY MOUNTAIN

Organised Sound, Volume 9, Issue 01, April 2004, pp 15-26
doi:10.1017/S1355771804000044 (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

Information technology and communication of musical experience: categories, conflicts and intersections

DANTE TANZI

Organised Sound, Volume 9, Issue 01, April 2004, pp 27-34
doi:10.1017/S1355771804000056 (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

Searching for lost data: outlines of aesthesic–poietic analysis

LAURA ZATTRA

Organised Sound, Volume 9, Issue 01, April 2004, pp 35-46
doi:10.1017/S1355771804000068 (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

Electroacoustic music studies and the danger of loss

MARC BATTIER

Organised Sound, Volume 9, Issue 01, April 2004, pp 47-53
doi:10.1017/S135577180400007X (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

Electroacoustic preservation projects: how to move forward

DANIEL TERUGGI

Organised Sound, Volume 9, Issue 01, April 2004, pp 55-62
doi:10.1017/S1355771804000081 (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

Chronology of early electroacoustic music in Japan: What types of source materials are available?

KOICHI FUJII

Organised Sound, Volume 9, Issue 01, April 2004, pp 63-77
doi:10.1017/S1355771804000093 (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

The ElectroAcoustic Resource Site (EARS): philosophy, foundation and aspirations

SIMON ATKINSON and LEIGH LANDY

Organised Sound, Volume 9, Issue 01, April 2004, pp 79-85
doi:10.1017/S135577180400010X (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

Conservation and restoration of electroacoustic musical instruments at the Musée de la Musique, Paris

SYLVIE RAMEL

Organised Sound, Volume 9, Issue 01, April 2004, pp 87-90
doi:10.1017/S1355771804000111 (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

Reflections on the analysis of artificial vocality: representations, tools and prospective

BRUNO BOSSIS

Organised Sound, Volume 9, Issue 01, April 2004, pp 91-98
doi:10.1017/S1355771804000123 (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

Towards organised listening: some aspects of the ‘Signed Listening’ project, Ircam

NICOLAS DONIN

Organised Sound, Volume 9, Issue 01, April 2004, pp 99-108
doi:10.1017/S1355771804000135 (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

Graphical representation: an analytical and publication tool for electroacoustic music

PIERRE COUPRIE

Organised Sound, Volume 9, Issue 01, April 2004, pp 109-113
doi:10.1017/S1355771804000147 (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

Book Reviews

 
 

Thomas Licata (ed.), Electroacoustic Music – Analytical Perspectives. Greenwood Press, Westport, CT 06881, 2002. xviii + 242 pp. ISBN 0-318-31420-9.

John Dack

Organised Sound, Volume 9, Issue 01, April 2004, pp 115-117
doi:10.1017/S1355771804210159 (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

Jonathan Sterne, The Audible Past: Cultural Origins of Sound Reproduction. Duke University Press, Durham & London, 2003. 450 pp. Paperback. ISBN 0-8223-3013.X.

John Richardson

Organised Sound, Volume 9, Issue 01, April 2004, pp 117-119
doi:10.1017/S1355771804230151 (About doi), Published Online by Cambridge University Press 07 Jun 2004
 

Francis Rumsey, Spatial Audio. Focal Press, Oxford. 240 pp. Softback. ISBN: 0-240-51623-0.

Dave Malham

Organised Sound, Volume 9, Issue 01, April 2004, pp 117-117
doi:10.1017/S1355771804220155 (About doi), Published Online by Cambridge University Press 07 Jun 2004
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