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  • Editor(s):
  • W. Dean Sutcliffe, University of Auckland, New Zealand
    Keith Chapin, New Zealand School of Music, New Zealand
    David R. M. Irving, University of Cambridge, UK

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Table of Contents - Volume 6 - Issue 02  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Front Cover (OFC, IFC) and matter

 
 

ECM volume 6 issue 2 Cover and Front matter

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp f1-f4
doi:10.1017/S1478570609990388 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

Back Cover (IBC, OBC) and matter

 
 

ECM volume 6 issue 2 Cover and Back matter

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp b1-b2
doi:10.1017/S147857060999039X (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

Notes on Contributors

 
 

CONTRIBUTORS

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 155-157
doi:10.1017/S1478570609990029 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

Editorial

 
 

EDITORIAL

VANESSA AGNEW

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 159-160
doi:10.1017/S1478570609990376 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

Articles

 
 

RECONSIDERING AN EARLY EXOTICISM: VIENNESE ADAPTATIONS OF HUNGARIAN-GYPSY MUSIC AROUND 1800

CATHERINE MAYES

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 161-181
doi:10.1017/S1478570609990066 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

MUSIC AND ‘MUSIC’ IN EIGHTEENTH-CENTURY META-OPERATIC SCORES

ALICE BELLINI

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 183-207
doi:10.1017/S1478570609990030 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

THE FACE OF A MUSICAL GENIUS: THOMAS HARDY'S PORTRAIT OF JOSEPH HAYDN

ALAN DAVISON

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 209-227
doi:10.1017/S1478570609990054 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

NEGATING OPERA THROUGH OPERA: COSÌ FAN TUTTE AND THE REVERSE OF THE ENLIGHTENMENT

LAURENZ LÜTTEKEN

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 229-241
doi:10.1017/S1478570609990017 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

Reviews: Books

 
 

GÜNTHER G. BAUER, TRANSLATED BY RAY FLANAGAN MOZART: A GREAT LOVER OF GAMES Bad Honnef: Karl Heinrich Bock, 2006 pp. 391, isbn 978 3 87066 972 0

RAPHAËL TAYLOR

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 243-245
doi:10.1017/S1478570609990108 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

TOM BEGHIN AND SANDER M. GOLDBERG, EDS HAYDN AND THE PERFORMANCE OF RHETORIC Chicago and London: University of Chicago Press, 2007 pp. xx + 355 + DVD, isbn 978 0 226 04129 2

NANCY NOVEMBER

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 245-247
doi:10.1017/S1478570609990303 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

NIKOLAI FINDEIZEN, TRANS. SAMUEL WILLIAM PRING, ED. AND ANNOTATED BY MILOŠ VELIMIROVIĆ AND CLAUDIA R. JENSEN HISTORY OF MUSIC IN RUSSIA FROM ANTIQUITY TO 1800. VOLUME 1: FROM ANTIQUITY TO THE BEGINNING OF THE EIGHTEENTH CENTURY Russian Music Studies, ed. Malcolm Hamrick Brown Bloomington and Indianapolis: Indiana University Press, 2008 pp. xxii + 467, isbn 978 0 253 34825 8

HISTORY OF MUSIC IN RUSSIA FROM ANTIQUITY TO 1800. VOLUME 2: THE EIGHTEENTH CENTURY Russian Music Studies, ed. Malcolm Hamrick Brown Bloomington and Indianapolis: Indiana University Press, 2008 pp. xv + 616, isbn 978 0 253 34826 5

MARINA RITZAREV

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 248-250
doi:10.1017/S1478570609990297 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

JAMES HEPOKOSKI AND WARREN DARCY ELEMENTS OF SONATA THEORY: NORMS, TYPES, AND DEFORMATIONS IN THE LATE-EIGHTEENTH-CENTURY SONATA New York: Oxford University Press, 2006 pp. xii + 661, isbn 978 0 19 514640 0

CELIA HURWITZ-KEEFE

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 251-254
doi:10.1017/S1478570609990285 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

SIMON P. KEEFE MOZART'S VIENNESE INSTRUMENTAL MUSIC: A STUDY OF STYLISTIC RE-INVENTION Woodbridge and Rochester: Boydell, 2007 pp. viii + 217, isbn 978 1 84383 319 2

JOHN IRVING

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 254-257
doi:10.1017/S1478570609990273 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

SEAN GALLAGHER AND THOMAS FORREST KELLY, EDS THE CENTURY OF BACH & MOZART: PERSPECTIVES ON HISTORIOGRAPHY, COMPOSITION, THEORY & PERFORMANCE Cambridge, MA, and London: Harvard University Press, 2008 pp. xii + 427, isbn 978 0 9640317 3 9

DAVID BLACK

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 257-260
doi:10.1017/S1478570609990261 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

MARK KROLL JOHANN NEPOMUK HUMMEL: A MUSICIAN'S LIFE AND WORLD Lanham, Toronto and Plymouth: Scarecrow, 2007 pp. xiv + 503, isbn 978 0 8108 5920 3

ROHAN STEWART-MACDONALD

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 260-264
doi:10.1017/S147857060999025X (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

KURT SVEN MARKSTROM THE OPERAS OF LEONARDO VINCI, NAPOLETANO Hillsdale: Pendragon, 2007 pp. xx + 394, isbn 978 1 57647 094 7

STEFANIE TCHAROS

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 264-266
doi:10.1017/S1478570609990248 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

LEONARDO J. WAISMAN VICENTE MARTÍN Y SOLER: UN MÚSICO ESPAÑOL EN EL CLASICISMO EUROPEO Madrid: Instituto Complutense de Ciencias Musicales, 2007 pp. 659, isbn 978 84 89457 35 5

DOROTHEA LINK

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 267-270
doi:10.1017/S1478570609990236 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

JESSICA WALDOFF RECOGNITION IN MOZART'S OPERAS New York: Oxford University Press, 2006 pp. xii + 337, isbn 978 0 19 515197 8

ANTHONY PRYER

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 270-273
doi:10.1017/S1478570609990224 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

Reviews: Editions

 
 

CARL PHILIPP EMANUEL BACH, PASSION ACCORDING TO ST MARK (1770) ED. UWE WOLF Carl Philipp Emanuel Bach: The Complete Works, series IV, volume 5/1 Los Altos: The Packard Humanities Institute, 2006 pp. xxviii + 147, isbn 978 1 933280 18 2

CARL PHILIPP EMANUEL BACH, PASSION ACCORDING TO ST JOHN (1772) ED. PAUL CORNEILSON Carl Philipp Emanuel Bach: The Complete Works, series IV, volume 7/1 Los Altos: The Packard Humanities Institute, 2007 pp. xxxi + 135, isbn 978 1 933280 21 9

STEPHEN ROE

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 274-276
doi:10.1017/S1478570609990212 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

LUIGI BOCCHERINI, CONCERT ARIAS g544–559 ED. CHRISTIAN SPECK Luigi Boccherini Opera Omnia 1 Bologna: Ut Orpheus Edizioni, 2005 pp. lxxii + 309, isbn 978 88 8109 454 7

LUIGI BOCCHERINI, 6 DUETS FOR 2 VIOLINS, OPUS 3, g56–61 ED. RUDOLF RASCH Luigi Boccherini Opera Omnia 29 Bologna: Ut Orpheus Edizioni, 2007 pp. xcviii + 53, isbn 978 88 8109 460 8

ELISABETH LE GUIN

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 276-280
doi:10.1017/S1478570609990200 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

STEPHEN STORACE, GLI EQUIVOCI ED. RICHARD PLATT Musica Britannica 86 London: Stainer and Bell, 2007 pp. li + 402, isbn 978 0 85249 887 3

JANE GIRDHAM

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 280-282
doi:10.1017/S1478570609990194 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

Reviews: Recordings

 
 

MUZIO CLEMENTI (1752–1832) THE COMPLETE PIANO SONATAS – 1 Howard Shelley (piano) Hyperion CDA67632, 2007; two discs, 152 minutes

MUZIO CLEMENTI (1752–1832) THE COMPLETE PIANO SONATAS – 2 Howard Shelley (piano) Hyperion CDA67717, 2008; two discs, 136 minutes

MUZIO CLEMENTI (1752–1832) THE COMPLETE PIANO SONATAS – 3 Howard Shelley (piano) Hyperion CDA67729, 2009; two discs, 122 minutes

ROHAN STEWART-MACDONALD

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 283-286
doi:10.1017/S1478570609990182 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

FRANCESCO GEMINIANI (1687–1762) SONATES POUR VIOLONCELLE AVEC LA BASSE CONTINUE OPUS V Bruno Cocset (violoncello), Luca Pianca (theorbo)/Les Basses Réunies Alpha ALPHA 123, 2008; one disc, 67 minutes

WIEBKE THORMÄHLEN

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 287-289
doi:10.1017/S1478570609990170 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

GEORGE FRIDERIC HANDEL (1685–1759) ACIS & GALATEA HWV49A (ORIGINAL CANNONS PERFORMING VERSION, 1718) Susan Hamilton (soprano), Nicholas Mulroy (tenor), Thomas Hobbs (tenor), Nicholas Hurndall Smith (tenor), Matthew Brook (bass-baritone)/Dunedin Consort & Players/John Butt Linn Records CKD 319, 2008; two discs, 95 minutes

KATIE HAWKS

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 289-291
doi:10.1017/S1478570609990169 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

JOSEPH HAYDN (1732–1809) THE CREATION Sandrine Piau (Soprano), Mark Padmore (Tenor), Neal Davies (Bass), Peter Harvey (Baritone), Miah Persson (Soprano)/Chetham's Chamber Choir/Gabrieli Consort & Players/Paul McCreesh Archiv Produktion 00289 477 7361, 2008; two discs, 109 minutes

THOMAS IRVINE

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 291-293
doi:10.1017/S1478570609990157 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

JAMES NARES (1715–1783) INGENIOUS JESTINGS. JAMES NARES: EIGHT HARPSICHORD SETTS Julian Perkins (harpsichord) Avie AV2152, 2008; one disc, 76 minutes

BARRY COOPER

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 293-294
doi:10.1017/S1478570609990145 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

NICOLA PORPORA (1686–1768) OR SÌ M’AVVEGGIO, OH AMORE: CANTATAS FOR SOPRANO Elena Cecchi Fedi (Soprano)/Auser Musici/Carlo Ipata Hyperion CDA67621, 2008; one disc, 55 minutes

JOSÉ MARÍA DOMÍNGUEZ RODRÍGUEZ

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 294-296
doi:10.1017/S1478570609990133 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

FRANCESCO NAVARA (fl. 1695–1699), COMPOSER X (fl. c1695), GIOVANNI LEGRENZI (1626–1690), TOMASO ALBINONI (1671–1751), GIUSEPPE VALENTINI (c1680–c1760), ANTONIO VIVALDI (1678–1741) THE RISE OF THE NORTH ITALIAN VIOLIN CONCERTO, 1690–1740 VOLUME 1. THE DAWN OF THE VIRTUOSO Adrian Chandler (violin), Mhairi Lawson (soprano)/La Serenissima/Adrian Chandler Avie AV2106, 2006; one disc, 78 minutes

ANTONIO VIVALDI (1678–1741) THE RISE OF THE NORTH ITALIAN VIOLIN CONCERTO, 1690–1740 VOLUME 2. ANTONIO VIVALDI: VIRTUOSO IMPRESARIO Adrian Chandler (violin), Mhairi Lawson (soprano), Sarah McMahon (violoncello), Gareth Deats (violoncello)/ La Serenissima/Adrian Chandler Avie AV2128, 2007; one disc, 77 minutes

ANTONIO VIVALDI (1678–1741), PIETRO LOCATELLI (1695–1764), GIOVANNI BATTISTA SAMMARTINI (1700/1701–1775), GIUSEPPE TARTINI (1692–1770) THE RISE OF THE NORTH ITALIAN VIOLIN CONCERTO, 1690–1740 VOLUME 3. THE GOLDEN AGE Adrian Chandler (violin)/La Serenissima/Adrian Chandler Avie AV2154, 2008; one disc, 80 minutes

ERIC CROSS

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 296-299
doi:10.1017/S1478570609990121 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

Communications: Reports

 
 

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 301-301
doi:10.1017/S1478570609990091 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 301-302
doi:10.1017/S147857060999011X (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 302-303
doi:10.1017/S1478570609990364 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 303-304
doi:10.1017/S147857060999008X (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

Communications: Conferences

 
 

BIANCA DE MARIO

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 304-306
doi:10.1017/S1478570609990352 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

KEITH CHAPIN

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 306-309
doi:10.1017/S1478570609990340 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

ANDREA BOMBI

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 309-311
doi:10.1017/S1478570609990339 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

MARK EVAN BONDS

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 311-313
doi:10.1017/S1478570609990078 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

ROGÉRIO BUDASZ

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 313-316
doi:10.1017/S1478570609990327 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

REINHARD STROHM

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 316-318
doi:10.1017/S1478570609990315 (About doi), Published Online by Cambridge University Press 03 Aug 2009
 

ALAN DAVISON

Eighteenth Century Music, Volume 6, Issue 02, September 2009, pp 318-320
doi:10.1017/S1478570609990042 (About doi), Published Online by Cambridge University Press 03 Aug 2009
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