Twentieth-Century Music Vol. 8 Issue 01

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Table of Contents - Volume 8 - Issue 01 - March 2011

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Notes on Contributors

Notes on Contributors Notes on Contributors

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twentieth-century music / Volume 8 / Issue 01 / March 2011, pp 1 - 1

DOI: http://dx.doi.org/10.1017/S1478572211000259 (About DOI), Published online: 23 February 2012

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Articles

‘Alte Musik’ or ‘Early Music’? ‘Alte Musik’ or ‘Early Music’?

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RICHARD TARUSKIN

twentieth-century music / Volume 8 / Issue 01 / March 2011, pp 3 - 28

DOI: http://dx.doi.org/10.1017/S1478572211000260 (About DOI), Published online: 23 February 2012

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Who Killed the Concert? Heinrich Besseler and the Inter-War Politics of Gebrauchsmusik Who Killed the Concert? Heinrich Besseler and the Inter-War Politics of Gebrauchsmusik

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MATTHEW PRITCHARD

twentieth-century music / Volume 8 / Issue 01 / March 2011, pp 29 - 48

DOI: http://dx.doi.org/10.1017/S1478572211000272 (About DOI), Published online: 23 February 2012

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Appendix: Fundamental Issues of Musical Listening (1925) Appendix: Fundamental Issues of Musical Listening (1925)

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HEINRICH BESSELER, MATTHEW PRITCHARD and IRENE AUERBACH

twentieth-century music / Volume 8 / Issue 01 / March 2011, pp 49 - 70

DOI: http://dx.doi.org/10.1017/S1478572212000011 (About DOI), Published online: 23 February 2012

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Mixing with Mozart: Aesthetics and Tradition in Helmut Lachenmann's Accanto Mixing with Mozart: Aesthetics and Tradition in Helmut Lachenmann's Accanto

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ALASTAIR WILLIAMS

twentieth-century music / Volume 8 / Issue 01 / March 2011, pp 71 - 97

DOI: http://dx.doi.org/10.1017/S1478572211000284 (About DOI), Published online: 23 February 2012

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Reviews

Nicholas Cook, Eric Clarke, Daniel Leech-Wilkinson, and John Rink, eds, The Cambridge Companion to Recorded Music (Cambridge: Cambridge University Press, 2009), ISBN 978-0-521-86582-1 (hb), 978-0-521-68461-3 (pb)

Amanda Bayley, ed., Recorded Music: Performance, Culture, and Technology (Cambridge: Cambridge University Press, 2010), ISBN 978-0-521-86309-4 (hb) Nicholas Cook, Eric Clarke, Daniel Leech-Wilkinson, and John Rink, eds, The Cambridge Companion to Recorded Music (Cambridge: Cambridge University Press, 2009), ISBN 978-0-521-86582-1 (hb), 978-0-521-68461-3 (pb)

Amanda Bayley, ed., Recorded Music: Performance, Culture, and Technology (Cambridge: Cambridge University Press, 2010), ISBN 978-0-521-86309-4 (hb)

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MELISSA HOK CEE WONG

twentieth-century music / Volume 8 / Issue 01 / March 2011, pp 99 - 105

DOI: http://dx.doi.org/10.1017/S1478572211000296 (About DOI), Published online: 23 February 2012

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Julian Johnson, Mahler's Voices: Expression and Irony in the Songs and Symphonies (Oxford: Oxford University Press, 2009), ISBN 978-0-19-537239-7 Julian Johnson, Mahler's Voices: Expression and Irony in the Songs and Symphonies (Oxford: Oxford University Press, 2009), ISBN 978-0-19-537239-7

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VERA MICZNIK

twentieth-century music / Volume 8 / Issue 01 / March 2011, pp 105 - 113

DOI: http://dx.doi.org/10.1017/S1478572211000302 (About DOI), Published online: 23 February 2012

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Björn Heile, ed., The Modernist Legacy: Essays on New Music (Farnham: Ashgate, 2009), ISBN 978-0-7546-6260-0 (hb) Björn Heile, ed., The Modernist Legacy: Essays on New Music (Farnham: Ashgate, 2009), ISBN 978-0-7546-6260-0 (hb)

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TRENT LEIPERT

twentieth-century music / Volume 8 / Issue 01 / March 2011, pp 113 - 119

DOI: http://dx.doi.org/10.1017/S1478572211000314 (About DOI), Published online: 23 February 2012

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Brian Alegant, The Twelve-Tone Music of Luigi Dallapiccola (Rochester, NY: University of Rochester Press, 2010), 978-1-58046-325-6 Brian Alegant, The Twelve-Tone Music of Luigi Dallapiccola (Rochester, NY: University of Rochester Press, 2010), 978-1-58046-325-6

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ANDREW MEAD

twentieth-century music / Volume 8 / Issue 01 / March 2011, pp 119 - 124

DOI: http://dx.doi.org/10.1017/S1478572211000326 (About DOI), Published online: 23 February 2012

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Rachel Beckles Willson, Ligeti, Kurtág, and Hungarian Music during the Cold War (Cambridge: Cambridge University Press, 2007), ISBN 978-0-5218-2733-1 (hb) Rachel Beckles Willson, Ligeti, Kurtág, and Hungarian Music during the Cold War (Cambridge: Cambridge University Press, 2007), ISBN 978-0-5218-2733-1 (hb)

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LISA JAKELSKI

twentieth-century music / Volume 8 / Issue 01 / March 2011, pp 125 - 130

DOI: http://dx.doi.org/10.1017/S1478572211000338 (About DOI), Published online: 23 February 2012

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Front Cover (OFC, IFC) and matter

TCM volume 8 issue 1 Cover and Front matter TCM volume 8 issue 1 Cover and Front matter

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twentieth-century music / Volume 8 / Issue 01 / March 2011, pp f1 - f3

DOI: http://dx.doi.org/10.1017/S1478572211000247 (About DOI), Published online: 23 February 2012

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Back Cover (IBC, OBC) and matter

TCM volume 8 issue 1 Cover and Back matter TCM volume 8 issue 1 Cover and Back matter

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twentieth-century music / Volume 8 / Issue 01 / March 2011, pp b1 - b6

DOI: http://dx.doi.org/10.1017/S1478572212000023 (About DOI), Published online: 23 February 2012

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