Skip to Navigation
Skip to Content
 
Home> New Theatre Quarterly> Vol. 23 Issue 03

 

Log In

Cambridge Journals Digital Archive

Click here for details about our archive digitisation project. more details

2009 Journals Catalogue

Click here to download a PDF of our latest catalogue; a comprehensive guide to all of our journals. more details

CJO Now Includes:

567,269 articles from 321 leading journals.

New Theatre Quarterly

Search

  • Note: Abstract, PDF and HTML open in a new window

  • Editor(s):
  • Maria Shevtsova , Goldsmiths, University of London, UK
    Simon Trussler, Rose Bruford College, UK

Sort by

Previous Issue Next Issue

Table of Contents - Volume 23 - Issue 03  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Research Articles

 
 

Nobody, Somebody, and King Lear

Peter Womack

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 195-207
doi:10.1017/S0266464X07000103 (About doi), Published Online by Cambridge University Press 14 Aug 2007
 

Acts of Creative Vandalism? Plane Performance Deconstruct the Canon

Jane Turner

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 208-218
doi:10.1017/S0266464X07000115 (About doi), Published Online by Cambridge University Press 14 Aug 2007
 

The Paradox of Quaker Theatre

Benjamin Lloyd

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 219-228
doi:10.1017/S0266464X07000127 (About doi), Published Online by Cambridge University Press 14 Aug 2007
 

Becoming More Provincial? The Global and the Local in Theatre History

Jo Robinson

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 229-240
doi:10.1017/S0266464X07000139 (About doi), Published Online by Cambridge University Press 14 Aug 2007
 

What is Black Theatre? The African-American Season at the Tricycle Theatre

Kobna Holdbrook-Smith

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 241-252
doi:10.1017/S0266464X07000140 (About doi), Published Online by Cambridge University Press 14 Aug 2007
 

‘Know Whence You Came’: Dramatic Art and Black British Identity

Kwame Kwei-Armah

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 253-263
doi:10.1017/S0266464X07000152 (About doi), Published Online by Cambridge University Press 14 Aug 2007
 

Gospel Truth? Howard Brenton's Paul and the Bible

John H. Baker

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 264-271
doi:10.1017/S0266464X07000164 (About doi), Published Online by Cambridge University Press 14 Aug 2007
 

The Body Ill at Ease in Post-War Japanese Theatre

Manabu Noda

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 272-282
doi:10.1017/S0266464X07000176 (About doi), Published Online by Cambridge University Press 14 Aug 2007
 

NTQ Book Reviews

 
 

Garrett A. Sullivan Jr, Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster. Cambridge: Cambridge University Press, 2005. 184 p. £45. ISBN: 978-0-521-84842-8.

Simon Benson

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 283-283
doi:10.1017/S0266464X07210188 (About doi), Published Online by Cambridge University Press 14 Aug 2007
 

Mary Luckhurst, ed. A Companion to Modern British and Irish Drama 1880–2005. Oxford: Blackwell, 2006. 312 p. £85. ISBN: 1-4051-2228-5.

Maggie B. Gale

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 283-284
doi:10.1017/S0266464X07220184 (About doi), Published Online by Cambridge University Press 14 Aug 2007
 

Colin Chambers, Here We Stand: Politics, Performers, and Performance. London: Nick Hern Books, 2006. 253 p. £20. ISBN: 1-85459-920-8.

Maggie B. Gale

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 284-284
doi:10.1017/S0266464X07230180 (About doi), Published Online by Cambridge University Press 14 Aug 2007
 

David Román, Performance in America: Contemporary US Culture and the Performing Arts. Durham; London: Duke University Press, 2005. 376 p. $84.95 (hbk); $23.95 (pbk). ISBN: 0-8223-3675-8 (hbk); 0-8223-3663-4 (pbk).

Mary Brewer

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 284-285
doi:10.1017/S0266464X07240187 (About doi), Published Online by Cambridge University Press 14 Aug 2007
 

Timothy Scheie, Performance Degree Zero: Roland Barthes and Theatre. Toronto: University of Toronto Press, 2006. 225 p. £35. ISBN 978-0-8020-9071-3.

Roberta Mock

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 285-285
doi:10.1017/S0266464X07250183 (About doi), Published Online by Cambridge University Press 14 Aug 2007
 

Barbara Ravelhofer, The Early Stuart Masque: Dance, Costume, and Music. Oxford: Oxford University Press, 2006. 317 p. £55. ISBN: 0-19-928659-0.

Mark S. Dawson, Gentility and the Comic Theatre of Late Stuart London. Cambridge: Cambridge University Press, 2005. 300 p. £50. ISBN: 0-521-84809-1.

Tom Lockwood

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 286-286
doi:10.1017/S0266464X0726018X (About doi), Published Online by Cambridge University Press 14 Aug 2007
 

Lilian Chambers and Eamonn Jordan, ed. The Theatre of Martin McDonagh: a World of Savage Stories. Dublin: Carysfort Press, 2006. 443 p. €30. ISBN: 1-904505-19-8.

Joan Dean

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 286-287
doi:10.1017/S0266464X07270186 (About doi), Published Online by Cambridge University Press 14 Aug 2007
 

Mike Pearson, ‘In Comes I’: Performance, Memory, and Landscape. Exeter: Exeter University Press, 2006. 239 p. £17.99 (pbk). ISBN: 978-0-85989-788-4.

Carl Lavery

New Theatre Quarterly, Volume 23, Issue 03, August 2007, pp 287-288
doi:10.1017/S0266464X07280182 (About doi), Published Online by Cambridge University Press 14 Aug 2007
  Please select Articles above or use Select All, then click the appropriate button below. Select/Deselect All:

Sort by

Cambridge University Press