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Early Music History

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  • Editor(s):
  • Iain Fenlon, King's College, Cambridge, UK

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Table of Contents - Volume 24  

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Research Articles

 
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RETHINKING THE SIENA CHOIRBOOK: A NEW DATE AND IMPLICATIONS FOR ITS MUSICAL CONTENTS

Timothy J. Dickey

Early Music History, Volume 24, October 2005, pp 1-52
doi:10.1017/S0261127905000124 (About doi), Published Online by Cambridge University Press 14 Jul 2005
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EUNUCHI CONJUGIUM: THE MARRIAGE OF A CASTRATO IN EARLY MODERN GERMANY

Mary E. Frandsen

Early Music History, Volume 24, October 2005, pp 53-124
doi:10.1017/S0261127905000112 (About doi), Published Online by Cambridge University Press 14 Jul 2005
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THE MUSICAL AUTOGRAPHS OF ADÉMAR DE CHABANNES (989–1034)

James Grier

Early Music History, Volume 24, October 2005, pp 125-168
doi:10.1017/S0261127905000100 (About doi), Published Online by Cambridge University Press 14 Jul 2005
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A COURTLY LOVER AND AN EARTHLY KNIGHT TURNED SOLDIERS OF CHRIST IN MACHAUT'S MOTET 5

Yossi Maurey

Early Music History, Volume 24, October 2005, pp 169-211
doi:10.1017/S0261127905000082 (About doi), Published Online by Cambridge University Press 14 Jul 2005
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‘AL GIOCO SI CONOSCE IL GALANTUOMO’: ARTIFICE, HUMOUR AND PLAY IN THE ENIGMI MUSICALI OF DON LODOVICO AGOSTINI

Laurie Stras

Early Music History, Volume 24, October 2005, pp 213-286
doi:10.1017/S0261127905000094 (About doi), Published Online by Cambridge University Press 14 Jul 2005
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