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New Theatre Quarterly

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  • Editor(s):
  • Maria Shevtsova , Goldsmiths, University of London, UK
    Simon Trussler, Rose Bruford College, UK

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Table of Contents - Volume 21 - Issue 01  

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Research Articles

 
 

Shakespeare, the Natyasastra, and Discovering Rasa for Performance

John Russell Brown

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 3-12
doi:10.1017/S0266464X04000284 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

Metatheatre and Character Dynamics in The Two-Headed Anomaly by Dario Fo

Antonio Scuderi

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 13-22
doi:10.1017/S0266464X04000296 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

‘A Whole New World Still to Make’: a Valedictory for Peter Barnes

Brian Woolland

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 23-27
doi:10.1017/S0266464X04000302 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

The Good, the Bad, and the Ugly: the Politics of Morality in Martin McDonagh's The Lieutenant of Inishmore

Catherine Rees

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 28-33
doi:10.1017/S0266464X04000314 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

Red Lotus in the Twenty-First Century: Dilemmas in the Lao Performing Arts

Catherine Diamond

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 34-51
doi:10.1017/S0266464X04000326 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

Letter to an Editor: the Yesterday and Today of Poland's Teatr Ósmego Dnia

Ian Watson

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 52-60
doi:10.1017/S0266464X04000338 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

‘Picture It If Yous Will’: Theatre and Theatregoing in Rural Scotland

Christine Hamilton and Adrienne Scullion

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 61-76
doi:10.1017/S0266464X0400034X (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

A Complementary Economy? National Markets and International Product in Early Australian Theatre Managements

Veronica Kelly

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 77-95
doi:10.1017/S0266464X04000351 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

NTQ Reports and Announcements

 
 

‘Big Ideas’ for Big Stages, 2004

Aleks Sierz

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 96-98
doi:10.1017/S0266464X04210363 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

NTQ Book Reviews

 
 

Franc Chamberlain Michael Chekhov London; New York: Routledge, 2003. 152 p. £9.99. ISBN 0-415-25878-2. Bella Merlin Konstantin Stanislavsky London; New York: Routledge, 2003. 171 p. £9.99. ISBN 0-415-25886-3. Simon Murray Jacques Lecoq London; New York: Routledge, 2003. 180 p. £9.99. ISBN 0-415-25882-0. Jonathan Pitches Vsevolod Meyerhold London; New York: Routledge, 2003. 162 p. £9.99. ISBN 0-415-25884-7.

ROBERT LEACH

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 99-100
doi:10.1017/S0266464X04210375 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

Brian Woolland, ed. Jonsonians: Living Traditions Aldershot: Ashgate, 2003. 246 p. £45. ISBN 0-7546-0610-4.

SIMON SHEPHERD

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 100-101
doi:10.1017/S0266464X04240374 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

Louise McCollell Exit, Pursued by a Bear. London: Bloomsbury, 2003. 406 p. £16.99. ISBN 0-7475-6639-9.

CLIVE BARKER

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 100-100
doi:10.1017/S0266464X04230378 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

Heidi Hutner Colonial Women: Race and Culture in Stuart Drama Oxford: Oxford University Press, 2002. 152 p. £25.00. ISBN: 0-19-514188-1.

LUCY MUNRO

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 100-100
doi:10.1017/S0266464X04220371 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

Neil Blackadder Performing Opposition: Modern Theatre and the Scandalized Audience Westport, Conn: Praeger, 2003. 219 p. $69.95. ISBN 0-274-98056-1.

ALEKS SIERZ

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 101-102
doi:10.1017/S0266464X04260377 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

Mark Rylance Play London: Shakespeare's Globe, 2003. 190 p. ISBN 0-953-64804-4.

CLIVE BARKER

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 101-101
doi:10.1017/S0266464X04250370 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

Maria Delgado ‘Other’ Spanish Theatres Manchester; New York: New York University Press, 2003. 336 p. £40 (hbk), £14.99 (pbk). ISBN 0-719-05975-5 (hbk), 0-719-05976-3 (pbk).

JOHN GINMAN

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 102-103
doi:10.1017/S0266464X0428037X (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

Gabriele Griffin Contemporary Black and Asian Women Playwrights in Britain Cambridge: Cambridge University Press, 2003. 291 p. £45.00. ISBN 0-521-81725-0.

LYNETTE GODDARD

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 102-102
doi:10.1017/S0266464X04270373 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

Maria Jones Shakespeare's Culture in Modern Performance Basingstoke: Palgrave Macmillan, 2003. 213 p. £45.00. ISBN: 0-333-97169-8.

JOAN FITZPATRICK

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 103-104
doi:10.1017/S0266464X04300370 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

Robert Jordan The Convict Theatres of Early Australia 1788–1840 Hatfield: University of Hertfordshire Press, 2003. 370 p. £25. 448 p. ISBN 1-902806-25-5. Sydney: Currency, 2002. ISBN 0-9581213-0-3.

LIZ SCHAFER

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 103-103
doi:10.1017/S0266464X04290376 (About doi), Published Online by Cambridge University Press 26 Jan 2005
 

Richard W. Schoch Not Shakespeare: Bardolatry and Burlesque in the Nineteenth Century Cambridge: Cambridge University Press, 2002. 209 p. £37.50. ISBN 0-521-80015-3.

ADRIENNE SCULLION

New Theatre Quarterly, Volume 21, Issue 01, February 2005, pp 104-104
doi:10.1017/S0266464X04310377 (About doi), Published Online by Cambridge University Press 26 Jan 2005
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