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  • Editor(s):
  • Suzanne Aspden, University of Oxford, UK
    Steven Huebner, McGill University, Canada

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Table of Contents - Volume 14 - Issue 1-2  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Regular Articles

 
 

Primal scenes: Verdi in analysis

MARY ANN SMART

Cambridge Opera Journal , Volume 14, Issue 1-2, March 2002, pp 1-9
doi:10.1017/S0954586702000010 (About doi), Published Online by Cambridge University Press 20 Jun 2003
 

‘… qualche cosa d’incredibile …': Hearing the invisible in Macbeth

ELIZABETH HUDSON

Cambridge Opera Journal , Volume 14, Issue 1-2, March 2002, pp 11-29
doi:10.1017/S0954586702000022 (About doi), Published Online by Cambridge University Press 20 Jun 2003
 

‘Bewitched, bothered and bewildered’: Lady Macbeth, sleepwalking, and the demonic in Verdi's Scottish opera

JANE A. BERNSTEIN

Cambridge Opera Journal , Volume 14, Issue 1-2, March 2002, pp 31-46
doi:10.1017/S0954586702000034 (About doi), Published Online by Cambridge University Press 20 Jun 2003
 

‘The firmness of a female hand’ in The Corsair and Il corsaro

HEATHER HADLOCK

Cambridge Opera Journal , Volume 14, Issue 1-2, March 2002, pp 47-57
doi:10.1017/S0954586702000046 (About doi), Published Online by Cambridge University Press 20 Jun 2003
 

‘Chi piange, qual forza m'arretra?’: Verdi's interior voices

MELINA ESSE

Cambridge Opera Journal , Volume 14, Issue 1-2, March 2002, pp 59-78
doi:10.1017/S0954586702000058 (About doi), Published Online by Cambridge University Press 20 Jun 2003
 

‘Teco io sto’: Strategies of seduction in Act II of Un ballo in maschera

EMANUELE SENICI

Cambridge Opera Journal , Volume 14, Issue 1-2, March 2002, pp 79-92
doi:10.1017/S095458670200006X (About doi), Published Online by Cambridge University Press 20 Jun 2003
 

Masked balls

RALPH HEXTER

Cambridge Opera Journal , Volume 14, Issue 1-2, March 2002, pp 93-108
doi:10.1017/S0954586702000071 (About doi), Published Online by Cambridge University Press 20 Jun 2003
 

Don Carlos as Bildungsoper: Carlos's last act

DAVID ROSEN

Cambridge Opera Journal , Volume 14, Issue 1-2, March 2002, pp 109-131
doi:10.1017/S0954586702000083 (About doi), Published Online by Cambridge University Press 20 Jun 2003
 

Philippe and Posa Act II: The shock of the new

ROGER PARKER

Cambridge Opera Journal , Volume 14, Issue 1-2, March 2002, pp 133-147
doi:10.1017/S0954586702000095 (About doi), Published Online by Cambridge University Press 20 Jun 2003
 

Verdi's Egyptian spectacle: On the colonial subject of Aida

KATHERINE BERGERON

Cambridge Opera Journal , Volume 14, Issue 1-2, March 2002, pp 149-159
doi:10.1017/S0954586702000101 (About doi), Published Online by Cambridge University Press 20 Jun 2003
 

‘O patria mia’: Patriotism, dream, death

STEVEN HUEBNER

Cambridge Opera Journal , Volume 14, Issue 1-2, March 2002, pp 161-175
doi:10.1017/S0954586702000113 (About doi), Published Online by Cambridge University Press 20 Jun 2003
 

Aida's flutes

GABRIELA CRUZ

Cambridge Opera Journal , Volume 14, Issue 1-2, March 2002, pp 177-200
doi:10.1017/S0954586702000125 (About doi), Published Online by Cambridge University Press 20 Jun 2003
 

Shedding light on the audience: Hans Neuenfels and Peter Konwitschny stage Verdi (and Verdians)

CLEMENS RISI

Cambridge Opera Journal , Volume 14, Issue 1-2, March 2002, pp 201-210
doi:10.1017/S0954586702000137 (About doi), Published Online by Cambridge University Press 20 Jun 2003
 

Comparing notes: Amelia/Maria and the ‘larve del passato’

ALESSANDRA CAMPANA

Cambridge Opera Journal , Volume 14, Issue 1-2, March 2002, pp 211-227
doi:10.1017/S0954586702000149 (About doi), Published Online by Cambridge University Press 20 Jun 2003
 

Learning to curse at sixty-seven

GARY TOMLINSON

Cambridge Opera Journal , Volume 14, Issue 1-2, March 2002, pp 229-241
doi:10.1017/S0954586702000150 (About doi), Published Online by Cambridge University Press 20 Jun 2003
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