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  • Note: Abstract, PDF and HTML open in a new window

  • Editor(s):
  • W. Dean Sutcliffe, University of Auckland, New Zealand
    Keith Chapin, New Zealand School of Music, New Zealand
    David R. M. Irving, University of Cambridge, UK

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Table of Contents - Volume 2 - Issue 02  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Notes on Contributors

 
 

CONTRIBUTORS

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 199-200
doi:10.1017/S1478570605000333 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

Editorial

 
 

EDITORIAL

ALLAN BADLEY

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 201-203
doi:10.1017/S1478570605000345 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

Articles

 
 

THE PACIFIC IN THE MINDS AND MUSIC OF ENLIGHTENMENT EUROPE

DAVID IRVING

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 205-229
doi:10.1017/S1478570605000357 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

DEATH EVERYDAY: THE ANNA MAGDALENA BACH BOOK OF 1725 AND THE ART OF DYING

DAVID YEARSLEY

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 231-249
doi:10.1017/S1478570605000369 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

MUSICAL INSTRUMENT MAKING IN GEORGIAN LONDON, 1753–1809: EVIDENCE FROM THE PROCEEDINGS OF THE OLD BAILEY AND THE MIDDLESEX SESSIONS OF THE PEACE

JENNY NEX and LANCE WHITEHEAD

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 251-271
doi:10.1017/S1478570605000370 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

‘SCARLATTINO, THE WONDER OF HIS TIME’: DOMENICO SCARLATTI’S ABSENT PRESENCE IN EIGHTEENTH-CENTURY ENGLAND

TODD DECKER

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 273-298
doi:10.1017/S1478570605000382 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

Essays

 
 

CENSORSHIP OF THE GOÛT MODERNE IN 1730S LUDWIGSBURG AND THE MUSIC OF GIUSEPPE ANTONIO BRESCIANELLO

SAMANTHA OWENS

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 299-310
doi:10.1017/S1478570605000394 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

FARINELLI AND THE CIRCLE OF SICINIO PEPOLI: A LINK WITH THE STUART COURT IN EXILE

EDWARD CORP

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 311-319
doi:10.1017/S1478570605000400 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

FARINELLI AS QUEEN OF THE NIGHT

JANE CLARK

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 321-333
doi:10.1017/S147857060500031X (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

Reviews: Books

 
 

SVEN HIEMKE LUDWIG VAN BEETHOVEN: MISSA SOLEMNIS Kassel: Bärenreiter, 2003 pp. 203, ISBN 3761815166

GLENN STANLEY

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 335-337
doi:10.1017/S1478570605210412 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

JOEL SPEERSTRA BACH AND THE PEDAL CLAVICHORD: AN ORGANIST’S GUIDE Woodbridge and Rochester, NY: University of Rochester Press, 2004 pp. xiii + 205, ISBN 1 58046 135 2

STEWART POLLENS

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 337-340
doi:10.1017/S1478570605220419 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

W. DEAN SUTCLIFFE THE KEYBOARD SONATAS OF DOMENICO SCARLATTI AND EIGHTEENTH-CENTURY MUSICAL STYLE Cambridge: Cambridge University Press, 2003 pp. xi + 400, ISBN 0 521 48140 6

JOSEPH KERMAN

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 340-342
doi:10.1017/S1478570605230415 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

NICHOLAS TEMPERLEY BOUND FOR AMERICA: THREE BRITISH COMPOSERS Urbana and Chicago: University of Illinois Press, 2003 pp. xiii+236pp, ISBN 0 252 02847 3

MICHAEL BROYLES

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 342-344
doi:10.1017/S1478570605240411 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

PETER WALLS HISTORY, IMAGINATION AND THE PERFORMANCE OF MUSIC Woodbridge and Rochester, NY: Boydell, 2003 pp. xiv + 184, ISBN 1 84383 005 1

ROBIN STOWELL

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 344-346
doi:10.1017/S1478570605250418 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

WILLIAM H. YOUNGREN C. P. E. BACH AND THE REBIRTH OF THE STROPHIC SONG Lanham, MD, and Oxford: Scarecrow, 2003 pp. xi + 519, ISBN 0 8108 4840 6

ANNETTE RICHARDS

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 346-349
doi:10.1017/S1478570605260414 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

Reviews: Editions

 
 

LUIGI BOCCHERINI, SIX STRING QUARTETS, OP. 32 ED. MARK W. KNOLL The Early String Quartet, volume 2 Ann Arbor: Steglein, 2003 pp. xv + 119, ISBN 0 9719854 1 3

ELISABETH LEGUIN

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 349-351
doi:10.1017/S1478570605270410 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

MUZIO CLEMENTI, OPERA OMNIA VOLUME 1: SIX SONATAS FOR HARPSICHORD OR PIANO, OP. 1 ED. ANDREA COEN Bologna: Ut Orpheus Edizioni, 2000 pp. xii + 55, ISMN M 2153 0537 3 VOLUME 10: DUO FOR TWO PIANOS OR TWO HARPSICHORDS, OP. 1A, AND DUO FOR TWO PIANOS, OP. 12 ED. ROBERTO ILLIANO Bologna: Ut Orpheus Edizioni, 2001 pp. ix + 28, ISMN M 2153 0655 4 VOLUME 12: THREE SONATAS FOR HARPSICHORD OR PIANO, OP. 7 ED. COSTANTINO MASTROPRIMIANO Bologna: Ut Orpheus Edizioni, 2002 pp. x + 36, ISMN M 2153 0656 1 VOLUME 21: THREE SONATAS FOR PIANO AND VIOLIN, OP. 15 ED. LUCA SALA Bologna: Ut Orpheus Edizioni, 2000 pp. ix + 71, ISMN M 2153 0571 7 VOLUME 30: THREE SONATAS FOR PIANO OR HARPSICHORD, VIOLIN AND CELLO, OP. 27 ED. MASSIMILIANO SALA Bologna: Ut Orpheus Edizioni, 2001 pp. xi + 70, ISMN M 2153 0576 2 VOLUME 35: THREE SONATAS FOR PIANO WITH FLUTE AND CELLO AD LIBITUM, OP. 32 ED. ROBERTO ILLIANO Bologna: Ut Orpheus Edizioni, 2003 pp. ix + 43, ISMN M 2153 0859 6 VOLUME 37: TWO SONATAS AND TWO CAPRICCIOS FOR PIANO, OP. 34 ED. ANDREA COEN Bologna: Ut Orpheus Edizioni, 2002 pp. x + 81, ISMN M 2153 0782 7

W. DEAN SUTCLIFFE

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 351-359
doi:10.1017/S1478570605280417 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

Reviews: Recordings

 
 

BBC RADIO 3 ‘COMPOSER OF THE WEEK’ (5–9 JULY 2004): OPERA SERIA EXTRACTS FROM JOHANN ADOLPH HASSE (1699–1783), CLEOFIDE (CAPRICCIO 10193/96); CARL HEINRICH GRAUN, CESARE E CLEOPATRA (HARMONIA MUNDI HMC 901 561) AND MONTEZUMA (DECCA 448 979); NICCOLO JOMMELLI (1714–1774), DIDONE ABBANDONATA (ORFEO C381 953F) AND VOLOGESO (ORFEO C420 983F); TOMMASO TRAETTA (1727–1779), IPPOLITO ED ARICIA (DYNAMIC CDS 257/4) AND ANTIGONA (DECCA 460 205). Introduced by Donald Macleod.

JULIAN RUSHTON

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 359-361
doi:10.1017/S1478570605290413 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

ANTONIO LITERES (1673–1747) JUPITER Y SEMELE O EL ESTRAGO EN LA FINEZA Marta Almajano (Jupiter), Virginia Ardid (Semele), Lola Dasariego (Cupid), Soledad Cardoso (Juno), Marina Pardo (Enarreta), Jordi Ricart (Cadmo, Sátiro), José Hernández (Ydaspes) / Al Ayre Español / Eduardo López Banzo Harmonia Mundi Iberica HMI 987036.37, 2003; two discs, 99 minutes

ÁLVARO TORRENTE

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 361-364
doi:10.1017/S1478570605300418 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

WOLFGANG AMADEUS MOZART (1756–1791) MASS IN C MINOR, K427 Completed by Robert D. Levin St Luke’s Orchestra/Helmut Rilling New York City, Carnegie Hall, 15 January 2005

PAUL CORNEILSON

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 364-366
doi:10.1017/S1478570605310414 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

ALESSANDRO SCARLATTI (1660–1725) LA GRISELDA: DRAMMA PER MUSICA Dorothea Röschmann (Griselda), Lawrence Zazzo (Gualtiero), Veronica Cangemi (Costanza), Bernarda Fink (Roberto), Silvia Tro Santafé (Ottone), Kobie van Rensburg (Corrado)/Akademie für Alte Musik Berlin/René Jacobs Harmonia Mundi, HMC 801805.07, 2004; 3 discs, 182 minutes

MARITA PETZOLDT MCCLYMONDS

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 366-368
doi:10.1017/S1478570605320410 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

JOHANN STAMITZ (1717–1757) AND FRANZ XAVER RICHTER (1709–1789) EARLY STRING SYMPHONIES VOLUME 1: RICHTER, SINFONIA A QUATTRO IN B FLAT MAJOR (RIEMANN NO. 59) AND C MINOR (RIEMANN NO. 15); STAMITZ, SINFONIA A QUATTRO IN A MAJOR (WOLF A3), D MAJOR (WOLF D21), AND D MAJOR, OP. 11 NO. 1 (WOLF D2) (ANDANTE NON ADAGIO ONLY) VOLUME 2: RICHTER: SINFONIA A QUATTRO IN C MAJOR ‘LA MELODIA GERMANICA’ (RIEMANN NO. 1), E FLAT MAJOR (RIEMANN NO. 77) AND G MAJOR (RIEMANN NO. 19); STAMITZ: SINFONIA A QUATTRO IN F MAJOR (WOLF F5) The Chamber Orchestra of The New Dutch Academy/Simon Murphy Pentatone Classics PTC 5186 028, 2003, and PTC 5186 029, 2003; 2 discs, 123 minutes

DAVID J RHODES

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 369-372
doi:10.1017/S1478570605330417 (About doi), Published Online by Cambridge University Press 21 Oct 2005
 

Communications

 
 

REPORTS

Eighteenth-Century Music, Volume 2, Issue 02, September 2005, pp 373-386
doi:10.1017/S1478570605000448 (About doi), Published Online by Cambridge University Press 21 Oct 2005
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