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  • Editor(s):
  • Suzanne Aspden, University of Oxford, UK
    Steven Huebner, McGill University, Canada

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Table of Contents - Volume 19 - Issue 01  

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Research Articles

 
 

Introduction: Divo worship

KAREN HENSON

Cambridge Opera Journal , Volume 19, Issue 01, March 2007, pp 1-9
doi:10.1017/S0954586707002236 (About doi), Published Online by Cambridge University Press 17 May 2007
 

The pathological voice of Gilbert-Louis Duprez

GREGORY W. BLOCH

Cambridge Opera Journal , Volume 19, Issue 01, March 2007, pp 11-31
doi:10.1017/S0954586707002248 (About doi), Published Online by Cambridge University Press 17 May 2007
 

The disappearing danseur

MARIAN SMITH

Cambridge Opera Journal , Volume 19, Issue 01, March 2007, pp 33-57
doi:10.1017/S095458670700225X (About doi), Published Online by Cambridge University Press 17 May 2007
 

Verdi, Victor Maurel and fin-de-siècle operatic performance

KAREN HENSON

Cambridge Opera Journal , Volume 19, Issue 01, March 2007, pp 59-84
doi:10.1017/S0954586707002261 (About doi), Published Online by Cambridge University Press 17 May 2007
 

Response: Men with a past

THOMAS W. LAQUEUR

Cambridge Opera Journal , Volume 19, Issue 01, March 2007, pp 85-89
doi:10.1017/S0954586707002273 (About doi), Published Online by Cambridge University Press 17 May 2007
 

Book Reviews

 
 

Edmund Goehring. Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in ‘Così fan tutte’. Cambridge: Cambridge University Press, 2004. pp. xvi+280

Stephen Rumph

Cambridge Opera Journal , Volume 19, Issue 01, March 2007, pp 91-96
doi:10.1017/S0954586707002285 (About doi), Published Online by Cambridge University Press 17 May 2007
 

The Cambridge Companion to Twentieth-Century Opera, ed. Mervyn Cooke . Cambridge: Cambridge University Press, 2005. pp. xlvii+374

Davinia Caddy

Cambridge Opera Journal , Volume 19, Issue 01, March 2007, pp 97-105
doi:10.1017/S0954586707002297 (About doi), Published Online by Cambridge University Press 17 May 2007
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