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  • Note: Abstract, PDF and HTML open in a new window

  • Editor(s):
  • W. Dean Sutcliffe, University of Auckland, New Zealand
    Keith Chapin, New Zealand School of Music, New Zealand
    David R. M. Irving, University of Cambridge, UK

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Table of Contents - Volume 3 - Issue 02  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Notes on Contributors

 
 

CONTRIBUTORS

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 195-196
doi:10.1017/S1478570606000650 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

Editorial

 
 

EDITORIAL

MANUEL CARLOS DE BRITO

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 197-199
doi:10.1017/S147857060600056X (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

Articles

 
 

JEAN PAUL’S LISTENERS

Nikolaus Bacht

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 201-212
doi:10.1017/S1478570606000571 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

SONGS TO SHAPE A GERMAN NATION: HILLER’S COMIC OPERAS AND THE PUBLIC SPHERE

ESTELLE JOUBERT

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 213-230
doi:10.1017/S1478570606000583 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

PRODUCING THE OPERATIC CHORUS AT PARMA’S TEATRO DUCALE, 1759–1769

MARGARET R. BUTLER

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 231-251
doi:10.1017/S1478570606000595 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

MIRACULOUS RECOVERY? HANDEL’S ILLNESSES, THE NARRATIVE TRADITION OF HEROIC STRENGTH AND THE ORATORIO TURN

DAVID HUNTER

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 253-267
doi:10.1017/S1478570606000601 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

CATHERINE THE GREAT AND THE ROLE OF CELEBRATORY MUSIC AT THE COURT OF ANHALT-ZERBST

BARBARA M. REUL

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 269-309
doi:10.1017/S1478570606000613 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

Reviews: Recordings

 
 

NEW AND OLD DOCUMENTS CONCERNING MOZART’S PUPILS BARBARA PLOYER AND JOSEPHA AUERNHAMMER

MICHAEL LORENZ

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 311-322
doi:10.1017/S1478570606000625 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

Reviews: Books

 
 

CLAUDE DAUPHIN, ED. MUSIQUE ET LANGAGE CHEZ ROUSSEAU Oxford: Voltaire Foundation, 2004 pp. xiv + 257, ISSN 0435 2866

Guy Dammann

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 323-326
doi:10.1017/S1478570606210637 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

ANIK DEVRIÈS-LESURE L’ÉDITION MUSICALE DANS LA PRESSE AU XVIIIE SIÈCLE: CATALOGUE DES ANNONCES Paris: CNRS Éditions, 2005 pp. xxix + 573, ISBN 2 271 06303 5

JEAN-PAUL MONTAGNIER

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 326-327
doi:10.1017/S1478570606220633 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

LUDWIG FINSCHER JOSEPH HAYDN UND SEINE ZEIT Laaber: Laaber, 2002 pp. 558, ISBN 3 89007 530 4

W. DEAN SUTCLIFFE

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 327-330
doi:10.1017/S147857060623063X (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

ANSELM GERHARD LONDON UND DER KLASSIZISMUS IN DER MUSIK: DIE IDEE DER ‘ABSOLUTEN MUSIK’ UND CLEMENTIS KLAVIERWERKE Stuttgart and Weimar: Metzler, 2002 pp. 379, ISBN 3 475 00976 9

MICHAEL SPITZER

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 330-336
doi:10.1017/S1478570606240636 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

CATHERINE KINTZLER THÉÂTRE ET OPÉRA À L’ÂGE CLASSIQUE: UNE FAMILIÈRE ÉTRANGETÉ Paris: Fayard, 2004 pp. 335, ISBN 2 213 62125 X

JEAN-PAUL MONTAGNIER

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 337-338
doi:10.1017/S1478570606250632 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

PHILIP OLLESON SAMUEL WESLEY: THE MAN AND HIS MUSIC Woodbridge and Rochester, NY: The Boydell Press, 2003 pp. xxiii + 360, ISBN 1 843 83031 0

CLAIRE MERA-NELSON

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 338-340
doi:10.1017/S1478570606260639 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

Reviews: Editions

 
 

WILLIAM BABELL, TWELVE SOLOS FOR A VIOLIN OR OBOE WITH BASSO CONTINUO ED. CHARLES GOWER PRICE Recent Researches in the Music of the Baroque Era 140 Middleton, WI: A-R Editions, 2005 pp. xvii + 82, ISBN 0 89579 576 0

ALAN HOWARD

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 340-343
doi:10.1017/S1478570606270635 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

CARL STAMITZ, VIOLA CONCERTO NO. 1 IN D MAJOR (URTEXT) ED. NORBERT GERTSCH, ANNEMARIE WEIBEZAHN / PIANO REDUCTION BY JOHANNES UMBREIT / CADENZAS AND LEAD-INS BY ROBERT D. LEVIN / FINGERING AND BOWING BY JÜRGEN WEBER Munich: Henle, 2003 pp. vi + 26, ISMN M 2018 0758 4

DAVID J. RHODES

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 343-346
doi:10.1017/S1478570606280631 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

GIUSEPPE TORELLI, CONCERTI MUSICALI, OP. 6 ED. JOHN G. SUESS Recent Researches in the Music of the Baroque Era 115 Middleton, WI: A-R Editions, 2002

JEHOASH HIRSHBERG

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 346-348
doi:10.1017/S1478570606290638 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

GIOVANNI BATTISTA VIOTTI, SIX STRING QUARTETS, OPUS 1 ED. CLIFF EISEN The Early String Quartet, volume 1 Ann Arbor: Steglein, 2003

SIMON McVEIGH

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 348-350
doi:10.1017/S1478570606300632 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

Reviews: Recordings

 
 

JAN JOSEF IGNÁC BRENTNER (1689-?1742) MUSIC OF BAROQUE BOHEMIA Helena Zemanová, Gabriela Eibenová, Hasan El Dunia, Jaroslav Brezina, Martin Prokeš, Matthias Gerchen, Marian Krejcík / Ensemble Inégal / Adam Viktora NIBIRU, 0144 2211, 2004

JAN SMACZNY

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 350-352
doi:10.1017/S1478570606310639 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

DOMENICO SCARLATTI (1685–1757) COMPLETE KEYBOARD SONATAS; SIX CONTINUO SONATAS (K78, K81, K88, K89, K90, K91) Richard Lester (harpsichord, fortepiano and organ), Mark Baigence (oboe), Warwick Cole (violoncello), Elizabeth Lester (recorder), Jonathan Morgan (flute), Ben Sansom (violin) and Taro Takeuchi (mandolin) Privilege Accord 68001 – 68020, 2001–2005; 38 discs

CHRISTOPHER WILLIS

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 352-355
doi:10.1017/S1478570606320635 (About doi), Published Online by Cambridge University Press 03 Nov 2006
 

Communications

 
 

REPORTS

Eighteenth-Century Music, Volume 3, Issue 02, September 2006, pp 357-379
doi:10.1017/S1478570606000649 (About doi), Published Online by Cambridge University Press 03 Nov 2006
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