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New Theatre Quarterly

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  • Editor(s):
  • Maria Shevtsova , Goldsmiths, University of London, UK
    Simon Trussler, Rose Bruford College, UK

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Table of Contents - Volume 25 - Issue 03  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Research Articles

 
 

The Generations of the Diaspora and Multiculturalism in Britain

Jatinder Verma

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 203-223
doi:10.1017/S0266464X09000396 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

Embodying Emptiness: the Irreality of Mikhail Chekhov's Khlestakov

Laurence Senelick

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 224-232
doi:10.1017/S0266464X09000402 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

The Relationship between Theatre and Ritual in the Sogo bò of the Bamana from Mali

Marie Kruger

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 233-240
doi:10.1017/S0266464X09000414 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

Ripple Effect: the Theatrical Life of Max Linder

Frank Bren

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 241-254
doi:10.1017/S0266464X09000426 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

Whose Performance Is It Anyway? Performed Criticism as Feminist Strategy

Stefka Mihaylova

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 255-273
doi:10.1017/S0266464X09000438 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

Making Visible the Invisible: Corporeal Mime in the Twenty-First Century

Nicola Baylis

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 274-288
doi:10.1017/S0266464X0900044X (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

NTQ Reports and Announcements

 
 

All Together Now? British Theatre after Multiculturalism: Report on the British Theatre Conference held at Warwick Arts Centre, 13–14 June 2009

Jacqueline Bolton

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 289-289
doi:10.1017/S0266464X09000451 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

Vamps, Vixens, and Feminists: Report on the Sphinx Conference held at the National Theatre, London, on 16 June 2009

Sarah Grochala

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 290-290
doi:10.1017/S0266464X09000463 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

NTQ Book Reviews

 
 

Rose Whyman The Stanislavsky System of Acting: Legacy and Influence in Modern Performance Cambridge: Cambridge University Press, 2008. 297 p. £50.00. ISBN: 978-0-521-88696-3.

Kara Reilly

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 291-291
doi:10.1017/S0266464X09000475 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

Philip Roberts About Churchill: the Playwright and the Work London: Faber and Faber, 2008. 304 p. £12.99. ISBN: 978-0-571-229628.

Jozefina Komporaly

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 291-292
doi:10.1017/S0266464X09000487 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

Andrew Wyllie Sex on Stage: Gender and Sexuality in Post-War British Theatre Bristol: Intellect, 2009. 153 p. £14.95. ISBN 978-1-84150-203-8.

Aleks Sierz

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 292-292
doi:10.1017/S0266464X09000499 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

Mark Evans Movement Training for the Modern Actor New York: Routledge, 2009. 212 p. £65.00. ISBN: 0-415-96367-1.

Dymphna Callery

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 292-293
doi:10.1017/S0266464X09000505 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

Jane Moody and Daniel O'Quinn, ed. The Cambridge Companion to British Theatre 1730–1830 Cambridge: Cambridge University Press, 2007. 285p. £17.99. ISBN: 978-0-521-61777-2.

Jane Milling

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 293-293
doi:10.1017/S0266464X09000517 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

Bernadette Sweeney Performing the Body in Irish Theatre Basingstoke: Palgrave Macmillan, 2008. 256 p. £48.00. ISBN: 978-1-4039-9709-8.

Tom Maguire

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 294-294
doi:10.1017/S0266464X09000529 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

Vanessa Cunningham Shakespeare and Garrick Cambridge: Cambridge University Press, 2008. 231 p. £50.00. ISBN: 978-0-521-88977-3.

George Taylor

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 294-295
doi:10.1017/S0266464X09000530 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

Michael Pickering Blackface Minstrelsy in Britain Aldershot: Ashgate, 2008. 253 p. £55.00. ISBN: 978-0-7546-5859-7.

Simon Featherstone

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 295-295
doi:10.1017/S0266464X09000542 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

Andrew Quick The Wooster Group Workbook London: Routledge, 2007. 287 p. £24.99. ISBN: 978-0-415-35334-2.

Maggie B. Gale

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 295-296
doi:10.1017/S0266464X09000554 (About doi), Published Online by Cambridge University Press 06 Aug 2009
 

Phillip B. Zarrilli, with DVD-Rom by Peter Hulton Psychophysical Acting: an Intercultural Approach after Stanislavsky London; New York: Routledge, 2009. 255 p. £21.99. ISBN: 978-0-415-33458-7.

Sarah Gorman

New Theatre Quarterly, Volume 25, Issue 03, August 2009, pp 296-296
doi:10.1017/S0266464X09000566 (About doi), Published Online by Cambridge University Press 06 Aug 2009
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