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An International Journal of Music and Technology

  • Editor(s):
  • Leigh Landy, De Montfort University, Leicester, UK

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Table of Contents - Volume 8 - Issue 01  

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Editorial

 
 

Editorial

Leigh Landy

Organised Sound, Volume 8, Issue 01, April 2003, pp 1-3
doi:10.1017/S1355771803001018 (About doi), Published Online by Cambridge University Press 19 Jan 2004
 

Research Articles

 
 

Bodies of evidence, singing cyborgs and other gender issues in electrovocal music

Hannah Bosma

Organised Sound, Volume 8, Issue 01, April 2003, pp 5-17
doi:10.1017/S135577180300102X (About doi), Published Online by Cambridge University Press 19 Jan 2004
 

On gender in new music interface technology

Georg Essl

Organised Sound, Volume 8, Issue 01, April 2003, pp 19-30
doi:10.1017/S1355771803001031 (About doi), Published Online by Cambridge University Press 19 Jan 2004
 

Women and music technology: pioneers, precedents and issues in the United States

Elizabeth Hinkle-Turner

Organised Sound, Volume 8, Issue 01, April 2003, pp 31-47
doi:10.1017/S1355771803001043 (About doi), Published Online by Cambridge University Press 19 Jan 2004
 

Daphne Oram: innovator, writer and composer

Jo Hutton

Organised Sound, Volume 8, Issue 01, April 2003, pp 49-56
doi:10.1017/S1355771803001055 (About doi), Published Online by Cambridge University Press 19 Jan 2004
 

Project Lovelace: unprecedented opportunities for music education

Mary Simoni

Organised Sound, Volume 8, Issue 01, April 2003, pp 57-60
doi:10.1017/S1355771803001067 (About doi), Published Online by Cambridge University Press 19 Jan 2004
 

Electroacoustic voices in vocal performance art - a gender issue?

Theda Weber-Lucks (TU Berlin)

Organised Sound, Volume 8, Issue 01, April 2003, pp 61-69
doi:10.1017/S1355771803001079 (About doi), Published Online by Cambridge University Press 19 Jan 2004
 

Desire and distance in Kaija Saariaho's Lonh

Anne Sivuoja-Gunaratnam

Organised Sound, Volume 8, Issue 01, April 2003, pp 71-84
doi:10.1017/S1355771803001080 (About doi), Published Online by Cambridge University Press 19 Jan 2004
 

Wounds like flowers opening: a discussion of Hysteria for trombone and four-channel tape

Cindy Cox

Organised Sound, Volume 8, Issue 01, April 2003, pp 85-87
doi:10.1017/S1355771803001092 (About doi), Published Online by Cambridge University Press 19 Jan 2004
 

In and out of the sound studio

Andra McCartney

Organised Sound, Volume 8, Issue 01, April 2003, pp 89-96
doi:10.1017/S1355771803001109 (About doi), Published Online by Cambridge University Press 20 Jan 2004
 

GLOBULE of NON-STANDARD: an attempted clarification of globular identity politics in Japanese electronic ‘sightseeing music’

Terre Thaemlitz

Organised Sound, Volume 8, Issue 01, April 2003, pp 97-107
doi:10.1017/S1355771803001110 (About doi), Published Online by Cambridge University Press 19 Jan 2004
 

Shaken or stirred – virtual reverberation spaces and transformative gender identities in Kaija Saariaho's NoaNoa (1992) for flute and electronics

Taina Riikonen

Organised Sound, Volume 8, Issue 01, April 2003, pp 109-115
doi:10.1017/S1355771803001122 (About doi), Published Online by Cambridge University Press 19 Jan 2004
 

Homoeroticism and electroacoustic music: absence and personal voice

Barry Truax

Organised Sound, Volume 8, Issue 01, April 2003, pp 117-124
doi:10.1017/S1355771803001134 (About doi), Published Online by Cambridge University Press 19 Jan 2004
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