Eighteenth-Century Music Vol. 7 Issue 02

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Table of Contents - Volume 7 - Issue 02 - 2010

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Notes on Contributors

CONTRIBUTORS CONTRIBUTORS

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Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 193 - 194

DOI: http://dx.doi.org/10.1017/S1478570610000023 (About DOI), Published online: 30 July 2010

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EDITORIAL EDITORIAL

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MARGARET FAULTLESS

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 195 - 198

DOI: http://dx.doi.org/10.1017/S1478570610000035 (About DOI), Published online: 30 July 2010

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Articles

HERMENEUTICS AND THE NEW FORMENLEHRE: AN INTERPRETATION OF HAYDN'S ‘OXFORD’ SYMPHONY, FIRST MOVEMENT HERMENEUTICS AND THE NEW FORMENLEHRE: AN INTERPRETATION OF HAYDN'S ‘OXFORD’ SYMPHONY, FIRST MOVEMENT

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MATTHEW RILEY

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 199 - 219

DOI: http://dx.doi.org/10.1017/S1478570610000047 (About DOI), Published online: 30 July 2010

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‘HEE-HAW … LLELUJAH’: HANDEL AMONG THE VAUXHALL ASSES (1732) ‘HEE-HAW … LLELUJAH’: HANDEL AMONG THE VAUXHALL ASSES (1732)

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ILIAS CHRISSOCHOIDIS

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 221 - 262

DOI: http://dx.doi.org/10.1017/S1478570610000059 (About DOI), Published online: 30 July 2010

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Essay

IS THE SUBLIME A MUSICAL TOPOS? IS THE SUBLIME A MUSICAL TOPOS?

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WYE J. ALLANBROOK

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 263 - 279

DOI: http://dx.doi.org/10.1017/S1478570610000060 (About DOI), Published online: 30 July 2010

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Reviews: Books

BELLA BROVER-LUBOVSKY TONAL SPACE IN THE MUSIC OF ANTONIO VIVALDI Bloomington: Indiana University Press, 2008 pp. xix + 357, isbn 978 0 253 35129 6 BELLA BROVER-LUBOVSKY TONAL SPACE IN THE MUSIC OF ANTONIO VIVALDI Bloomington: Indiana University Press, 2008 pp. xix + 357, isbn 978 0 253 35129 6

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SIMON MCVEIGH

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 281 - 283

DOI: http://dx.doi.org/10.1017/S1478570610000072 (About DOI), Published online: 30 July 2010

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DAVID J. BUCH MAGIC FLUTES & ENCHANTED FORESTS: THE SUPERNATURAL IN EIGHTEENTH-CENTURY MUSICAL THEATER Chicago: University of Chicago Press, 2008 pp. xxvii + 450, isbn 978 0 226 07809 0 (cloth), 978 0 226 07810 6 (paper) DAVID J. BUCH MAGIC FLUTES & ENCHANTED FORESTS: THE SUPERNATURAL IN EIGHTEENTH-CENTURY MUSICAL THEATER Chicago: University of Chicago Press, 2008 pp. xxvii + 450, isbn 978 0 226 07809 0 (cloth), 978 0 226 07810 6 (paper)

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ALICE BELLINI

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 283 - 285

DOI: http://dx.doi.org/10.1017/S1478570610000084 (About DOI), Published online: 30 July 2010

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GEORGIA J. COWART THE TRIUMPH OF PLEASURE: LOUIS XIV & THE POLITICS OF SPECTACLE Chicago: University of Chicago Press, 2008 pp. xxiii + 299, isbn 978 0 226 11638 9 GEORGIA J. COWART THE TRIUMPH OF PLEASURE: LOUIS XIV & THE POLITICS OF SPECTACLE Chicago: University of Chicago Press, 2008 pp. xxiii + 299, isbn 978 0 226 11638 9

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GRAHAM SADLER

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 285 - 287

DOI: http://dx.doi.org/10.1017/S1478570610000096 (About DOI), Published online: 30 July 2010

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DAVID HENNEBELLE DE LULLY À MOZART: ARISTOCRATIE, MUSIQUE ET MUSICIENS (XVIIE–XVIIIE SIÈCLES) Seyssel: Champ Vallon, 2009 pp. 448, isbn 978 2 87673 499 9 DAVID HENNEBELLE DE LULLY À MOZART: ARISTOCRATIE, MUSIQUE ET MUSICIENS (XVIIE–XVIIIE SIÈCLES) Seyssel: Champ Vallon, 2009 pp. 448, isbn 978 2 87673 499 9

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JEAN-PAUL C. MONTAGNIER

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 287 - 288

DOI: http://dx.doi.org/10.1017/S1478570610000102 (About DOI), Published online: 30 July 2010

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LESLIE RITCHIE WOMEN WRITING MUSIC IN LATE EIGHTEENTH-CENTURY ENGLAND: SOCIAL HARMONY IN LITERATURE AND PERFORMANCE Aldershot: Ashgate, 2008 pp. x + 269, isbn 978 0 7546 6333 1 LESLIE RITCHIE WOMEN WRITING MUSIC IN LATE EIGHTEENTH-CENTURY ENGLAND: SOCIAL HARMONY IN LITERATURE AND PERFORMANCE Aldershot: Ashgate, 2008 pp. x + 269, isbn 978 0 7546 6333 1

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BRONWYN ELLIS

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 289 - 291

DOI: http://dx.doi.org/10.1017/S1478570610000126 (About DOI), Published online: 30 July 2010

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CRAIG H. RUSSELL FROM SERRA TO SANCHO: MUSIC AND PAGEANTRY IN THE CALIFORNIA MISSIONS New York: Oxford University Press, 2009 pp. 480, isbn 978 0 19 534327 4 CRAIG H. RUSSELL FROM SERRA TO SANCHO: MUSIC AND PAGEANTRY IN THE CALIFORNIA MISSIONS New York: Oxford University Press, 2009 pp. 480, isbn 978 0 19 534327 4

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KRISTIN DUTCHER MANN

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 291 - 293

DOI: http://dx.doi.org/10.1017/S1478570610000138 (About DOI), Published online: 30 July 2010

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STEPHANIE D. VIAL THE ART OF MUSICAL PHRASING IN THE EIGHTEENTH CENTURY: PUNCTUATING THE CLASSICAL ‘PERIOD’ Rochester: University of Rochester Press; Woodbridge: Boydell and Brewer, 2008 pp. xvi + 358, isbn 978 1 58046 034 7 STEPHANIE D. VIAL THE ART OF MUSICAL PHRASING IN THE EIGHTEENTH CENTURY: PUNCTUATING THE CLASSICAL ‘PERIOD’ Rochester: University of Rochester Press; Woodbridge: Boydell and Brewer, 2008 pp. xvi + 358, isbn 978 1 58046 034 7

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THOMAS IRVINE

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 293 - 295

DOI: http://dx.doi.org/10.1017/S147857061000014X (About DOI), Published online: 30 July 2010

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Reviews: Editions

WILLIAM CROFT, COMPLETE CHAMBER MUSIC ED. H. DIACK JOHNSTONE Musica Britannica 88 London: Stainer and Bell, 2009 pp. xxxvii + 104, isbn 978 0 85249 899 6 WILLIAM CROFT, COMPLETE CHAMBER MUSIC ED. H. DIACK JOHNSTONE Musica Britannica 88 London: Stainer and Bell, 2009 pp. xxxvii + 104, isbn 978 0 85249 899 6

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SILAS WOLLSTON

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 295 - 297

DOI: http://dx.doi.org/10.1017/S1478570610000151 (About DOI), Published online: 30 July 2010

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PETER HÄNSEL, THREE STRING QUARTETS, OPUS 5 ED. MARK ALAN LEACH Recent Researches in the Music of the Classical Era 78 Middleton: A-R Editions, 2008 pp. xvii + 101, isbn 978 0 89579 646 2 PETER HÄNSEL, THREE STRING QUARTETS, OPUS 5 ED. MARK ALAN LEACH Recent Researches in the Music of the Classical Era 78 Middleton: A-R Editions, 2008 pp. xvii + 101, isbn 978 0 89579 646 2

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W. DEAN SUTCLIFFE

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 298 - 301

DOI: http://dx.doi.org/10.1017/S1478570610000163 (About DOI), Published online: 30 July 2010

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NICCOLÒ JOMMELLI, DEMOFOONTE(NAPOLI 1770) ED. TARCISIO BALBO Napoli e l'Europa 1 Bologna: Ut Orpheus, 2009 pp. lxxvii + 319, ismn 979 0 2153 1610 2 NICCOLÒ JOMMELLI, DEMOFOONTE(NAPOLI 1770) ED. TARCISIO BALBO Napoli e l'Europa 1 Bologna: Ut Orpheus, 2009 pp. lxxvii + 319, ismn 979 0 2153 1610 2

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MARITA PETZOLDT MCCLYMONDS

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 301 - 303

DOI: http://dx.doi.org/10.1017/S1478570610000175 (About DOI), Published online: 30 July 2010

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ORIGINAL TEXT, ENGLISH TRANSLATION, AND A COMMENTARY ON AMAND VANDERHAGEN'S MÉTHODE NOUVELLE ET RAISONNÉE POUR LA CLARINETTE (1785) AND NOUVELLE MÉTHODE DE CLARINETTE (1799): A STUDY IN EIGHTEENTH-CENTURY FRENCH CLARINET MUSIC ED. JOAN MICHELLE BLAZICH Lewiston: Edwin Mellen, 2009 pp. vii + 274, isbn 978 0 7734 4686 1 ORIGINAL TEXT, ENGLISH TRANSLATION, AND A COMMENTARY ON AMAND VANDERHAGEN'S MÉTHODE NOUVELLE ET RAISONNÉE POUR LA CLARINETTE (1785) AND NOUVELLE MÉTHODE DE CLARINETTE (1799): A STUDY IN EIGHTEENTH-CENTURY FRENCH CLARINET MUSIC ED. JOAN MICHELLE BLAZICH Lewiston: Edwin Mellen, 2009 pp. vii + 274, isbn 978 0 7734 4686 1

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MELANIE PIDDOCKE

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 303 - 305

DOI: http://dx.doi.org/10.1017/S1478570610000187 (About DOI), Published online: 30 July 2010

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Reviews: Recordings

GEORGE FRIDERIC HANDEL (1685–1759) CHANDOS ANTHEMS Emma Kirkby (soprano), Iestyn Davies (alto), James Gilchrist (tenor), Neal Davies (bass) / The Choir of Trinity College, Cambridge / Academy of Ancient Music / Stephen Layton Hyperion, CDA67737, 2009; one disc, 66 minutes

GEORGE FRIDERIC HANDEL (1685–1759) HANDEL IN THE PLAYHOUSE Mary Bevan (soprano), Greg Tassell (tenor) / L'Avventura London / Žak Ozmo Opella Nova, ONCD014, 2009; one disc, 52 minutes

GEORGE FRIDERIC HANDEL (1685–1759) PARNASSO IN FESTA, hwv73 Carolyn Sampson (soprano), Lucy Crowe (soprano), Rebecca Outram (soprano), Diana Moore (mezzo-soprano), Ruth Clegg (alto), Peter Harvey (bass) / Choir of the King's Consort / The King's Consort / Matthew Halls Hyperion, CDA67701/2, 2008; two discs, 132 minutes

GEORGE FRIDERIC HANDEL (1685–1759) TE DEUM IN D MAJOR, ‘DETTINGEN’, hwv283, ORGAN CONCERTO NO. 14 IN A MAJOR, hwv296A, ZADOK THE PRIEST, hwv258 Neal Davies (bass), Richard Marlow (organ) / The Choir of Trinity College, Cambridge / Academy of Ancient Music / Stephen Layton Hyperion, CDA67678, 2008; one disc, 61 minutes GEORGE FRIDERIC HANDEL (1685–1759) CHANDOS ANTHEMS Emma Kirkby (soprano), Iestyn Davies (alto), James Gilchrist (tenor), Neal Davies (bass) / The Choir of Trinity College, Cambridge / Academy of Ancient Music / Stephen Layton Hyperion, CDA67737, 2009; one disc, 66 minutes

GEORGE FRIDERIC HANDEL (1685–1759) HANDEL IN THE PLAYHOUSE Mary Bevan (soprano), Greg Tassell (tenor) / L'Avventura London / Žak Ozmo Opella Nova, ONCD014, 2009; one disc, 52 minutes

GEORGE FRIDERIC HANDEL (1685–1759) PARNASSO IN FESTA, hwv73 Carolyn Sampson (soprano), Lucy Crowe (soprano), Rebecca Outram (soprano), Diana Moore (mezzo-soprano), Ruth Clegg (alto), Peter Harvey (bass) / Choir of the King's Consort / The King's Consort / Matthew Halls Hyperion, CDA67701/2, 2008; two discs, 132 minutes

GEORGE FRIDERIC HANDEL (1685–1759) TE DEUM IN D MAJOR, ‘DETTINGEN’, hwv283, ORGAN CONCERTO NO. 14 IN A MAJOR, hwv296A, ZADOK THE PRIEST, hwv258 Neal Davies (bass), Richard Marlow (organ) / The Choir of Trinity College, Cambridge / Academy of Ancient Music / Stephen Layton Hyperion, CDA67678, 2008; one disc, 61 minutes

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PETER LEECH

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 305 - 309

DOI: http://dx.doi.org/10.1017/S1478570610000199 (About DOI), Published online: 30 July 2010

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GOTTFRIED AUGUST HOMILIUS (1714–1785) EIN LÄMMLEIN GEHT UND TRÄGT DIE SCHULD, PASSIONSKANTATE Monika Mauch (soprano), Bogna Bartosz (alto), Markus Brutscher (tenor), Hans Christoph Begemann (bass) / Neue Düsseldorfer Hofmusik / Basler Madrigalisten / Fritz Näf Carus-Verlag, Carus 83.262, 2007; two discs, 94 minutes

GOTTFRIED AUGUST HOMILIUS (1714–1785) JOHANNESPASSION Jana Reiner (soprano), Katja Fischer (soprano), Franz Vitzthum (countertenor), Jan Kobow (tenor), Tobias Berndt (bass), Clemens Heidrich (bass) Kruzianer Stephan Keucher (tenor), Kruzianer Chrian Lutz (tenor) / Dresdner Kreuzchor / Dresdner Barockorchester / Roderich Kreile Carus-Verlag, Carus 83.261, 2007; two discs, 119 minutes

GOTTFRIED AUGUST HOMILIUS (1714–1785) WEIHNACHTSORATORIUM

CHRISTIAN AUGUST JACOBI (1688–1725) DIE HIMMEL STEHT UNS WIEDER OFFEN Christiane Kohl (soprano), Annette Markert (alto), Marcus Ullmann (tenor), Tobias Berndt (bass) / Sächsisches Vocalensemble / Matthias Jung Viruosi Saxoniae / Ludwig Güttler Carus-Verlag, Carus 83.235, 2008; one disc, 58 minutes GOTTFRIED AUGUST HOMILIUS (1714–1785) EIN LÄMMLEIN GEHT UND TRÄGT DIE SCHULD, PASSIONSKANTATE Monika Mauch (soprano), Bogna Bartosz (alto), Markus Brutscher (tenor), Hans Christoph Begemann (bass) / Neue Düsseldorfer Hofmusik / Basler Madrigalisten / Fritz Näf Carus-Verlag, Carus 83.262, 2007; two discs, 94 minutes

GOTTFRIED AUGUST HOMILIUS (1714–1785) JOHANNESPASSION Jana Reiner (soprano), Katja Fischer (soprano), Franz Vitzthum (countertenor), Jan Kobow (tenor), Tobias Berndt (bass), Clemens Heidrich (bass) Kruzianer Stephan Keucher (tenor), Kruzianer Chrian Lutz (tenor) / Dresdner Kreuzchor / Dresdner Barockorchester / Roderich Kreile Carus-Verlag, Carus 83.261, 2007; two discs, 119 minutes

GOTTFRIED AUGUST HOMILIUS (1714–1785) WEIHNACHTSORATORIUM

CHRISTIAN AUGUST JACOBI (1688–1725) DIE HIMMEL STEHT UNS WIEDER OFFEN Christiane Kohl (soprano), Annette Markert (alto), Marcus Ullmann (tenor), Tobias Berndt (bass) / Sächsisches Vocalensemble / Matthias Jung Viruosi Saxoniae / Ludwig Güttler Carus-Verlag, Carus 83.235, 2008; one disc, 58 minutes

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ELLEN EXNER

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 309 - 312

DOI: http://dx.doi.org/10.1017/S1478570610000205 (About DOI), Published online: 30 July 2010

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HENRI-JOSEPH RIGEL (1741–1799) SYMPHONIES NOS 4, 7, 8, 10 AND 14 Concerto Köln / Barry Sargent, Martin Sandhoff and Hannes Rux Berlin Classics, 0016432BC, 2008; one disc, 70 minutes HENRI-JOSEPH RIGEL (1741–1799) SYMPHONIES NOS 4, 7, 8, 10 AND 14 Concerto Köln / Barry Sargent, Martin Sandhoff and Hannes Rux Berlin Classics, 0016432BC, 2008; one disc, 70 minutes

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TONY GABLE

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 312 - 314

DOI: http://dx.doi.org/10.1017/S1478570610000229 (About DOI), Published online: 30 July 2010

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GIUSEPPE TARTINI (1692–1770) SONATE A VIOLINO SOLO; ARIA DEL TASSO Chiara Banchini (violin), Patrizia Bovi (soprano) Zig-Zag Territoires, ZZT080502, 2006/2007; one disc, 69 minutes

GIUSEPPE TARTINI (1692–1770), FRANCESCO MARIA VERACINI (1690–1768) THE DEVIL'S TRILL: SONATAS BY GIUSEPPE TARTINI [AND FRANCESCO MARIA VERACINI] Rodolfo Richter (violin), Susanne Heinrich (viola da gamba), Silas Standage (harpsichord), William Carter (archlute, baroque guitar) / Palladians Linn, CKD 292, 2008; one disc, 61 minutes GIUSEPPE TARTINI (1692–1770) SONATE A VIOLINO SOLO; ARIA DEL TASSO Chiara Banchini (violin), Patrizia Bovi (soprano) Zig-Zag Territoires, ZZT080502, 2006/2007; one disc, 69 minutes

GIUSEPPE TARTINI (1692–1770), FRANCESCO MARIA VERACINI (1690–1768) THE DEVIL'S TRILL: SONATAS BY GIUSEPPE TARTINI [AND FRANCESCO MARIA VERACINI] Rodolfo Richter (violin), Susanne Heinrich (viola da gamba), Silas Standage (harpsichord), William Carter (archlute, baroque guitar) / Palladians Linn, CKD 292, 2008; one disc, 61 minutes

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PETER WALLS

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 314 - 316

DOI: http://dx.doi.org/10.1017/S1478570610000230 (About DOI), Published online: 30 July 2010

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Communications: Reports

NICOLA SCHNEIDER (Universität Zürich) writes: NICOLA SCHNEIDER (Universität Zürich) writes:

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Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 317 - 318

DOI: http://dx.doi.org/10.1017/S1478570610000242 (About DOI), Published online: 30 July 2010

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ANDREW KIRKMAN (Mason Gross School of the Arts, Rutgers University) writes: ANDREW KIRKMAN (Mason Gross School of the Arts, Rutgers University) writes:

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Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 318 - 320

DOI: http://dx.doi.org/10.1017/S1478570610000254 (About DOI), Published online: 30 July 2010

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Communications: Conferences

HANDEL IN THE NINETEENTH CENTURY INTERNATIONAL HANDEL FESTIVAL, GÖTTINGEN 30 MAY 2009 HANDEL IN THE NINETEENTH CENTURY INTERNATIONAL HANDEL FESTIVAL, GÖTTINGEN 30 MAY 2009

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CHRISTIANE WIESENFELDT

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 320 - 322

DOI: http://dx.doi.org/10.1017/S1478570610000266 (About DOI), Published online: 30 July 2010

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HAMBURG: EINE METROPOLREGION ZWISCHEN FRÜHER NEUZEIT UND AUFKLÄRUNG (1500–1800) UNIVERSITÄT HAMBURG 7–10 SEPTEMBER 2009 HAMBURG: EINE METROPOLREGION ZWISCHEN FRÜHER NEUZEIT UND AUFKLÄRUNG (1500–1800) UNIVERSITÄT HAMBURG 7–10 SEPTEMBER 2009

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JASON B. GRANT

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 322 - 324

DOI: http://dx.doi.org/10.1017/S1478570610000278 (About DOI), Published online: 30 July 2010

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INSTRUMENTAL MUSIC IN SPAIN, 1750–1800: STYLE, GENRE, MARKET UNIVERSIDAD DE LA RIOJA, LOGROÑO 17–18 SEPTEMBER 2009 INSTRUMENTAL MUSIC IN SPAIN, 1750–1800: STYLE, GENRE, MARKET UNIVERSIDAD DE LA RIOJA, LOGROÑO 17–18 SEPTEMBER 2009

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MIGUEL ÁNGEL MARÍN

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 324 - 326

DOI: http://dx.doi.org/10.1017/S147857061000028X (About DOI), Published online: 30 July 2010

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POETS, MOTHERS, AND PERFORMERS: CONSIDERING WOMEN'S IMPACT ON THE MUSIC OF JOHANN SEBASTIAN BACH YALE INSTITUTE OF SACRED MUSIC 16–18 OCTOBER 2009 POETS, MOTHERS, AND PERFORMERS: CONSIDERING WOMEN'S IMPACT ON THE MUSIC OF JOHANN SEBASTIAN BACH YALE INSTITUTE OF SACRED MUSIC 16–18 OCTOBER 2009

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DAVID YEARSLEY

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 326 - 329

DOI: http://dx.doi.org/10.1017/S1478570610000291 (About DOI), Published online: 30 July 2010

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SACRED MUSIC IN THE HABSBURG EMPIRE 1619–1740 AND ITS CONTEXTS ROOSEVELT ACADEMY, MIDDELBURG 5–8 NOVEMBER 2009 SACRED MUSIC IN THE HABSBURG EMPIRE 1619–1740 AND ITS CONTEXTS ROOSEVELT ACADEMY, MIDDELBURG 5–8 NOVEMBER 2009

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HARRY WHITE

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 329 - 332

DOI: http://dx.doi.org/10.1017/S1478570610000308 (About DOI), Published online: 30 July 2010

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LE DIX-HUITÈME SIÈCLE DU DIX-NEUVIÈME SIÈCLE: OPÉRA ET CLASSICISME EN FRANCE D'ADAM À MASSENET OPÉRA THÉÂTRE DE SAINT-ÉTIENNE 6–7 NOVEMBER 2009 LE DIX-HUITÈME SIÈCLE DU DIX-NEUVIÈME SIÈCLE: OPÉRA ET CLASSICISME EN FRANCE D'ADAM À MASSENET OPÉRA THÉÂTRE DE SAINT-ÉTIENNE 6–7 NOVEMBER 2009

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STEVEN HUEBNER

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 332 - 335

DOI: http://dx.doi.org/10.1017/S147857061000031X (About DOI), Published online: 30 July 2010

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PURCELL, HANDEL AND LITERATURE SENATE HOUSE, UNIVERSITY OF LONDON 19–21 NOVEMBER 2009 PURCELL, HANDEL AND LITERATURE SENATE HOUSE, UNIVERSITY OF LONDON 19–21 NOVEMBER 2009

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VANESSA L. ROGERS

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 335 - 338

DOI: http://dx.doi.org/10.1017/S1478570610000321 (About DOI), Published online: 30 July 2010

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‘SOPRA IL GUSTO MODERNO’: CIVILTÀ MUSICALE A NAPOLI NELL'ETÀ DI PERGOLESI NAPLES 28–31 JANUARY 2010 ‘SOPRA IL GUSTO MODERNO’: CIVILTÀ MUSICALE A NAPOLI NELL'ETÀ DI PERGOLESI NAPLES 28–31 JANUARY 2010

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ANGELA FIORE

Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp 338 - 341

DOI: http://dx.doi.org/10.1017/S1478570610000333 (About DOI), Published online: 30 July 2010

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Front Cover (OFC, IFC) and matter

ECM volume 7 issue 2 Cover and Front matter ECM volume 7 issue 2 Cover and Front matter

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Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp f1 - f4

DOI: http://dx.doi.org/10.1017/S1478570610000011 (About DOI), Published online: 30 July 2010

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ECM volume 7 issue 2 Cover and Back matter ECM volume 7 issue 2 Cover and Back matter

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Eighteenth Century Music / Volume 7 / Issue 02 / September 2010, pp b1 - b2

DOI: http://dx.doi.org/10.1017/S1478570610000345 (About DOI), Published online: 30 July 2010

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