Early Music History

Front Cover (OFC, IFC) and matter

EMH volume 28 issue Cover and Front matter

Early Music History, Volume 28, October 2009, pp f1-f5

doi:10.1017/S0261127909990052 (About doi), Published Online by Cambridge University Press 24 Aug 2009

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Back Cover (IBC, OBC) and matter

EMH volume 28 issue Cover and Back matter

Early Music History, Volume 28, October 2009, pp b1-b1

doi:10.1017/S0261127909990064 (About doi), Published Online by Cambridge University Press 24 Aug 2009

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Research Articles

THE MADRIGAL AQUIL'ALTERA BY JACOPO DA BOLOGNA AND INTERTEXTUAL RELATIONSHIPS IN THE MUSICAL REPERTORY OF THE ITALIAN TRECENTO

Elena Abramov-van Rijk

Early Music History, Volume 28, October 2009, pp 1-37

doi:10.1017/S0261127909000412 (About doi), Published Online by Cambridge University Press 24 Aug 2009

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THE DISSEMINATION AND USE OF EUROPEAN MUSIC BOOKS IN EARLY MODERN ASIA

David R. M. Irving

Early Music History, Volume 28, October 2009, pp 39-59

doi:10.1017/S0261127909000357 (About doi), Published Online by Cambridge University Press 24 Aug 2009

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SCOLICA ENCHIRIADIS AND THE ‘NON-DIATONIC’ PLAINSONG TRADITION

Rebecca Maloy

Early Music History, Volume 28, October 2009, pp 61-96

doi:10.1017/S0261127909000369 (About doi), Published Online by Cambridge University Press 24 Aug 2009

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LUZZASCHI'S SETTING OF DANTE: ‘QUIVI SOSPIRI, PIANTI, ED ALTI GUAI’

Anthony Newcomb

Early Music History, Volume 28, October 2009, pp 97-138

doi:10.1017/S0261127909000424 (About doi), Published Online by Cambridge University Press 24 Aug 2009

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LEARNING FROM LAZARUS: THE SEVENTEENTH-CENTURY LUTHERAN ART OF DYING

Janette Tilley

Early Music History, Volume 28, October 2009, pp 139-184

doi:10.1017/S0261127909000345 (About doi), Published Online by Cambridge University Press 24 Aug 2009

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‘SHE HAS A WHEEL THAT TURNS …’: CROSSED AND CONTRADICTORY VOICES IN MACHAUT'S MOTETS

Anna Zayaruznaya

Early Music History, Volume 28, October 2009, pp 185-240

doi:10.1017/S0261127909000370 (About doi), Published Online by Cambridge University Press 24 Aug 2009

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Reviews

Jan M. Ziolkowski, Nota Bene: Reading Classics and Writing Melodies in the Early Middle Ages. Turnhout, Brepols, Publications of The Journal of Medieval Latin, 7, 2007. xvi + 362 pp. ISBN 978-2-503-5234-1.

S. J. Barrett

Early Music History, Volume 28, October 2009, pp 241-249

doi:10.1017/S0261127909000394 (About doi), Published Online by Cambridge University Press 24 Aug 2009

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Anna Maria Busse Berger, Medieval Music and the Art of Memory. Berkeley: University of California Press, 2005. xvi + 288 pp. ISBN 0-520-24028-6.

William Flynn and Jane Flynn

Early Music History, Volume 28, October 2009, pp 249-262

doi:10.1017/S0261127909000400 (About doi), Published Online by Cambridge University Press 24 Aug 2009

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K. D. Hartzell, Catalogue of Manuscripts Written or Owned in England up to 1200 Containing Music. Woodbridge: The Boydell Press in association with the Plainsong and Medieval Music Society, 2006. xxvi + 717 pp. + 8 pls. ISBN 1-84383-281-X.

Michael Gullick and Susan Rankin

Early Music History, Volume 28, October 2009, pp 262-285

doi:10.1017/S0261127909000382 (About doi), Published Online by Cambridge University Press 24 Aug 2009

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Geoffrey Baker, Imposing Harmony: Music and Society in Colonial Cuzco. Durham, NC and London: Duke University Press, 2008. x + 308 pp.

Javier Marín-López

Early Music History, Volume 28, October 2009, pp 285-301

doi:10.1017/S0261127909000436 (About doi), Published Online by Cambridge University Press 24 Aug 2009

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