Organised Sound Vol. 18 Special Issue 01

Organised Sound

An International Journal of Music and Technology

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Table of Contents - Volume 18 - Special Issue 01 (Audiences and Participants) - April 2013

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Editorial

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Lonce Wyse

Organised Sound / Volume 18 / Special Issue 01 / April 2013, pp 1 - 2

DOI: http://dx.doi.org/10.1017/S1355771812000180 (About DOI), Published online: 26 March 2013

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Articles

‘The Open Work’: Ecologies of participation ‘The Open Work’: Ecologies of participation

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Guy Harries

Organised Sound / Volume 18 / Special Issue 01 / April 2013, pp 3 - 13

DOI: http://dx.doi.org/10.1017/S1355771812000192 (About DOI), Published online: 26 March 2013

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Lowercase Strategies in Public Sound Art: celebrating the transient audience Lowercase Strategies in Public Sound Art: celebrating the transient audience

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Peter Batchelor

Organised Sound / Volume 18 / Special Issue 01 / April 2013, pp 14 - 21

DOI: http://dx.doi.org/10.1017/S1355771812000209 (About DOI), Published online: 26 March 2013

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My Content/My Space/My Music My Content/My Space/My Music

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Alexandros Kontogeorgakopoulos and Olivia Kotsifa

Organised Sound / Volume 18 / Special Issue 01 / April 2013, pp 22 - 29

DOI: http://dx.doi.org/10.1017/S1355771812000210 (About DOI), Published online: 26 March 2013

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massMobile: towards a flexible framework for large-scale participatory collaborations in live performances massMobile: towards a flexible framework for large-scale participatory collaborations in live performances

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Nathan Weitzner, Jason Freeman, Yan-Ling Chen and Stephen Garrett

Organised Sound / Volume 18 / Special Issue 01 / April 2013, pp 30 - 42

DOI: http://dx.doi.org/10.1017/S1355771812000222 (About DOI), Published online: 26 March 2013

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Understanding Interpretation, Informing Composition: audience involvement in aesthetic result Understanding Interpretation, Informing Composition: audience involvement in aesthetic result

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Andrew Hill

Organised Sound / Volume 18 / Special Issue 01 / April 2013, pp 43 - 59

DOI: http://dx.doi.org/10.1017/S1355771812000234 (About DOI), Published online: 26 March 2013

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On Performing Electroacoustic Musics: a non-idiomatic case study for Adorno's theory of musical reproduction On Performing Electroacoustic Musics: a non-idiomatic case study for Adorno's theory of musical reproduction

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Elizabeth Hoffman

Organised Sound / Volume 18 / Special Issue 01 / April 2013, pp 60 - 70

DOI: http://dx.doi.org/10.1017/S1355771812000246 (About DOI), Published online: 26 March 2013

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The Naturalised and the Surreal: changes in the perception of popular music sound The Naturalised and the Surreal: changes in the perception of popular music sound

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Ragnhild Brøvig-Hanssen and Anne Danielsen

Organised Sound / Volume 18 / Special Issue 01 / April 2013, pp 71 - 80

DOI: http://dx.doi.org/10.1017/S1355771812000258 (About DOI), Published online: 26 March 2013

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Schaeffer's Values, Henry's Monsters and Orchestral Noise Reduction Schaeffer's Values, Henry's Monsters and Orchestral Noise Reduction

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Jeffrey DeThorne

Organised Sound / Volume 18 / Special Issue 01 / April 2013, pp 81 - 91

DOI: http://dx.doi.org/10.1017/S135577181200026X (About DOI), Published online: 26 March 2013

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Book Reviews

Boulanger Richard and Lazzarini Victor, eds, The Audio Programming Book. Cambridge, MA: The MIT Press, 2010. ISBN 978-0-262-01446-5

Wilson Scott, Cottle David and Collins Nick, eds, The SuperCollider Book. Cambridge, MA: The MIT Press, 2011. ISBN 978-0-262-23269-2 Boulanger Richard and Lazzarini Victor, eds, The Audio Programming Book. Cambridge, MA: The MIT Press, 2010. ISBN 978-0-262-01446-5

Wilson Scott, Cottle David and Collins Nick, eds, The SuperCollider Book. Cambridge, MA: The MIT Press, 2011. ISBN 978-0-262-23269-2

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Joseph Anderson

Organised Sound / Volume 18 / Special Issue 01 / April 2013, pp 92 - 96

DOI: http://dx.doi.org/10.1017/S1355771812000271 (About DOI), Published online: 26 March 2013

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Florence Feiereisen and Alexandra Merley Hill, Germany in the Loud Twentieth Century: An Introduction. New York: Oxford University Press, 2012. ISBN 978-0-19-975938-5 Florence Feiereisen and Alexandra Merley Hill, Germany in the Loud Twentieth Century: An Introduction. New York: Oxford University Press, 2012. ISBN 978-0-19-975938-5

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Tatjana Böhme-Mehner

Organised Sound / Volume 18 / Special Issue 01 / April 2013, pp 96 - 97

DOI: http://dx.doi.org/10.1017/S1355771812000283 (About DOI), Published online: 26 March 2013

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DVD Information

Sound and movie examples – issue 18(1) Sound and movie examples – issue 18(1)

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Organised Sound / Volume 18 / Special Issue 01 / April 2013, pp 98 - 98

DOI: http://dx.doi.org/10.1017/S1355771812000313 (About DOI), Published online: 26 March 2013

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Front Cover (OFC, IFC) and matter

OSO volume 18 issue 1 Cover and Front matter OSO volume 18 issue 1 Cover and Front matter

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Organised Sound / Volume 18 / Special Issue 01 / April 2013, pp f1 - f2

DOI: http://dx.doi.org/10.1017/S1355771812000301 (About DOI), Published online: 26 March 2013

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Back Cover (OBC, IBC) and matter

OSO volume 18 issue 1 Cover and Back matter OSO volume 18 issue 1 Cover and Back matter

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Organised Sound / Volume 18 / Special Issue 01 / April 2013, pp b1 - b8

DOI: http://dx.doi.org/10.1017/S1355771812000295 (About DOI), Published online: 26 March 2013

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View Table of Contents as PDF
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Welcome to Cambridge Journals Online

Organised Sound

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