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  • Editor(s):
  • Suzanne Aspden, University of Oxford, UK
    Steven Huebner, McGill University, Canada

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Table of Contents - Volume 16 - Issue 02  

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Regular Articles

 
 

‘Dormez donc, mes chers amours’: Hérold's La Somnambule (1827) and dream phenomena on the Parisian lyric stage

SARAH HIBBERD

Cambridge Opera Journal , Volume 16, Issue 02, July 2004, pp 107-132
doi:DOI:10.1017/S0954586704001818 (About doi), Published Online by Cambridge University Press 12 Jul 2004
 

Theatres of litigation: Stage music at the Théâtre de la Renaissance, 1838–1840

MARK EVERIST

Cambridge Opera Journal , Volume 16, Issue 02, July 2004, pp 133-161
doi:DOI:10.1017/S095458670400182X (About doi), Published Online by Cambridge University Press 12 Jul 2004
 

Duetto a tre: Franco Alfano's completion of Turandot

LINDA B. FAIRTILE

Cambridge Opera Journal , Volume 16, Issue 02, July 2004, pp 163-185
doi:DOI:10.1017/S0954586704001831 (About doi), Published Online by Cambridge University Press 12 Jul 2004
 

‘È l’ora della prova': Berio's finale for Puccini's Turandot

MARCO UVIETTA

Cambridge Opera Journal , Volume 16, Issue 02, July 2004, pp 187-238
doi:DOI:10.1017/S0954586704001843 (About doi), Published Online by Cambridge University Press 12 Jul 2004
 

Book reviews

 
 

The Cambridge Companion to Grand Opera, ed. David Charlton. Cambridge: Cambridge University Press, 2003. xxi+496 pp.

Cormac Newark

Cambridge Opera Journal , Volume 16, Issue 02, July 2004, pp 239-247
doi:DOI:10.1017/S0954586704001855 (About doi), Published Online by Cambridge University Press 12 Jul 2004
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