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An International Journal of Music and Technology

  • Editor(s):
  • Leigh Landy, De Montfort University, Leicester, UK

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Table of Contents - Volume 10 - Issue 01  

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Editorial

 
 

New technology, non-Western instruments and composition

Ian Whalley

Organised Sound, Volume 10, Issue 01, April 2005, pp 1-2
doi:10.1017/S1355771805000610 (About doi), Published Online by Cambridge University Press 23 May 2005
 

Research Articles

 
 

Ecoacoustic and shamanic technologies for multimedia composition and performance

MATTHEW BURTNER

Organised Sound, Volume 10, Issue 01, April 2005, pp 3-19
doi:10.1017/S1355771805000622 (About doi), Published Online by Cambridge University Press 23 May 2005
 

eSaz: a non-Western instrument in the context of a live electronic performance system

ROBERT J. GLUCK

Organised Sound, Volume 10, Issue 01, April 2005, pp 21-29
doi:10.1017/S1355771805000634 (About doi), Published Online by Cambridge University Press 23 May 2005
 

The use of Brazilian folk instrument sounds in a concerto for computer and orchestra

RODOLFO COELHO DE SOUZA

Organised Sound, Volume 10, Issue 01, April 2005, pp 31-36
doi:10.1017/S1355771805000646 (About doi), Published Online by Cambridge University Press 23 May 2005
 

Synthesising Chinese flutes using Csound

LYDIA AYERS

Organised Sound, Volume 10, Issue 01, April 2005, pp 37-49
doi:10.1017/S1355771805000658 (About doi), Published Online by Cambridge University Press 23 May 2005
 

Recent technology and the hybridisation of Western and Chinese musics

CHRISTOPHER J. KEYES

Organised Sound, Volume 10, Issue 01, April 2005, pp 51-56
doi:10.1017/S135577180500066X (About doi), Published Online by Cambridge University Press 23 May 2005
 

Traditional New Zealand Mäori Instruments, Composition and Digital Technology: some recent collaborations and processes

IAN WHALLEY

Organised Sound, Volume 10, Issue 01, April 2005, pp 57-65
doi:10.1017/S1355771805000671 (About doi), Published Online by Cambridge University Press 23 May 2005
 

Computer models and compositional applications of plastic corrugated tubes

STEFANIA SERAFIN and JURAJ KOJS

Organised Sound, Volume 10, Issue 01, April 2005, pp 67-73
doi:10.1017/S1355771805000683 (About doi), Published Online by Cambridge University Press 23 May 2005
 

Atomic noise

KRISTOFFER JENSEN

Organised Sound, Volume 10, Issue 01, April 2005, pp 75-81
doi:10.1017/S1355771805000695 (About doi), Published Online by Cambridge University Press 23 May 2005
 

Book Reviews

 
 

Christopher Cox and Daniel Warner (eds.), Audio Culture: Readings in Modern Music. Continuum, New York, 2004. xvii + 454 pp. ISBN 0-8264-1615-2. $19.95/£12.99.

Leigh Landy

Organised Sound, Volume 10, Issue 01, April 2005, pp 83-84
doi:10.1017/S1355771805700704 (About doi), Published Online by Cambridge University Press 23 May 2005
 

Peter Utz, Introduction to Audio. A-R Editions, Middleton, WI, 2003. xii + 268 pp. ISBN 0-89579-512-4. $36.95.

Francis Rumsey

Organised Sound, Volume 10, Issue 01, April 2005, pp 84-85
doi:10.1017/S1355771805710700 (About doi), Published Online by Cambridge University Press 23 May 2005
 

Stéphane Roy, L'analyse des musiques électroacoustiques: Modèles et propositions (preface by J. J. Nattiez). L'Harmattan, Paris, 2003. 589 pp. ISBN 2-7475-5609-3.

Leigh Landy

Organised Sound, Volume 10, Issue 01, April 2005, pp 85-86
doi:10.1017/S1355771805720707 (About doi), Published Online by Cambridge University Press 23 May 2005
 

Timothy Warner, Pop Music – Technology and Creativity. Ashgate, Aldershot, 2003. 172 pp. ISBN 0-7546-3131-1. RRP 27 Euros.

Jeroen van Iterson

Organised Sound, Volume 10, Issue 01, April 2005, pp 86-87
doi:10.1017/S1355771805730703 (About doi), Published Online by Cambridge University Press 23 May 2005
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