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  • Note: Abstract, PDF and HTML open in a new window

  • Editor(s):
  • Maria Shevtsova , Goldsmiths, University of London, UK
    Simon Trussler, Rose Bruford College, UK

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Table of Contents - Volume 22 - Issue 03  

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Research Articles

 
 

Finding the Balance: Writing and Performing Ethics in Théâtre du Soleil’s Le Dernier Caravansérail (2003)

William McEvoy

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 211-226
doi:10.1017/S0266464X0600042X (About doi), Published Online by Cambridge University Press 11 Jul 2006
 

Michael Chekhov and the Search for the ‘Ideal’ Theatre

Andrei Kirillov

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 227-234
doi:10.1017/S0266464X06000431 (About doi), Published Online by Cambridge University Press 11 Jul 2006
 

Huang Zuolin: Michael Chekhov’s Link to China’s Modern Theatre

Faye Chunfang Fei

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 235-248
doi:10.1017/S0266464X06000443 (About doi), Published Online by Cambridge University Press 11 Jul 2006
 

Lev Dodin and the Maly Drama Theatre: Uncle Vanya to King Lear

Maria Shevtsova

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 249-256
doi:10.1017/S0266464X06000455 (About doi), Published Online by Cambridge University Press 11 Jul 2006
 

‘Competitive Co-operation’: Playing with Theatre de Complicite

Clive Mendus

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 257-267
doi:10.1017/S0266464X06000467 (About doi), Published Online by Cambridge University Press 11 Jul 2006
 

A Theatre for Cannibals: Images of Europe in Indigenous African Theatre of the Colonial Period

Esiaba Irobi

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 268-282
doi:10.1017/S0266464X06000479 (About doi), Published Online by Cambridge University Press 11 Jul 2006
 

Performance Practice and Theatrical Privilege: Rethinking Weimann’s Concepts of Locus and Platea

Erika Lin

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 283-298
doi:10.1017/S0266464X06000480 (About doi), Published Online by Cambridge University Press 11 Jul 2006
 

NTQ Book Reviews

 
 

Alexander Leggatt Shakespeare’s Tragedies: Violation and Identity Cambridge: Cambridge University Press, 2005. 240 p. £45.00 (hbk); £17.99 (pbk). ISBN: 0-521-84624-2 (hbk); 0-521-60863-5 (pbk).

Joan Fitzpatrick

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 299-300
doi:10.1017/S0266464X06220499 (About doi), Published Online by Cambridge University Press 11 Jul 2006
 

Poonam Trivedi and Dennis Bartholomeusz, ed. India’s Shakespeare: Translation, Interpretation, and Performance Newark: University of Delaware Press, 2005. 303 p. $57.50. ISBN: 0-87413-881-7.

Nita N Kumar

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 299-299
doi:10.1017/S0266464X06210492 (About doi), Published Online by Cambridge University Press 11 Jul 2006
 

Andrew Gurr The Shakespeare Company 1594–1642 Cambridge: Cambridge University Press, 2004. 356 p. £45.00. ISBN: 0-521-80730-1.

Stuart Hampton-Reeves

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 300-300
doi:10.1017/S0266464X06230495 (About doi), Published Online by Cambridge University Press 11 Jul 2006
 

David Bradby and Susanna Capon, ed. Freedom’s Pioneer: John McGrath’s Work in Theatre, Film, and Television Exeter: University of Exeter Press. 256 p. £14.99. ISBN: 0-85989-749-4. John McGrath Plays for England Exeter: University of Exeter Press. 322 p. £14.99. ISBN: 0-85989-718-4.

David Pattie

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 300-301
doi:10.1017/S0266464X06240491 (About doi), Published Online by Cambridge University Press 11 Jul 2006
 

Armond Fields Sophie Tucker: First Lady of Show Business North Carolina: McFarland, 2003. 264 p. £31.95. ISBN: 0-7864-1577-0.

Maggie Gale

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 301-301
doi:10.1017/S0266464X06250498 (About doi), Published Online by Cambridge University Press 11 Jul 2006
 

Gabriella Giannachi Virtual Theatres: an Introduction London: Routledge, 2004. 174 p. £19.99. ISBN: 0-415-28379-5.

Michael Huxley

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 301-302
doi:10.1017/S0266464X06260494 (About doi), Published Online by Cambridge University Press 11 Jul 2006
 

Christopher Baugh Theatre, Performance, and Technology: the Development of Scenography in the Twentieth Century London: Palgrave, 2005. 251 p. £14.99. ISBN: 1-4039-1697-7. Arnold Aronson Looking into the Abyss: Essays on Scenography Ann Arbor: University of Michigan Press, 2005. 236 p. £14.99. ISBN 0-472-06888-1.

Christine White

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 302-303
doi:10.1017/S0266464X06270490 (About doi), Published Online by Cambridge University Press 11 Jul 2006
 

Sharon Lockyer and Michael Pickering, ed. Beyond a Joke: the Limits of Humour Houndmills; New York: Palgrave Macmillan, 2005. 212 p. £45.00. ISBN: 1-4039-3942-X (hbk).

Oliver Double

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 303-304
doi:10.1017/S0266464X06280497 (About doi), Published Online by Cambridge University Press 11 Jul 2006
 

Julia A. Walker Expressionism and Modernism in the American Theatre: Bodies, Voices, Words Cambridge: Cambridge University Press, 2005. 300 p. £45.00. ISBN: 0-521-84747-8.

Stephen Bottoms

New Theatre Quarterly, Volume 22, Issue 03, August 2006, pp 304-304
doi:10.1017/S0266464X06290493 (About doi), Published Online by Cambridge University Press 11 Jul 2006
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