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  • Note: Abstract, PDF and HTML open in a new window

  • Editor(s):
  • W. Dean Sutcliffe, University of Auckland, New Zealand
    Keith Chapin, New Zealand School of Music, New Zealand
    David R. M. Irving, University of Cambridge, UK

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Table of Contents - Volume 3 - Issue 01  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Notes on Contributors

 
 

CONTRIBUTORS

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 1-2
doi:10.1017/S1478570606000455 (About doi), Published Online by Cambridge University Press 23 May 2006
 

Editorial

 
 

EDITORIAL

TIA DENORA

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 3-6
doi:10.1017/S1478570606000467 (About doi), Published Online by Cambridge University Press 23 May 2006
 

Articles

 
 

THE UNDISCOVERED FLIGHT PATHS OF THE ‘MUSICAL BEE’: NEW LIGHT ON HUMMEL’S MUSICAL QUOTATIONS

ROHAN STEWART-MACDONALD

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 7-34
doi:10.1017/S1478570606000479 (About doi), Published Online by Cambridge University Press 23 May 2006
 

TWO MORE NEW VIVALDI FINDS IN DRESDEN

JANICE B. STOCKIGT and MICHAEL TALBOT

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 35-61
doi:10.1017/S1478570606000480 (About doi), Published Online by Cambridge University Press 23 May 2006
 

IGNAZ HOLZBAUER AND THE ORIGINS OF GERMAN OPERA IN VIENNA

Lawrence Bennett

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 63-90
doi:10.1017/S1478570606000492 (About doi), Published Online by Cambridge University Press 23 May 2006
 

STRICT AND FREE REVERSED: THE LAW OF COUNTERPOINT IN KOCH’S MUSIKALISCHES LEXIKON AND MOZART’S ZAUBERFLÖTE

KEITH CHAPIN

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 91-107
doi:10.1017/S1478570606000509 (About doi), Published Online by Cambridge University Press 23 May 2006
 

Essays

 
 

THE NON-CANONIC STATUS OF MOZART’S CANONS

NEAL ZASLAW

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 109-123
doi:10.1017/S1478570606000510 (About doi), Published Online by Cambridge University Press 23 May 2006
 

A VIOLA DA GAMBA TEMPERAMENT PRESERVED BY ANTONIO STRADIVARI

STEWART POLLENS

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 125-132
doi:10.1017/S1478570606000522 (About doi), Published Online by Cambridge University Press 23 May 2006
 

REFLECTIONS ON MOZART’S ‘NON SO PIÙ COSA SON, COSA FACCIO’

IAN WOODFIELD

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 133-139
doi:10.1017/S1478570606000534 (About doi), Published Online by Cambridge University Press 23 May 2006
 

Reviews: Books

 
 

LORRAINE BYRNE SCHUBERT’S GOETHE SETTINGS Aldershot: Ashgate, 2003 pp. xix + 512, ISBN 0 7546 0695 3

STERLING LAMBERT

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 141-143
doi:10.1017/S1478570606210546 (About doi), Published Online by Cambridge University Press 23 May 2006
 

MARIANNE DANCKWARDT AND WOLF-DIETER SEIFFERT, EDS BERICHT ÜBER DAS MOZART-SYMPOSION ZUM GEDENKEN AN WOLFGANG PLATH (1930–1995) AUGSBURG, 13. BIS 16. JUNI 2000 PUBLISHED AS MOZART-JAHRBUCH 2001) Kassel: Bärenreiter, 2003 pp. xiv + 501, ISBN 3 7618 1580 8

THOMAS IRVINE

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 143-146
doi:10.1017/S1478570606220542 (About doi), Published Online by Cambridge University Press 23 May 2006
 

MARK DARLOW NICOLAS-ETIENNE FRAMERY AND LYRIC THEATRE IN EIGHTEENTH-CENTURY FRANCE Studies on Voltaire and the Eighteenth Century 11 Oxford: Voltaire Foundation, 2003 pp. xi + 400, ISBN 0 7294 0836 1

JACQUELINE WAEBER

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 146-148
doi:10.1017/S1478570606230549 (About doi), Published Online by Cambridge University Press 23 May 2006
 

DANIEL HEARTZ MUSIC IN EUROPEAN CAPITALS: THE GALANT STYLE 1720–1780 New York and London: Norton, 2003 pp. xxiv + 1078, ISBN 0 393 05080 7

DAVID CHARLTON

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 148-153
doi:10.1017/S1478570606240545 (About doi), Published Online by Cambridge University Press 23 May 2006
 

RAINER KLEINERTZ GRUNDZÜGE DES SPANISCHEN MUSIKTHEATERS IM 18. JAHRHUNDERT. ÓPERA, COMEDIA UND ZARZUELA Kassel: Edition Reichenberger, 2003 2 vols, pp. viii + 339 and 328, ISBN 3 935004 74 5

AURÈLIA PESARRODONA

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 153-155
doi:10.1017/S1478570606250541 (About doi), Published Online by Cambridge University Press 23 May 2006
 

SIEGBERT RAMPE, ED. BACH: DAS WOHLTEMPERIERTE KLAVIER I: TRADITION, ENTSTEHUNG, FUNKTION, ANALYSE. ULRICH SIEGELE ZUM 70. GEBURTSTAG Munich and Salzburg: Katzbichler, 2002 pp. 520, ISBN 3 87397 145 3

YO TOMITA

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 155-157
doi:10.1017/S1478570606260548 (About doi), Published Online by Cambridge University Press 23 May 2006
 

MATTHEW RILEY MUSICAL LISTENING IN THE GERMAN ENLIGHTENMENT: ATTENTION, WONDER AND ASTONISHMENT Aldershot: Ashgate, 2004 pp. ix + 188, ISBN 0 7546 3267 9

JANE STEVENS

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 157-159
doi:10.1017/S1478570606270544 (About doi), Published Online by Cambridge University Press 23 May 2006
 

DAVID TUNLEY FRANÇOIS COUPERIN AND ‘THE PERFECTION OF MUSIC’ Aldershot: Ashgate, 2004 pp. 172, ISBN 0 7546 0928 6

JANE CLARK

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 159-161
doi:10.1017/S1478570606280540 (About doi), Published Online by Cambridge University Press 23 May 2006
 

Reviews: Editions

 
 

MUZIO CLEMENTI, SYMPHONY NO. 1 IN C MAJOR, WO32 ED. MANUEL DE COL AND MASSIMILIANO SALA Bologna: Ut Orpheus Edizioni, 2003 (Muzio Clementi: Opera Omnia, Volume 56) pp. xv+138, ISMN M 2153 0860 2

ROHAN STEWART-MACDONALD

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 161-163
doi:10.1017/S1478570606290547 (About doi), Published Online by Cambridge University Press 23 May 2006
 

JEAN GILLES, DILIGAM TE, DOMINE ED. JOHN HAJDU HEYER Recent Researches in the Music of the Baroque Era 135 Middleton, WI: A-R Editions, 2004 pp. xix + 96pp, ISBN 0 89579 554 X

MARY CYR

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 164-166
doi:10.1017/S1478570606300541 (About doi), Published Online by Cambridge University Press 23 May 2006
 

Reviews: Recordings

 
 

JOHANN FRIEDRICH FASCH (1688–1758) OUVERTURES IN G MINOR, D MINOR AND G MAJOR Il Fondamento. Artistic Direction: Paul Dombrecht Fuga Libera 502, 2004; one disc, 71 minutes

JANICE STOCKIGT

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 166-168
doi:10.1017/S1478570606310548 (About doi), Published Online by Cambridge University Press 23 May 2006
 

ANTON REICHA (1770–1836) WIND QUINTETS IN B FLAT MAJOR, OP. 88 N0. 5, AND C MAJOR, OP. 91 NO. 1 Michael Thompson Wind Quintet: Michael Thompson, horn; Jonathan Snowden, flute; Derek Wickens, oboe; Timothy Lines, clarinet; John Price, bassoon Naxo 8.554227, 2004; one disc, 63 minutes

PETER LANDEY

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 168-170
doi:10.1017/S1478570606320544 (About doi), Published Online by Cambridge University Press 23 May 2006
 

Communications

 
 

REPORTS

Eighteenth-Century Music, Volume 3, Issue 01, March 2006, pp 171-194
doi:10.1017/S1478570606000558 (About doi), Published Online by Cambridge University Press 23 May 2006
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