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  • Note: Abstract, PDF and HTML open in a new window

  • Editor(s):
  • W. Dean Sutcliffe, University of Auckland, New Zealand
    Keith Chapin, New Zealand School of Music, New Zealand
    David R. M. Irving, University of Cambridge, UK

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Table of Contents - Volume 1 - Issue 01  

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Notes on Contributors

 
 

EDITORIAL

Cliff Eisen and W. Dean Sutcliffe

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 3-3
doi:DOI:10.1017/S1478570604000090 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

Articles

 
 

STAGING AND ITS DRAMATIC EFFECT IN FRENCH BAROQUE OPERA: EVIDENCE FROM PROMPT NOTES

ANTONIA L. BANDUCCI

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 5-28
doi:DOI:10.1017/S1478570604000016 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

‘LEARNED STYLE’ IN TWO LESSING SETTINGS BY HAYDN

BALÁZS MIKUSI

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 29-46
doi:DOI:10.1017/S1478570604000028 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

THE EIGHTEENTH CENTURY AS A MUSIC-HISTORICAL PERIOD?

JAMES WEBSTER

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 47-60
doi:DOI:10.1017/S147857060400003X (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

RECOVERING VIVALDI’S LOST PSALM

MICHAEL TALBOT

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 61-77
doi:DOI:10.1017/S1478570604000041 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

Essays

 
 

ON BWV849/2

JOSEPH KERMAN

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 79-83
doi:DOI:10.1017/S1478570604000053 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

THE CASE OF THE CIRCUMSTANTIAL MEETING: WOLFGANG AMADEUS MOZART AND JOSEPH MARTIN KRAUS IN VIENNA

BERTIL VAN BOER

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 85-90
doi:DOI:10.1017/S1478570604000065 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

Reviews: Books

 
 

ELSIE ARNOLD AND JANE BALDAUF-BERDES MADDALENA LOMBARDINI SIRMEN: EIGHTEENTH-CENTURY COMPOSER, VIOLINIST, AND BUSINESSWOMAN Lanham, MD, and London: Scarecrow, 2002 pp. xvi + 170, ISBN: 0 8108 4107 X

IAN WOODFIELD

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 91-92
doi:DOI:10.1017/S1478570604210077 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

KARL HOCHREITHER PERFORMANCE PRACTICE OF THE INSTRUMENTAL-VOCAL WORKS OF JOHANN SEBASTIAN BACH TRANS. MELVIN UNGER Lanham, MD, and London: Scarecrow, 2002 pp. xiii + 217, ISBN 0 8108 4258 0

YO TOMITA

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 92-93
doi:DOI:10.1017/S1478570604220073 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

JOHN WARRACK GERMAN OPERA: FROM THE BEGINNINGS TO WAGNER Cambridge: Cambridge University Press, 2001 pp. xvi + 447, ISBN 0 521 23532 4

DAVID BUCH

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 94-96
doi:DOI:10.1017/S147857060423007X (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

RICHARD WILL THE CHARACTERISTIC SYMPHONY IN THE AGE OF HAYDN AND BEETHOVEN Cambridge: Cambridge University Press, 2002 pp. xii + 329, ISBN 0 521 80201 6

DAVID WYN JONES

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 96-98
doi:DOI:10.1017/S1478570604240076 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

IAN WOODFIELD OPERA AND DRAMA IN EIGHTEENTH-CENTURY LONDON: THE KING’S THEATRE, GARRICK AND THE BUSINESS OF PERFORMANCE Cambridge: Cambridge University Press, 2001 pp. xiv + 339, ISBN 0 521 80012 9

MARGARET BUTLER

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 98-100
doi:DOI:10.1017/S1478570604250072 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

DAVID YEARSLEY BACH AND THE MEANINGS OF COUNTERPOINT Cambridge: Cambridge University Press, 2002 pp. xvi + 257, ISBN 0 521 80346 2

JAMES CURRIE

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 100-104
doi:DOI:10.1017/S1478570604260079 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

Reviews: Editions

 
 

PIERRE GAVINIÉS, SONATAS FOR VIOLIN AND BASSO CONTINUO, OP. 3 ED. ANTHONY F. GINTER Recent Researches in the Music of the Classical Era 64 Middleton, WI: A-R Editions, 2002 pp. xii + 59, ISBN 0 89579 501 9

WIEBKE THORMÄHLEN

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 105-107
doi:DOI:10.1017/S1478570604270075 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

JOHN MARSH, SYMPHONIES (PARTS 1 AND 2) ED. IAN GRAHAM-JONES Recent Researches in the Music of the Classical Era 62, 63 Middleton, WI A-R Editions, 2001 pp. xvii + 255, xiv + 213; ISBN 0 89579 486 1, 0 89579 486 X

ANN VAN ALLEN-RUSSELL

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 107-109
doi:DOI:10.1017/S1478570604280071 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

Reviews: Recordings

 
 

ALTBACHISCHES ARCHIV: WORKS BY JOHANN BACH (1604–1673), JOHANN CHRISTOPH BACH (1642–1703), GEORG CHRISTOPH BACH (1642–1697), JOHANN MICHAEL BACH (1648–1694), JOHANN SEBASTIAN BACH (1685–1750) Cantus Cölln / Concerto Paladino / Konrad Junghänel Harmonia Mundi HMC901783/84, 2003; two discs, 2'33"

JOHN BUTT

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 109-111
doi:DOI:10.1017/S1478570604290078 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

ANDRÉ-ERNEST-MODESTE GRÉTRY (1741–1813) RICHARD CŒUR DE LION AND DENYS LE TYRAN Peter Edelmann (Blondel), Hubert Zingele (Richard), Marinella Pennicchi (Laurette), Flavia Bernardi (Antonio), Barbara Pichler (Marguerite), Mattia Nicolini (Williams), Bruno de Simone (Denys), Claudio di Segni (Timoleon), Romano Franceschetto (Chrysostome), Stefania Donzelli (La femme de Chrysostome) / Coro Lirico Gréty di Bolzano / Orchestra dei Giovanni del Conservatorio ‘Claudio Monteverdi’ di Bolzano / Fabio Neri; Coro Ars Pulcherrima Artium / Orchestra Internazionale d'Italia / Francesco Vizioli Nuova Era 7327/28, 1999; two discs, 2'03"

JULIAN RUSHTON

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 111-113
doi:DOI:10.1017/S1478570604300072 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

WILLIAM HERSCHEL (1738–1822) SYMPHONIES NOS 2 IN D MAJOR, 8 IN C MINOR, 12 IN D MAJOR, 13 IN D MAJOR, 14 IN D MAJOR, 17 IN C MAJOR London Mozart Players / Matthias Bamert Chandos CHAN 10048, 2003, one disc, 1'08"

SIMON McVEIGH

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 113-115
doi:DOI:10.1017/S1478570604310079 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

CHRISTOPHE MOYREAU PIÈCES DE CLAVECIN 1753 (EXTRACTS FROM BOOKS 1–6) Douglas Hollick (Harpsichord/Organ) Riverrun RVRCD 60, 2002; one disc, 1'12"

DAVID LEDBETTER

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 115-116
doi:DOI:10.1017/S1478570604320075 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

DIVAS OF MOZART'S DAY: OPERATIC ARIAS BY DOMENICO CIMAROSA (1749–1801), VICENTE MARTÍN Y SOLER (1754–1806), WOLFGANG AMADEUS MOZART (1756–1791), VINCENZO RIGHINI (1756–1812), ANTONIO SALIERI (1750–1825), STEPHEN STORACE (1762–1796) Patrice Michaels (soprano), Peter van de Graaff (bass-baritone) / Classical Arts Orchestra / Stephen Alltop (conductor and fortepiano) Cedrille CDR 90000 064, 2002; one disc, 1'16"

THOMAS IRVINE

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 116-118
doi:DOI:10.1017/S1478570604330071 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

JAN DISMAS ZELENKA (1679–1745) Sacred Music (Bach's Contemporaries 4) Litaniæ de Venerabili Sacramento (ZWV147), Regina cœli lætare (ZWV134), Salve regina, mater misericordiæ (ZWV135), Lectiones and Invitatorium from Officium defunctorum (ZWV47) Carolyn Sampson (soprano), Rebecca Outram (soprano), Robin Blaze (countertenor), James Gilchrist (tenor), Michael George (bass), Peter Harvey (bass) / Choir of the King's Consort / The King's Consort / Robert King Hyperion CDA 67350, 2003; one disc, 1'13"

JANICE B. STOCKIGT

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 119-121
doi:DOI:10.1017/S1478570604340078 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

Communications

 
 

REPORTS

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 123-127
doi:DOI:10.1017/S1478570604210089 (About doi), Published Online by Cambridge University Press 28 Jun 2004
 

CONFERENCES

Eighteenth-Century Music, Volume 1, Issue 01, March 2004, pp 127-149
doi:DOI:10.1017/S1478570604220085 (About doi), Published Online by Cambridge University Press 28 Jun 2004
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