Eighteenth-Century Music Vol. 7 Issue 01

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Table of Contents - Volume 7 - Issue 01 - 2010

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CONTRIBUTORS CONTRIBUTORS

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Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 1 - 4

DOI: http://dx.doi.org/10.1017/S1478570609990418 (About DOI), Published online: 21 January 2010

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EDITORIAL: TURKICIZATION AND RONDOLOGY IN MOZART'S SONATA IN A MAJOR, k331 EDITORIAL: TURKICIZATION AND RONDOLOGY IN MOZART'S SONATA IN A MAJOR, k331

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MICHAEL BECKERMAN

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 5 - 8

DOI: http://dx.doi.org/10.1017/S147857060999042X (About DOI), Published online: 21 January 2010

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Articles

VOCAL RIPIENISTS AND J. S. BACH'S MASS IN B MINOR VOCAL RIPIENISTS AND J. S. BACH'S MASS IN B MINOR

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ANDREW PARROTT

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 9 - 34

DOI: http://dx.doi.org/10.1017/S1478570609990431 (About DOI), Published online: 21 January 2010

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THE MOCK HEROIC, AN INTRUDER IN ARCADIA: GIROLAMO GIGLI, ANTONIO CALDARA AND L'ANAGILDA (ROME, 1711) THE MOCK HEROIC, AN INTRUDER IN ARCADIA: GIROLAMO GIGLI, ANTONIO CALDARA AND L'ANAGILDA (ROME, 1711)

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AYANA SMITH

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 35 - 62

DOI: http://dx.doi.org/10.1017/S1478570609990443 (About DOI), Published online: 21 January 2010

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SOLOIST PARTICIPATION DURING THE TUTTIS OF EIGHTEENTH-CENTURY WOODWIND CONCERTOS SOLOIST PARTICIPATION DURING THE TUTTIS OF EIGHTEENTH-CENTURY WOODWIND CONCERTOS

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CAREY CAMPBELL

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 63 - 79

DOI: http://dx.doi.org/10.1017/S1478570609990455 (About DOI), Published online: 21 January 2010

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JOHN GEIB: BEYOND THE FOOTNOTE JOHN GEIB: BEYOND THE FOOTNOTE

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THOMAS STRANGE and JENNY NEX

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 81 - 103

DOI: http://dx.doi.org/10.1017/S1478570609990467 (About DOI), Published online: 21 January 2010

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Reviews: Books

VANESSA AGNEW ENLIGHTENMENT ORPHEUS: THE POWER OF MUSIC IN OTHER WORLDS New York and Oxford: Oxford University Press, 2008 pp. xiv + 263, isbn 978 0 19 531371 0 VANESSA AGNEW ENLIGHTENMENT ORPHEUS: THE POWER OF MUSIC IN OTHER WORLDS New York and Oxford: Oxford University Press, 2008 pp. xiv + 263, isbn 978 0 19 531371 0

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OLIVIA A. BLOECHL

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 105 - 107

DOI: http://dx.doi.org/10.1017/S1478570609990479 (About DOI), Published online: 21 January 2010

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KAROL BERGER BACH'S CYCLE, MOZART'S ARROW: AN ESSAY ON THE ORIGINS OF MUSICAL MODERNITY Berkeley, Los Angeles and London: University of California Press, 2007 pp. xi + 420, isbn 978 0 520 25091 8 KAROL BERGER BACH'S CYCLE, MOZART'S ARROW: AN ESSAY ON THE ORIGINS OF MUSICAL MODERNITY Berkeley, Los Angeles and London: University of California Press, 2007 pp. xi + 420, isbn 978 0 520 25091 8

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MATTHIAS SCHMIDT

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 107 - 109

DOI: http://dx.doi.org/10.1017/S1478570609990480 (About DOI), Published online: 21 January 2010

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TASSILO ERHARDT HÄNDELS MESSIAH: TEXT, MUSIK, THEOLOGIE Bad Reichenhall: Comes, 2007 pp. 403, isbn 978 3 88820 500 2 TASSILO ERHARDT HÄNDELS MESSIAH: TEXT, MUSIK, THEOLOGIE Bad Reichenhall: Comes, 2007 pp. 403, isbn 978 3 88820 500 2

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MICHAEL MARISSEN

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 109 - 111

DOI: http://dx.doi.org/10.1017/S1478570609990492 (About DOI), Published online: 21 January 2010

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LYDIA GOEHR AND DANIEL HERWITZ, EDS THE DON GIOVANNI MOMENT: ESSAYS ON THE LEGACY OF AN OPERA New York: Columbia University Press, 2006 pp. xxii + 238, isbn 978 0 231 13754 6 LYDIA GOEHR AND DANIEL HERWITZ, EDS THE DON GIOVANNI MOMENT: ESSAYS ON THE LEGACY OF AN OPERA New York: Columbia University Press, 2006 pp. xxii + 238, isbn 978 0 231 13754 6

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ANTHONY PRYER

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 112 - 114

DOI: http://dx.doi.org/10.1017/S1478570609990509 (About DOI), Published online: 21 January 2010

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JOHN T. HAMILTON MUSIC, MADNESS, AND THE UNWORKING OF LANGUAGE New York: Columbia University Press, 2008 pp. xviii + 252, isbn 978 0 231 14220 5 JOHN T. HAMILTON MUSIC, MADNESS, AND THE UNWORKING OF LANGUAGE New York: Columbia University Press, 2008 pp. xviii + 252, isbn 978 0 231 14220 5

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KEITH CHAPIN

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 114 - 117

DOI: http://dx.doi.org/10.1017/S1478570609990510 (About DOI), Published online: 21 January 2010

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VICTORIA JOHNSON BACKSTAGE AT THE REVOLUTION: HOW THE ROYAL PARIS OPERA SURVIVED THE END OF THE OLD REGIME Chicago and London: University of Chicago Press, 2008 pp. xv + 281, isbn 978 0 226 40195 9 VICTORIA JOHNSON BACKSTAGE AT THE REVOLUTION: HOW THE ROYAL PARIS OPERA SURVIVED THE END OF THE OLD REGIME Chicago and London: University of Chicago Press, 2008 pp. xv + 281, isbn 978 0 226 40195 9

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MARK DARLOW

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 117 - 119

DOI: http://dx.doi.org/10.1017/S1478570609990522 (About DOI), Published online: 21 January 2010

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TANYA KEVORKIAN BAROQUE PIETY: RELIGION, SOCIETY, AND MUSIC IN LEIPZIG, 1650–1750 Aldershot and Burlington: Ashgate, 2007 pp. xiii + 251, isbn 978 0 7546 5490 2 TANYA KEVORKIAN BAROQUE PIETY: RELIGION, SOCIETY, AND MUSIC IN LEIPZIG, 1650–1750 Aldershot and Burlington: Ashgate, 2007 pp. xiii + 251, isbn 978 0 7546 5490 2

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STEPHEN ROSE

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 119 - 121

DOI: http://dx.doi.org/10.1017/S1478570609990534 (About DOI), Published online: 21 January 2010

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DANUTA MIRKA AND KOFI AGAWU, EDS COMMUNICATION IN EIGHTEENTH-CENTURY MUSIC Cambridge: Cambridge University Press, 2008 pp. ix + 345, isbn 978 0 521 88829 5 DANUTA MIRKA AND KOFI AGAWU, EDS COMMUNICATION IN EIGHTEENTH-CENTURY MUSIC Cambridge: Cambridge University Press, 2008 pp. ix + 345, isbn 978 0 521 88829 5

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ROBERT GJERDINGEN

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 121 - 124

DOI: http://dx.doi.org/10.1017/S1478570609990546 (About DOI), Published online: 21 January 2010

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MICHAEL O'LOGHLIN FREDERICK THE GREAT AND HIS MUSICIANS: THE VIOLA DA GAMBA MUSIC OF THE BERLIN SCHOOL Aldershot: Ashgate, 2008 pp. xviii + 253, isbn 978 0 7546 5885 6 MICHAEL O'LOGHLIN FREDERICK THE GREAT AND HIS MUSICIANS: THE VIOLA DA GAMBA MUSIC OF THE BERLIN SCHOOL Aldershot: Ashgate, 2008 pp. xviii + 253, isbn 978 0 7546 5885 6

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LUCY ROBINSON

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 124 - 126

DOI: http://dx.doi.org/10.1017/S1478570609990558 (About DOI), Published online: 21 January 2010

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JOHN A. RICE MOZART ON THE STAGE Cambridge: Cambridge University Press, 2009 pp. xv + 278, isbn 978 0 521 81634 2 (hardback); 978 0 521 01661 2 (paperback) JOHN A. RICE MOZART ON THE STAGE Cambridge: Cambridge University Press, 2009 pp. xv + 278, isbn 978 0 521 81634 2 (hardback); 978 0 521 01661 2 (paperback)

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IAN WOODFIELD

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 126 - 128

DOI: http://dx.doi.org/10.1017/S147857060999056X (About DOI), Published online: 21 January 2010

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IAN WOODFIELD MOZART'S COSÌ FAN TUTTE: A COMPOSITIONAL HISTORY Woodbridge: Boydell and Brewer, 2008 pp. xxi + 242, isbn 978 1 84383 406 9 IAN WOODFIELD MOZART'S COSÌ FAN TUTTE: A COMPOSITIONAL HISTORY Woodbridge: Boydell and Brewer, 2008 pp. xxi + 242, isbn 978 1 84383 406 9

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JOHN A. RICE

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 128 - 130

DOI: http://dx.doi.org/10.1017/S1478570609990571 (About DOI), Published online: 21 January 2010

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STEVEN ZOHN MUSIC FOR A MIXED TASTE: STYLE, GENRE, AND MEANING IN TELEMANN'S INSTRUMENTAL WORKS New York and Oxford: Oxford University Press, 2008 pp. xxxiv + 686, isbn 978 0 19 516977 5 STEVEN ZOHN MUSIC FOR A MIXED TASTE: STYLE, GENRE, AND MEANING IN TELEMANN'S INSTRUMENTAL WORKS New York and Oxford: Oxford University Press, 2008 pp. xxxiv + 686, isbn 978 0 19 516977 5

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JANICE B. STOCKIGT

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 130 - 133

DOI: http://dx.doi.org/10.1017/S1478570609990583 (About DOI), Published online: 21 January 2010

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Reviews: Editions

CHARLES DIBDIN, THE SADLER'S WELLS DIALOGUES ED. PETER HOLMAN Centre for Eighteenth-Century Music, Massey University, Series 1 No. 3 Wellington: Artaria, 2007 pp. 193, isbn 1 877369 60 8 CHARLES DIBDIN, THE SADLER'S WELLS DIALOGUES ED. PETER HOLMAN Centre for Eighteenth-Century Music, Massey University, Series 1 No. 3 Wellington: Artaria, 2007 pp. 193, isbn 1 877369 60 8

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JOHN CUNNINGHAM

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 133 - 135

DOI: http://dx.doi.org/10.1017/S1478570609990595 (About DOI), Published online: 21 January 2010

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GEORG PHILIPP TELEMANN, DER FÜR DIE SÜNDE DER WELT LEIDENDE UND STERBENDE JESUS, PASSIONSORATORIUM VON BARTHOLD HEINRICH BROCKES, tvwv5:1 ED. CARSTEN LANGE Georg Philipp Telemann: Musikalische Werke, volume 34 Kassel and New York: Bärenreiter, 2008 pp. lxvi + 268, ismn 979 0 006 49801 7 GEORG PHILIPP TELEMANN, DER FÜR DIE SÜNDE DER WELT LEIDENDE UND STERBENDE JESUS, PASSIONSORATORIUM VON BARTHOLD HEINRICH BROCKES, tvwv5:1 ED. CARSTEN LANGE Georg Philipp Telemann: Musikalische Werke, volume 34 Kassel and New York: Bärenreiter, 2008 pp. lxvi + 268, ismn 979 0 006 49801 7

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JEANNE SWACK

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 136 - 138

DOI: http://dx.doi.org/10.1017/S1478570609990601 (About DOI), Published online: 21 January 2010

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ANTONIO VIVALDI, JUDITHA TRIUMPHANS DEVICTA HOLOFERNIS BARBARIE, rv644 ED. MICHAEL TALBOT Milan: Ricordi, 2008 pp. liii + 314, isbn 978 88 7592 855 1 ANTONIO VIVALDI, JUDITHA TRIUMPHANS DEVICTA HOLOFERNIS BARBARIE, rv644 ED. MICHAEL TALBOT Milan: Ricordi, 2008 pp. liii + 314, isbn 978 88 7592 855 1

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ERIN HELYARD

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 138 - 140

DOI: http://dx.doi.org/10.1017/S1478570609990613 (About DOI), Published online: 21 January 2010

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VOLTAIRE (FRANÇOIS-MARIE AROUET), OEUVRES DE 1738–1740 (III); WRITINGS FOR MUSIC (1720–1740) ED. ROGER J. V. COTTE, RUSSELL GOULBOURNE, GILLIAN PINK, GERHARDT STENGER, RAYMOND TROUSSON AND DAVID WILLIAMS Complete Works of Voltaire 18c Oxford: Voltaire Foundation, 2008 pp. xxvi + 430, isbn 978 0 7294 0913 1

VOLTAIRE (FRANÇOIS-MARIE AROUET), ŒUVRES DE 1742–1745 (I) ED. OLIVIER FERRET, RUSSELL GOULBOURNE, RALPH A. NABLOW AND DAVID WILLIAMS Complete Works of Voltaire 28a Oxford: Voltaire Foundation, 2006 pp. xxvi + 528, isbn 978 0 7294 0871 4 VOLTAIRE (FRANÇOIS-MARIE AROUET), OEUVRES DE 1738–1740 (III); WRITINGS FOR MUSIC (1720–1740) ED. ROGER J. V. COTTE, RUSSELL GOULBOURNE, GILLIAN PINK, GERHARDT STENGER, RAYMOND TROUSSON AND DAVID WILLIAMS Complete Works of Voltaire 18c Oxford: Voltaire Foundation, 2008 pp. xxvi + 430, isbn 978 0 7294 0913 1

VOLTAIRE (FRANÇOIS-MARIE AROUET), ŒUVRES DE 1742–1745 (I) ED. OLIVIER FERRET, RUSSELL GOULBOURNE, RALPH A. NABLOW AND DAVID WILLIAMS Complete Works of Voltaire 28a Oxford: Voltaire Foundation, 2006 pp. xxvi + 528, isbn 978 0 7294 0871 4

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CHARLES DILL

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 140 - 143

DOI: http://dx.doi.org/10.1017/S1478570609990625 (About DOI), Published online: 21 January 2010

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Reviews: Recordings

GIOVANNI BONONCINI (1670–1747) SAN NICOLA DI BARI Lavinia Bertotti (soprano), Elena Cecchi Fedi (soprano), Gabriella Martellacci (alto), Furio Zanasi (bass) / Les Muffatti / Peter Van Heyghen Ramée RAM 0806, 2008; one disc, 82 minutes GIOVANNI BONONCINI (1670–1747) SAN NICOLA DI BARI Lavinia Bertotti (soprano), Elena Cecchi Fedi (soprano), Gabriella Martellacci (alto), Furio Zanasi (bass) / Les Muffatti / Peter Van Heyghen Ramée RAM 0806, 2008; one disc, 82 minutes

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ROBERT RAWSON

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 143 - 145

DOI: http://dx.doi.org/10.1017/S1478570609990637 (About DOI), Published online: 21 January 2010

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JOHN ECCLES (c1668–1735) THE JUDGMENT OF PARIS; THREE MAD SONGS Lucy Crowe (soprano), Claire Booth (soprano), Susan Bickley (mezzo-soprano), Benjamin Hulett (tenor), Roderick Williams (baritone) / Chorus of the Early Opera Company / Early Opera Company / Christian Curnyn Chandos, CHAN 0759, 2009; one disc, 62 minutes JOHN ECCLES (c1668–1735) THE JUDGMENT OF PARIS; THREE MAD SONGS Lucy Crowe (soprano), Claire Booth (soprano), Susan Bickley (mezzo-soprano), Benjamin Hulett (tenor), Roderick Williams (baritone) / Chorus of the Early Opera Company / Early Opera Company / Christian Curnyn Chandos, CHAN 0759, 2009; one disc, 62 minutes

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PETER HOLMAN

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 145 - 147

DOI: http://dx.doi.org/10.1017/S1478570609990649 (About DOI), Published online: 21 January 2010

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FRANZ XAVER HAMMER (1741–1817) THE LAST GAMBIST: SONATAS FOR VIOLA DA GAMBA Simone Eckert (viola da gamba) / Hamburger Ratsmusik Christophorus CHR 77303, 2008; one disc, 76 minutes FRANZ XAVER HAMMER (1741–1817) THE LAST GAMBIST: SONATAS FOR VIOLA DA GAMBA Simone Eckert (viola da gamba) / Hamburger Ratsmusik Christophorus CHR 77303, 2008; one disc, 76 minutes

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MICHAEL O'LOGHLIN

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 148 - 150

DOI: http://dx.doi.org/10.1017/S1478570609990650 (About DOI), Published online: 21 January 2010

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JOSEPH HAYDN (1732–1809) SCOTTISH AND WELSH SONGS Lorna Anderson (soprano), Jamie MacDougall (tenor) / Haydn Trio Eisenstadt Brilliant Classics 93769, 2003–2008; eighteen discs + CD-ROM, more than eighteen hours JOSEPH HAYDN (1732–1809) SCOTTISH AND WELSH SONGS Lorna Anderson (soprano), Jamie MacDougall (tenor) / Haydn Trio Eisenstadt Brilliant Classics 93769, 2003–2008; eighteen discs + CD-ROM, more than eighteen hours

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MATTHEW GELBART

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 150 - 154

DOI: http://dx.doi.org/10.1017/S1478570609990662 (About DOI), Published online: 21 January 2010

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WOLFGANG AMADEUS MOZART (1756–1791) SONATAS FOR FORTEPIANO & VIOLIN Petra Müllejans (violin), Kristian Bezuidenhout (fortepiano) Harmonia Mundi HMU 907494, 2009; one disc, 73 minutes WOLFGANG AMADEUS MOZART (1756–1791) SONATAS FOR FORTEPIANO & VIOLIN Petra Müllejans (violin), Kristian Bezuidenhout (fortepiano) Harmonia Mundi HMU 907494, 2009; one disc, 73 minutes

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THOMAS SCHMIDT-BESTE

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 154 - 155

DOI: http://dx.doi.org/10.1017/S1478570609990674 (About DOI), Published online: 21 January 2010

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GEORG PHILIPP TELEMANN (1681–1767) BROCKES-PASSION Birgitte Christensen (soprano), Lydia Teuscher (soprano), Marie-Claude Chappuis (mezzo-soprano), Donát Havár (tenor), Daniel Behle (tenor), Johannes Weisser (baritone) / RIAS Kammerchor / Akademie für Alte Musik Berlin / René Jacobs Harmonia Mundi HMC 902013.14, 2009; two discs, 140 minutes GEORG PHILIPP TELEMANN (1681–1767) BROCKES-PASSION Birgitte Christensen (soprano), Lydia Teuscher (soprano), Marie-Claude Chappuis (mezzo-soprano), Donát Havár (tenor), Daniel Behle (tenor), Johannes Weisser (baritone) / RIAS Kammerchor / Akademie für Alte Musik Berlin / René Jacobs Harmonia Mundi HMC 902013.14, 2009; two discs, 140 minutes

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JASON B. GRANT

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 156 - 158

DOI: http://dx.doi.org/10.1017/S1478570609990686 (About DOI), Published online: 21 January 2010

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ANTONIO VIVALDI (1678–1741) JUDITHA TRIUMPHANS Sally-Anne Russell (mezzo-soprano), David Walker (countertenor), Sara Macliver (soprano), Fiona Campbell (mezzo-soprano), Renée Martin (mezzo-soprano) / Cantillation / Orchestra of the Antipodes / Attilio Cremonesi and Benjamin Bayl ABC Classics 476 6957, 2008; two discs, 118 minutes ANTONIO VIVALDI (1678–1741) JUDITHA TRIUMPHANS Sally-Anne Russell (mezzo-soprano), David Walker (countertenor), Sara Macliver (soprano), Fiona Campbell (mezzo-soprano), Renée Martin (mezzo-soprano) / Cantillation / Orchestra of the Antipodes / Attilio Cremonesi and Benjamin Bayl ABC Classics 476 6957, 2008; two discs, 118 minutes

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MICHAEL TALBOT

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 158 - 160

DOI: http://dx.doi.org/10.1017/S1478570609990698 (About DOI), Published online: 21 January 2010

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JOSEPH WÖLFL (1773–1812) PIANO CONCERTOS NOS 1, 5 AND 6 Yorck Kronenberg (piano) / SWR Rundfunkorchester Kaiserslautern / Johannes Moesus classic produktion osnabrück cpo 777 374-2, 2008; one disc, 76 minutes JOSEPH WÖLFL (1773–1812) PIANO CONCERTOS NOS 1, 5 AND 6 Yorck Kronenberg (piano) / SWR Rundfunkorchester Kaiserslautern / Johannes Moesus classic produktion osnabrück cpo 777 374-2, 2008; one disc, 76 minutes

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DAVID J. RHODES

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 161 - 163

DOI: http://dx.doi.org/10.1017/S1478570609990704 (About DOI), Published online: 21 January 2010

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Communications: Reports

AMBER YOUELL (Columbia University) writes: AMBER YOUELL (Columbia University) writes:

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Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 165 - 165

DOI: http://dx.doi.org/10.1017/S1478570609990716 (About DOI), Published online: 21 January 2010

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JONATHAN GLIXON (University of Kentucky) writes: JONATHAN GLIXON (University of Kentucky) writes:

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Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 166 - 166

DOI: http://dx.doi.org/10.1017/S1478570609990728 (About DOI), Published online: 21 January 2010

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IGOR PECEVSKI (Belgrade) writes: IGOR PECEVSKI (Belgrade) writes:

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Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 166 - 167

DOI: http://dx.doi.org/10.1017/S147857060999073X (About DOI), Published online: 21 January 2010

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PATRIZIA REBULLA (Milan) writes: PATRIZIA REBULLA (Milan) writes:

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Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 167 - 167

DOI: http://dx.doi.org/10.1017/S1478570609990741 (About DOI), Published online: 21 January 2010

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Communications: Conferences

OPERA AND POLITICS IN THE ANCIEN RÉGIME, WILLIAMS ANDREWS CLARK MEMORIAL LIBRARY, UNIVERSITY OF CALIFORNIA, LOS ANGELES, 27–28 FEBRUARY 2009 OPERA AND POLITICS IN THE ANCIEN RÉGIME, WILLIAMS ANDREWS CLARK MEMORIAL LIBRARY, UNIVERSITY OF CALIFORNIA, LOS ANGELES, 27–28 FEBRUARY 2009

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DON FADER

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 168 - 170

DOI: http://dx.doi.org/10.1017/S1478570609990753 (About DOI), Published online: 21 January 2010

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JOHANN MATTHESON ALS VERMITTLER UND INITIATOR: WISSENSTRANSFER UND DIE ETABLIERUNG NEUER DISKURSE IN DER ERSTEN HÄLFTE DES 18. JAHRHUNDERTS, STAATS- UND UNIVERSITÄTSBIBLIOTHEK CARL VON OSSIETZKY, HAMBURG, 25–28 MARCH 2009 JOHANN MATTHESON ALS VERMITTLER UND INITIATOR: WISSENSTRANSFER UND DIE ETABLIERUNG NEUER DISKURSE IN DER ERSTEN HÄLFTE DES 18. JAHRHUNDERTS, STAATS- UND UNIVERSITÄTSBIBLIOTHEK CARL VON OSSIETZKY, HAMBURG, 25–28 MARCH 2009

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BEATE KUTSCHKE

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 170 - 173

DOI: http://dx.doi.org/10.1017/S1478570609990765 (About DOI), Published online: 21 January 2010

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FORTIETH ANNUAL MEETING OF THE AMERICAN SOCIETY FOR EIGHTEENTH-CENTURY STUDIES, MARRIOTT RICHMOND, VIRGINIA, 26–29 MARCH 2009 FORTIETH ANNUAL MEETING OF THE AMERICAN SOCIETY FOR EIGHTEENTH-CENTURY STUDIES, MARRIOTT RICHMOND, VIRGINIA, 26–29 MARCH 2009

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ADELINE MUELLER

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 174 - 176

DOI: http://dx.doi.org/10.1017/S1478570609990777 (About DOI), Published online: 21 January 2010

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PURCELL, HANDEL, HAYDN, AND MENDELSSOHN: ANNIVERSARY REFLECTIONS, NEW COLLEGE, OXFORD, 27–29 MARCH 2009 PURCELL, HANDEL, HAYDN, AND MENDELSSOHN: ANNIVERSARY REFLECTIONS, NEW COLLEGE, OXFORD, 27–29 MARCH 2009

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JEN-YEN CHEN

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 177 - 179

DOI: http://dx.doi.org/10.1017/S1478570609990789 (About DOI), Published online: 21 January 2010

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HAYDN: FORMS OF EXPRESSION, NEW ZEALAND SCHOOL OF MUSIC, WELLINGTON, 22–24 MAY 2009 HAYDN: FORMS OF EXPRESSION, NEW ZEALAND SCHOOL OF MUSIC, WELLINGTON, 22–24 MAY 2009

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JONATHAN BERKAHN

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 179 - 181

DOI: http://dx.doi.org/10.1017/S1478570609990790 (About DOI), Published online: 21 January 2010

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HAYDN 2009: A BICENTENARY CONFERENCE, BUDAPEST AND ESZTERHÁZA, 27–30 MAY 2009 HAYDN 2009: A BICENTENARY CONFERENCE, BUDAPEST AND ESZTERHÁZA, 27–30 MAY 2009

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EMILY H. GREEN

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 182 - 184

DOI: http://dx.doi.org/10.1017/S1478570609990807 (About DOI), Published online: 21 January 2010

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THE STAGING OF POWER / THE POWER OF STAGING: POLITICS AND SUBJECTIVITY IN EIGHTEENTH-CENTURY MUSIC AND THEATRE, UNIVERSITETET I OSLO, 5–8 JUNE 2009 THE STAGING OF POWER / THE POWER OF STAGING: POLITICS AND SUBJECTIVITY IN EIGHTEENTH-CENTURY MUSIC AND THEATRE, UNIVERSITETET I OSLO, 5–8 JUNE 2009

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JAMES PARAKILAS and MARY HUNTER

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 184 - 187

DOI: http://dx.doi.org/10.1017/S1478570609990819 (About DOI), Published online: 21 January 2010

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EIGHTEENTH- AND NINETEENTH-CENTURY SACRED VOCAL MUSIC IN PENNSYLVANIA CULTURE, SCHWENKFELDER LIBRARY AND HERITAGE CENTER, PENNSBURG, PENNSYLVANIA, 20 JUNE 2009 EIGHTEENTH- AND NINETEENTH-CENTURY SACRED VOCAL MUSIC IN PENNSYLVANIA CULTURE, SCHWENKFELDER LIBRARY AND HERITAGE CENTER, PENNSBURG, PENNSYLVANIA, 20 JUNE 2009

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DANIEL JAY GRIMMINGER

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 187 - 189

DOI: http://dx.doi.org/10.1017/S1478570609990820 (About DOI), Published online: 21 January 2010

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NICOLÒ PAGANINI: DIABOLUS IN MUSICA, CENTRO DI ARTE MODERNA E CONTEMPORANEA, LA SPEZIA, 16–18 JULY 2009 NICOLÒ PAGANINI: DIABOLUS IN MUSICA, CENTRO DI ARTE MODERNA E CONTEMPORANEA, LA SPEZIA, 16–18 JULY 2009

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MAI KAWABATA

Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp 189 - 191

DOI: http://dx.doi.org/10.1017/S1478570609990832 (About DOI), Published online: 21 January 2010

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ECM volume 7 issue 1 Cover and Front matter ECM volume 7 issue 1 Cover and Front matter

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Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp f1 - f5

DOI: http://dx.doi.org/10.1017/S1478570609990406 (About DOI), Published online: 21 January 2010

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ECM volume 7 issue 1 Cover and Back matter ECM volume 7 issue 1 Cover and Back matter

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Eighteenth Century Music / Volume 7 / Issue 01 / March 2010, pp b1 - b6

DOI: http://dx.doi.org/10.1017/S1478570609990844 (About DOI), Published online: 21 January 2010

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