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Early Music History

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  • Editor(s):
  • Iain Fenlon, King's College, Cambridge, UK

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Table of Contents - Volume 25  

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Research Articles

 
 

LORENZO CORSINI'S ‘LIBRI DI CANZONE’ AND THE MADRIGAL IN MID-SIXTEENTH-CENTURY FLORENCE

Philippe Canguilhem

Early Music History, Volume 25, October 2006, pp 1-57
doi:10.1017/S0261127906000180 (About doi), Published Online by Cambridge University Press 17 Aug 2006
 

THE CANZONE VILLANESCA AND COMIC CULTURE: THE GENESIS AND EVOLUTION OF A MIXED GENRE (1537–1557)

Donna G. Cardamone and Cesare Corsi

Early Music History, Volume 25, October 2006, pp 59-104
doi:10.1017/S0261127906000131 (About doi), Published Online by Cambridge University Press 17 Aug 2006
 

ANTONIO SQUARCIALUPI: MAN AND MYTH

James Haar and John Nádas

Early Music History, Volume 25, October 2006, pp 105-168
doi:10.1017/S0261127906000143 (About doi), Published Online by Cambridge University Press 17 Aug 2006
 

UNEXPECTED CONTEXTS: VIEWS OF MUSIC IN A NARRATIVE OF THE GREAT SCHISM

Renata Pieragostini

Early Music History, Volume 25, October 2006, pp 169-207
doi:10.1017/S0261127906000155 (About doi), Published Online by Cambridge University Press 17 Aug 2006
 

CHILDREN'S VOICES: SINGING AND LITERACY IN SIXTEENTH-CENTURY FRANCE

Kate van Orden

Early Music History, Volume 25, October 2006, pp 209-256
doi:10.1017/S0261127906000179 (About doi), Published Online by Cambridge University Press 17 Aug 2006
 

PHILIPPE DE MONTE: NEW AUTOBIOGRAPHICAL DOCUMENTS

Richard Wistreich

Early Music History, Volume 25, October 2006, pp 257-308
doi:10.1017/S0261127906000167 (About doi), Published Online by Cambridge University Press 17 Aug 2006
 

Reviews

 
 

MARK EVEREST (ed.), Le Magnus Liber Organi de Notre-Dame de Paris. Vol. ii: Les Organa a deux voix pour l'office du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Plut. 29.1; vol. iii: Les Organa a deux voix pour la messe (de Noel a la fete de Saint-Pierre et Saint-Paul) du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Plut. 29.1; vol. iv: Les Organa a deux voix pour la messe (de l'Assomption au commun des saints) du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Plut. 29.1. Les Remparts, Monaco, Éditions de l'Oiseau-Lyre. 2001–3. xci+332, xxix+258, xxix+251 pp.

Nicolas Bell

Early Music History, Volume 25, October 2006, pp 309-323
doi:10.1017/S0261127906210209 (About doi), Published Online by Cambridge University Press 17 Aug 2006
 

DONALD BURROWS, Handel and the English Chapel Royal. Oxford: Oxford University Press, 2005. xxiv + 651 pp.

John Butt

Early Music History, Volume 25, October 2006, pp 323-330
doi:10.1017/S0261127906220205 (About doi), Published Online by Cambridge University Press 17 Aug 2006
 

ELEONORA M. BECK, Giotto's Harmony: Music and Art in Padua at the Crossroads of the Renaissance. Florence: European Press Academic Publishing, 2005. 251 pp.

Julian Gardner

Early Music History, Volume 25, October 2006, pp 330-333
doi:10.1017/S0261127906230201 (About doi), Published Online by Cambridge University Press 17 Aug 2006
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