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  • Note: Abstract, PDF and HTML open in a new window

  • Editor(s):
  • Suzanne Aspden, University of Oxford, UK
    Steven Huebner, McGill University, Canada

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Table of Contents - Volume 17 - Issue 01  

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Regular Articles

 
Free access

Wagner's last chorus: Consecrating space and spectatorship in Parsifal

RYAN MINOR

Cambridge Opera Journal , Volume 17, Issue 01, March 2005, pp 1-36
doi:10.1017/S0954586705001965 (About doi), Published Online by Cambridge University Press 08 Jun 2005
Free access

Variations on the Dance of the Seven Veils

DAVINIA CADDY

Cambridge Opera Journal , Volume 17, Issue 01, March 2005, pp 37-58
doi:10.1017/S095458670500193X (About doi), Published Online by Cambridge University Press 08 Jun 2005
Free access

Cinematic realism, reflexivity and the American ‘Madame Butterfly’ narratives

W. ANTHONY SHEPPARD

Cambridge Opera Journal , Volume 17, Issue 01, March 2005, pp 59-93
doi:10.1017/S0954586705001941 (About doi), Published Online by Cambridge University Press 08 Jun 2005
 

Book reviews

 
Free access

Mark Everist, Music Drama at the Paris Odéon, 1824–1828. Berkeley and Los Angeles: University of California Press, 2002. 332pp. John D. Drysdale, Louis Véron and the Finances of the Académie Royale de Musique. Frankfurt am Main: Peter Lang, 2003. 261pp.

Benjamin Walton

Cambridge Opera Journal , Volume 17, Issue 01, March 2005, pp 95-104
doi:10.1017/S0954586705001953 (About doi), Published Online by Cambridge University Press 08 Jun 2005
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