Organised Sound Vol. 10 Issue 01

Organised Sound

An International Journal of Music and Technology

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Table of Contents - Volume 10 - Issue 01 - 2005

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Editorial

New technology, non-Western instruments and composition New technology, non-Western instruments and composition

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Ian Whalley

Organised Sound / Volume 10 / Issue 01 / April 2005, pp 1 - 2

Cambridge University Press 2005

DOI: http://dx.doi.org/10.1017/S1355771805000610 (About DOI), Published online: 23 May 2005

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Research Articles

Ecoacoustic and shamanic technologies for multimedia composition and performance Ecoacoustic and shamanic technologies for multimedia composition and performance

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MATTHEW BURTNER

Organised Sound / Volume 10 / Issue 01 / April 2005, pp 3 - 19

Cambridge University Press 2005

DOI: http://dx.doi.org/10.1017/S1355771805000622 (About DOI), Published online: 23 May 2005

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eSaz: a non-Western instrument in the context of a live electronic performance system eSaz: a non-Western instrument in the context of a live electronic performance system

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ROBERT J. GLUCK

Organised Sound / Volume 10 / Issue 01 / April 2005, pp 21 - 29

Cambridge University Press 2005

DOI: http://dx.doi.org/10.1017/S1355771805000634 (About DOI), Published online: 23 May 2005

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The use of Brazilian folk instrument sounds in a concerto for computer and orchestra The use of Brazilian folk instrument sounds in a concerto for computer and orchestra

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RODOLFO COELHO DE SOUZA

Organised Sound / Volume 10 / Issue 01 / April 2005, pp 31 - 36

Cambridge University Press 2005

DOI: http://dx.doi.org/10.1017/S1355771805000646 (About DOI), Published online: 23 May 2005

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Synthesising Chinese flutes using Csound Synthesising Chinese flutes using Csound

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LYDIA AYERS

Organised Sound / Volume 10 / Issue 01 / April 2005, pp 37 - 49

Cambridge University Press 2005

DOI: http://dx.doi.org/10.1017/S1355771805000658 (About DOI), Published online: 23 May 2005

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Recent technology and the hybridisation of Western and Chinese musics Recent technology and the hybridisation of Western and Chinese musics

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CHRISTOPHER J. KEYES

Organised Sound / Volume 10 / Issue 01 / April 2005, pp 51 - 56

Cambridge University Press 2005

DOI: http://dx.doi.org/10.1017/S135577180500066X (About DOI), Published online: 23 May 2005

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Traditional New Zealand Mäori Instruments, Composition and Digital Technology: some recent collaborations and processes Traditional New Zealand Mäori Instruments, Composition and Digital Technology: some recent collaborations and processes

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IAN WHALLEY

Organised Sound / Volume 10 / Issue 01 / April 2005, pp 57 - 65

Cambridge University Press 2005

DOI: http://dx.doi.org/10.1017/S1355771805000671 (About DOI), Published online: 23 May 2005

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Computer models and compositional applications of plastic corrugated tubes Computer models and compositional applications of plastic corrugated tubes

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STEFANIA SERAFIN and JURAJ KOJS

Organised Sound / Volume 10 / Issue 01 / April 2005, pp 67 - 73

Cambridge University Press 2005

DOI: http://dx.doi.org/10.1017/S1355771805000683 (About DOI), Published online: 23 May 2005

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Atomic noise Atomic noise

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KRISTOFFER JENSEN

Organised Sound / Volume 10 / Issue 01 / April 2005, pp 75 - 81

Cambridge University Press 2005

DOI: http://dx.doi.org/10.1017/S1355771805000695 (About DOI), Published online: 23 May 2005

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Book Reviews

Christopher Cox and Daniel Warner (eds.), Audio Culture: Readings in Modern Music. Continuum, New York, 2004. xvii + 454 pp. ISBN 0-8264-1615-2. $19.95/£12.99. Christopher Cox and Daniel Warner (eds.), Audio Culture: Readings in Modern Music. Continuum, New York, 2004. xvii + 454 pp. ISBN 0-8264-1615-2. \$19.95/£12.99.

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Leigh Landy

Organised Sound / Volume 10 / Issue 01 / April 2005, pp 83 - 84

Cambridge University Press 2005

DOI: http://dx.doi.org/10.1017/S1355771805700704 (About DOI), Published online: 23 May 2005

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Peter Utz, Introduction to Audio. A-R Editions, Middleton, WI, 2003. xii + 268 pp. ISBN 0-89579-512-4. $36.95. Peter Utz, Introduction to Audio. A-R Editions, Middleton, WI, 2003. xii + 268 pp. ISBN 0-89579-512-4. \$36.95.

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Francis Rumsey

Organised Sound / Volume 10 / Issue 01 / April 2005, pp 84 - 85

Cambridge University Press 2005

DOI: http://dx.doi.org/10.1017/S1355771805710700 (About DOI), Published online: 23 May 2005

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Stéphane Roy, L'analyse des musiques électroacoustiques: Modèles et propositions (preface by J. J. Nattiez). L'Harmattan, Paris, 2003. 589 pp. ISBN 2-7475-5609-3. Stéphane Roy, L'analyse des musiques électroacoustiques: Modèles et propositions (preface by J. J. Nattiez). L'Harmattan, Paris, 2003. 589 pp. ISBN 2-7475-5609-3.

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Leigh Landy

Organised Sound / Volume 10 / Issue 01 / April 2005, pp 85 - 86

Cambridge University Press 2005

DOI: http://dx.doi.org/10.1017/S1355771805720707 (About DOI), Published online: 23 May 2005

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Timothy Warner, Pop Music – Technology and Creativity. Ashgate, Aldershot, 2003. 172 pp. ISBN 0-7546-3131-1. RRP 27 Euros. Timothy Warner, Pop Music – Technology and Creativity. Ashgate, Aldershot, 2003. 172 pp. ISBN 0-7546-3131-1. RRP 27 Euros.

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Jeroen van Iterson

Organised Sound / Volume 10 / Issue 01 / April 2005, pp 86 - 87

Cambridge University Press 2005

DOI: http://dx.doi.org/10.1017/S1355771805730703 (About DOI), Published online: 23 May 2005

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