New Theatre Quarterly

Research Articles

A Saturated Time: Three Festivals in Poland, 2007

Murray Edmond

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 307-321

doi:10.1017/S0266464X08000468 (About doi), Published Online by Cambridge University Press 17 Nov 2008

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‘Let's Hurt Someone’: Violence and Cultural Memory in the Plays of Neil LaBute

Ilka Saal

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 322-336

doi:10.1017/S0266464X0800047X (About doi), Published Online by Cambridge University Press 17 Nov 2008

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‘Did You Watch the Man or Did You Watch the Goose?’ Children's Responses to Puppets in Live Theatre

Matthew Reason

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 337-354

doi:10.1017/S0266464X08000481 (About doi), Published Online by Cambridge University Press 17 Nov 2008

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Eric Wolfensohn: Pioneer of Twentieth-Century British Theatre Lighting Design

Nigel Morgan

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 355-362

doi:10.1017/S0266464X08000493 (About doi), Published Online by Cambridge University Press 17 Nov 2008

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Chekhov's Poetic and Social Realism on the Italian Stage, 1924–1964

Anna Sica

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 363-378

doi:10.1017/S0266464X0800050X (About doi), Published Online by Cambridge University Press 17 Nov 2008

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The Citizenship Debate and Theatre for Young People in Contemporary Scotland

Adrienne Scullion

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 379-393

doi:10.1017/S0266464X08000511 (About doi), Published Online by Cambridge University Press 17 Nov 2008

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NTQ Book Reviews

Ben Harker Class Act: the Cultural and Political Life of Ewan MacColl London: Pluto Press, 2007. 352 p. £15.99. ISBN: 978-0-7453-2165-3.

Nadine Holdsworth

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 394-394

doi:10.1017/S0266464X08000523 (About doi), Published Online by Cambridge University Press 17 Nov 2008

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Maaike Bleeker, ed. Anatomy Live: Performance and the Operating Theatre Amsterdam: Amsterdam University Press, 2008. 270 p. £22.50. ISBN: 978-90-5356-516-2.

Patrick Duggan

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 394-395

doi:10.1017/S0266464X08000535 (About doi), Published Online by Cambridge University Press 17 Nov 2008

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Philip Butterworth, ed. The Narrator, the Expositor, and the Prompter in European Medieval Theatre Turnhout: Brepols, 2007. xiv, 346 p. €80. ISBN: 978-2-503-52579-2.

John Marshall

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 395-395

doi:10.1017/S0266464X08000547 (About doi), Published Online by Cambridge University Press 17 Nov 2008

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Nick Kaye Multi-Media: Video – Installation – Performance London: Routledge, 2007. 249 p. £22.99. ISBN: 978-0-415-28381-6.

Iryna Kuksa

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 395-396

doi:10.1017/S0266464X08000559 (About doi), Published Online by Cambridge University Press 17 Nov 2008

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Leon Rubin and I. Nyoman Sedana Performance in Bali London; New York: Routledge, 2007. 159 p. £60.00. ISBN: 978-0-415-33131-9.

Matthew Isaac Cohen

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 396-396

doi:10.1017/S0266464X08000560 (About doi), Published Online by Cambridge University Press 17 Nov 2008

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Anthony Jackson Theatre, Education, and the Making of Meanings Manchester: Manchester University Press, 2007. 302 p. £15.99. ISBN: 978-0-7190-6542-2.

John Somers

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 396-397

doi:10.1017/S0266464X08000572 (About doi), Published Online by Cambridge University Press 17 Nov 2008

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David Thomas, David Carlton and Anne Etienne Theatre Censorship: from Walpole to Wilson Oxford: Oxford University Press, 2007. 280 p. £50.00. ISBN: 978-0-19-926028-7.

John F. Deeney

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 397-398

doi:10.1017/S0266464X08000584 (About doi), Published Online by Cambridge University Press 17 Nov 2008

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Tracy C. Davis and Peter Holland, ed. The Performing Century: Nineteenth-Century Theatre's History London: Palgrave Macmillan, 2007. 288 p. £55.00. ISBN: 978-0-230-57256-0.

Jo Robinson

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 398-398

doi:10.1017/S0266464X08000596 (About doi), Published Online by Cambridge University Press 17 Nov 2008

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Amelia Howe Kritzer Political Theatre in Post-Thatcher Britain: New Writing 1995–2005 Basingstoke: Palgrave Macmillan, 2008. 232 p. £45.00. ISBN: 978-1-4039-8829-4.

Aleks Sierz

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 398-399

doi:10.1017/S0266464X08000602 (About doi), Published Online by Cambridge University Press 17 Nov 2008

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D. Keith Peacock Changing Performance: Culture and Performance in the British Theatre since 1945 Bern: Peter Lang, 2007. 284 p. £35.00. ISBN: 978-3-03911-071-1.

Graham Saunders

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 399-399

doi:10.1017/S0266464X08000614 (About doi), Published Online by Cambridge University Press 17 Nov 2008

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Philip C. Kolin, ed. Contemporary African American Women Playwrights: a Casebook London: Routledge, 2007. 207 p. £60.00. ISBN: 0-415-97826-2.

Lynette Goddard

New Theatre Quarterly, Volume 24, Issue 04, November 2008, pp 399-400

doi:10.1017/S0266464X08000626 (About doi), Published Online by Cambridge University Press 17 Nov 2008

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