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An International Journal of Music and Technology

  • Editor(s):
  • Leigh Landy, De Montfort University, Leicester, UK

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Table of Contents - Volume 11 - Issue 03  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Editorial

 
 

EDITORIAL

Leigh Landy

Organised Sound, Volume 11, Issue 03, December 2006, pp 201-204
doi:10.1017/S1355771806001579 (About doi), Published Online by Cambridge University Press 17 Nov 2006
 

Articles

 
 

Is there a right way to deal with rights?

DANIEL TERUGGI

Organised Sound, Volume 11, Issue 03, December 2006, pp 205-207
doi:10.1017/S1355771806001415 (About doi), Published Online by Cambridge University Press 17 Nov 2006
 

In what form can ‘live electronic music’ live on?

SIMON EMMERSON

Organised Sound, Volume 11, Issue 03, December 2006, pp 209-219
doi:10.1017/S1355771806001427 (About doi), Published Online by Cambridge University Press 17 Nov 2006
 

Modernising musical works involving Yamaha DX-based synthesis: a case study

JAMIE BULLOCK and LAMBERTO COCCIOLI

Organised Sound, Volume 11, Issue 03, December 2006, pp 221-227
doi:10.1017/S1355771806001506 (About doi), Published Online by Cambridge University Press 17 Nov 2006
 

Time to re-wire? Problems and strategies for the maintenance of live electronics

RICHARD POLFREMAN, DAVID SHEPPARD and IAN DEARDEN

Organised Sound, Volume 11, Issue 03, December 2006, pp 229-242
doi:10.1017/S1355771806001543 (About doi), Published Online by Cambridge University Press 17 Nov 2006
 

Electroacoustic adaptation as a mode of survival: arranging Giacinto Scelsi's Aitsi pour piano amplifée (1974) for piano and computer

KERRY YONG

Organised Sound, Volume 11, Issue 03, December 2006, pp 243-254
doi:10.1017/S1355771806001567 (About doi), Published Online by Cambridge University Press 17 Nov 2006
 

Developing a rhythmic performance practice in music for piano and tape

SHIAU-UEN DING

Organised Sound, Volume 11, Issue 03, December 2006, pp 255-272
doi:10.1017/S1355771806001518 (About doi), Published Online by Cambridge University Press 17 Nov 2006
 

A model for the conservation of interactive electroacoustic repertoire: analysis, reconstruction, and performance in the face of technological obsolescence

DAVID BROOKE WETZEL

Organised Sound, Volume 11, Issue 03, December 2006, pp 273-284
doi:10.1017/S1355771806001555 (About doi), Published Online by Cambridge University Press 17 Nov 2006
 

An enactive approach to the design of new tangible musical instruments

GEORG ESSL and SILE O'MODHRAIN

Organised Sound, Volume 11, Issue 03, December 2006, pp 285-296
doi:10.1017/S135577180600152X (About doi), Published Online by Cambridge University Press 17 Nov 2006
 

A comparative evaluation of auditory-visual mappings for sound visualisation

KOSTAS GIANNAKIS

Organised Sound, Volume 11, Issue 03, December 2006, pp 297-307
doi:10.1017/S1355771806001531 (About doi), Published Online by Cambridge University Press 17 Nov 2006
 

Book review

 
 

Hans Schneider, Lose Anweisungen für klare Klangkonstellationen. Musiken und musikalische Phänomene des 20. Jahrhunderts: ihre Bedeutung für die Musikpädagogik. Saarbrücken, Pfau, 2000. 277 pp. ISBN 3-89727-116-8 (Loose Instructions for Clear Sound Constellations. Musics and musical phenomena of the 20th century: their significance for music pedagogy)

Martin Supper

Organised Sound, Volume 11, Issue 03, December 2006, pp 309-310
doi:10.1017/S1355771806211488 (About doi), Published Online by Cambridge University Press 17 Nov 2006
 

Organised Sound DVD

 
 

Organised Sound DVD

Organised Sound, Volume 11, Issue 03, December 2006, pp 311-312
doi:10.1017/S1355771806001580 (About doi), Published Online by Cambridge University Press 17 Nov 2006
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