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  • Note: Abstract, PDF and HTML open in a new window

  • Editor(s):
  • W. Dean Sutcliffe, University of Auckland, New Zealand
    Keith Chapin, New Zealand School of Music, New Zealand
    David R. M. Irving, University of Cambridge, UK

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Table of Contents - Volume 1 - Issue 02  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Notes on Contributors

 
 

CONTRIBUTORS

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 151-152
doi:DOI:10.1017/S1478570604000995 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

Editorial

 
 

EDITORIAL

LUDMILLA JORDANOVA

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 153-155
doi:DOI:10.1017/S1478570604000107 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

Articles

 
 

ANN FORD REVISITED

PETER HOLMAN

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 157-181
doi:DOI:10.1017/S1478570604000119 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

PECOUR’S L’ALLEMANDE, 1702–1765: HOW ‘GERMAN’ WAS IT?

JENNIFER THORP

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 183-204
doi:DOI:10.1017/S1478570604000120 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

THE SONATE AUF CONCERTENART AND CONCEPTIONS OF GENRE IN THE LATE BAROQUE

STEVEN ZOHN

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 205-247
doi:DOI:10.1017/S1478570604000132 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

THE ITALIAN MENACE: OPERA BUFFA IN REVOLUTIONARY FRANCE

MICHAEL E. MCCLELLAN

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 249-263
doi:DOI:10.1017/S1478570604000144 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

MOZART’S OPERATIC AUDITION. THE MILAN CONCERT, 12 MARCH 1770: A REAPPRAISAL AND REVISION

ANTHONY PRYER

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 265-288
doi:DOI:10.1017/S1478570604000156 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

Essays

 
 

THE FIRST PERFORMANCE OF HAYDN’S ‘PARIS’ SYMPHONIES

WARWICK LISTER

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 289-300
doi:DOI:10.1017/S1478570604000168 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

MOZART’S LE NOZZE DI FIGARO: A HIDDEN DRAMATIC DETAIL

DANIEL N. LEESON

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 301-304
doi:DOI:10.1017/S147857060400017X (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

Reviews: Books

 
 

ELLEN T. HARRIS HANDEL AS ORPHEUS: VOICE AND DESIRE IN THE CHAMBER CANTATAS Cambridge, MA, and London: Harvard University Press, 2001 pp. xi + 430, ISBN 0 674 00617 8

SARAH MCCLEAVE

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 305-307
doi:DOI:10.1017/S1478570604210181 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

SIMON P. KEEFE, ED. THE CAMBRIDGE COMPANION TO MOZART Cambridge: Cambridge University Press, 2003 pp. xviii + 294, ISBN 0 521 00192 7

JOHN IRVING

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 307-311
doi:DOI:10.1017/S1478570604220188 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

MARA PARKER THE STRING QUARTET, 1750–1797: FOUR TYPES OF MUSICAL CONVERSATION Aldershot: Ashgate, 2002 pp. xiii + 315, ISBN 1 84014 682 6

SIMON P. KEEFE

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 311-313
doi:DOI:10.1017/S1478570604230184 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

DEBORAH ROHR THE CAREERS OF BRITISH MUSICIANS, 1750–1850: A PROFESSION OF ARTISANS Cambridge: Cambridge University Press, 2001 pp. xii + 233, ISBN 0 521 58095 1

DOROTHY DEVAL

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 313-315
doi:DOI:10.1017/S1478570604240180 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

DOWNING A. THOMAS AESTHETICS OF OPERA IN THE ANCIEN RÉGIME: 1647–1785 Cambridge: Cambridge University Press, 2002 pp. viii + 411, ISBN 0 521 80188 5

STEPHEN BAYSTED

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 316-318
doi:DOI:10.1017/S1478570604250187 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

PETER WILLIAMS BACH: THE GOLDBERG VARIATIONS Cambridge: Cambridge University Press, 2001 pp. vi + 112, ISBN 0 521 00193 5

DENIS COLLINS

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 318-319
doi:DOI:10.1017/S1478570604260183 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

Reviews: Editions

 
 

GIROLAMO ABOS, STABAT MATER ED. JOSEPH VELLA BONDIN Recent Researches in the Music of the Classical Era 68 Middleton, WI: A-R Editions, 2003 pp. xxiv + 75, ISBN 0 89579 531 0

MICHAEL TALBOT

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 320-321
doi:DOI:10.1017/S147857060427018X (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

ARTARIA 195: BEETHOVEN’S SKETCHBOOK FOR THE MISSA SOLEMNIS AND THE PIANO SONATA IN E MAJOR, OPUS 109 TRANSCRIBED, EDITED AND WITH A COMMENTARY BY WILLIAM KINDERMAN Champaign: University of Illinois Press, 2002 3 volumes, pp. 384, ISBN 0 252 02749 3

WILLIAM DRABKIN

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 321-324
doi:DOI:10.1017/S1478570604280186 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

LUDWIG VAN BEETHOVEN, STRING QUARTET IN C SHARP MINOR, OP. 131 ED. EMIL PLATEN Munich: Henle, 2002 ISMN M 2018 0742 3 LUDWIG VAN BEETHOVEN, STRING QUARTET IN A MINOR, OP. 132 ED. EMIL PLATEN Munich: Henle, 2002 ISMN M 2018 0743 0

BARRY COOPER

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 324-326
doi:DOI:10.1017/S1478570604290182 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

ANTONIO SALIERI, MASS IN D MINOR ED. JANE SCHATKIN HETTRICK Recent Researches in the Music of the Classical Era 65 Middleton, WI: A-R Editions, 2002 pp. xxii + 162, ISBN 0 89579 1

JEREMIAH W. MCGRANN

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 326-328
doi:DOI:10.1017/S1478570604300187 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

Reviews: Recordings

 
 

MICHEL-RICHARD DE LALANDE (1657–1726) MUSIC FOR THE SUN KING Te Deum laudamus (S32); ‘Panis angelicus’, from Sacris solemniis (S74); La grande pièce royale (S161); Venite, exultemus (S58) Carolyn Sampson (dessus 1), Natalie Clifton-Griffith (dessus 2), James Gilchrist (haute-contre), Paul Agnew (taille), Jonathan Gunthorpe (basse-taille 1), James Mustard (basse-taille 2) / Ex Cathedra Chamber Choir / Ex Cathedra Baroque Orchestra / Jeffrey Skidmore Hyperion CDA67325, 2002; one disc, 1′11′′

C. JANE GOSINE

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 328-331
doi:DOI:10.1017/S1478570604310183 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

JEAN-JOSEPH CASSANÉA DE MONDONVILLE (1711–1772) SIX SONATES EN SYMPHONIE, OP. 3 Les Musiciens du Louvre / Marc Minkowski Archiv 474 550-2, 2003; one disc, 0′58′′

MARY CYR

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 331-333
doi:DOI:10.1017/S147857060432018X (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

ANTONIO VIVALDI (1678–1741) LA VERITÀ IN CIMENTO Nathalie Stutzmann (Damira), Gemma Bertagnolli (Rosane), Guillemette Laurens (Rustena), Anthony Rolfe Johnson (Mamud), Sara Mingardo (Melindo), Philippe Jaroussky (Zelim) / Ensemble Matheus / Jean-Christophe Spinosi Opus 111 op30365, 2003; three discs, 2′38′′

ERIC CROSS

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 333-335
doi:DOI:10.1017/S1478570604330186 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

Communications

 
 

REPORTS

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 337-340
doi:DOI:10.1017/S1478570604210193 (About doi), Published Online by Cambridge University Press 07 Jan 2005
 

CONFERENCES

Eighteenth-Century Music, Volume 1, Issue 02, September 2004, pp 341-346
doi:DOI:10.1017/S147857060422019X (About doi), Published Online by Cambridge University Press 07 Jan 2005
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