Eighteenth-Century Music Vol. 1 Issue 02

About Us
News
Browse Journals
Authors
- Authors Home
Societies
- Societies Home
Librarians
Agents
- Agents Home
Users
- Users Home
Corporate
- Corporate Home

Citation Search
Quick Search

Advanced Search

Welcome to Cambridge Journals Online

To access subscriptions and personalised features please log in or register

Journal Information

Editorial Board
Book Review Info
Instructions for Contributors
Transfer of Copyright
Abstracting & Indexing Services
Request Permissions
Advertising Information

Journal Menu

Eighteenth-Century Music Home

Save Journal to My CJO Account

Browse Journal

Latest Issue
Back Issues

Browse Articles

Most Downloaded
Most Cited
Sample Content

Submit Your Article
Sign-Up for Contents Alerts

Subscribe & Recommend Journal

Subscribe to Journal

Eighteenth Century Music

New Content Alerts
Journal Widget About Widget
Rss
Atom

Table of Contents - Volume 1 - Issue 02 - 2004

View Table of Contents as PDF
View Cover
Forward TOC

Previous Issue
Next Issue

Select All
Deselect All

View Selected Abstracts
Save to My Saved Articles
Export Citation (s)
Download PDF (s)

Add to Basket

Notes on Contributors

CONTRIBUTORS CONTRIBUTORS

false

preview

Abstract
Article Structure
Figures and Tables
References

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 151 - 152

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604000995 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

Editorial

EDITORIAL EDITORIAL

false

preview

Abstract
Article Structure
Figures and Tables
References

LUDMILLA JORDANOVA

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 153 - 155

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604000107 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

Articles

ANN FORD REVISITED ANN FORD REVISITED

false

preview

Abstract
Article Structure
Figures and Tables
References

PETER HOLMAN

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 157 - 181

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604000119 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

PECOUR’S L’ALLEMANDE, 1702–1765: HOW ‘GERMAN’ WAS IT? PECOUR’S L’ALLEMANDE, 1702–1765: HOW ‘GERMAN’ WAS IT?

false

preview

Abstract
Article Structure
Figures and Tables
References

JENNIFER THORP

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 183 - 204

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604000120 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

THE SONATE AUF CONCERTENART AND CONCEPTIONS OF GENRE IN THE LATE BAROQUE THE SONATE AUF CONCERTENART AND CONCEPTIONS OF GENRE IN THE LATE BAROQUE

false

preview

Abstract
Article Structure
Figures and Tables
References

STEVEN ZOHN

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 205 - 247

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604000132 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
View PDF
(1.632 MB)
Request Permissions

THE ITALIAN MENACE: OPERA BUFFA IN REVOLUTIONARY FRANCE THE ITALIAN MENACE: OPERA BUFFA IN REVOLUTIONARY FRANCE

false

preview

Abstract
Article Structure
Figures and Tables
References

MICHAEL E. MCCLELLAN

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 249 - 263

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604000144 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

MOZART’S OPERATIC AUDITION. THE MILAN CONCERT, 12 MARCH 1770: A REAPPRAISAL AND REVISION MOZART’S OPERATIC AUDITION. THE MILAN CONCERT, 12 MARCH 1770: A REAPPRAISAL AND REVISION

false

preview

Abstract
Article Structure
Figures and Tables
References

ANTHONY PRYER

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 265 - 288

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604000156 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

Essays

THE FIRST PERFORMANCE OF HAYDN’S ‘PARIS’ SYMPHONIES THE FIRST PERFORMANCE OF HAYDN’S ‘PARIS’ SYMPHONIES

false

preview

Abstract
Article Structure
Figures and Tables
References

WARWICK LISTER

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 289 - 300

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604000168 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

MOZART’S LE NOZZE DI FIGARO: A HIDDEN DRAMATIC DETAIL MOZART’S LE NOZZE DI FIGARO: A HIDDEN DRAMATIC DETAIL

false

preview

Abstract
Article Structure
Figures and Tables
References

DANIEL N. LEESON

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 301 - 304

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S147857060400017X (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

Reviews: Books

ELLEN T. HARRIS HANDEL AS ORPHEUS: VOICE AND DESIRE IN THE CHAMBER CANTATAS Cambridge, MA, and London: Harvard University Press, 2001 pp. xi + 430, ISBN 0 674 00617 8 ELLEN T. HARRIS HANDEL AS ORPHEUS: VOICE AND DESIRE IN THE CHAMBER CANTATAS Cambridge, MA, and London: Harvard University Press, 2001 pp. xi + 430, ISBN 0 674 00617 8

false

preview

Abstract
Article Structure
Figures and Tables
References

SARAH MCCLEAVE

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 305 - 307

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604210181 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

SIMON P. KEEFE, ED. THE CAMBRIDGE COMPANION TO MOZART Cambridge: Cambridge University Press, 2003 pp. xviii + 294, ISBN 0 521 00192 7 SIMON P. KEEFE, ED. THE CAMBRIDGE COMPANION TO MOZART Cambridge: Cambridge University Press, 2003 pp. xviii + 294, ISBN 0 521 00192 7

false

preview

Abstract
Article Structure
Figures and Tables
References

JOHN IRVING

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 307 - 311

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604220188 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

MARA PARKER THE STRING QUARTET, 1750–1797: FOUR TYPES OF MUSICAL CONVERSATION Aldershot: Ashgate, 2002 pp. xiii + 315, ISBN 1 84014 682 6 MARA PARKER THE STRING QUARTET, 1750–1797: FOUR TYPES OF MUSICAL CONVERSATION Aldershot: Ashgate, 2002 pp. xiii + 315, ISBN 1 84014 682 6

false

preview

Abstract
Article Structure
Figures and Tables
References

SIMON P. KEEFE

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 311 - 313

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604230184 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

DEBORAH ROHR THE CAREERS OF BRITISH MUSICIANS, 1750–1850: A PROFESSION OF ARTISANS Cambridge: Cambridge University Press, 2001 pp. xii + 233, ISBN 0 521 58095 1 DEBORAH ROHR THE CAREERS OF BRITISH MUSICIANS, 1750–1850: A PROFESSION OF ARTISANS Cambridge: Cambridge University Press, 2001 pp. xii + 233, ISBN 0 521 58095 1

false

preview

Abstract
Article Structure
Figures and Tables
References

DOROTHY DEVAL

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 313 - 315

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604240180 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

DOWNING A. THOMAS AESTHETICS OF OPERA IN THE ANCIEN RÉGIME: 1647–1785 Cambridge: Cambridge University Press, 2002 pp. viii + 411, ISBN 0 521 80188 5 DOWNING A. THOMAS AESTHETICS OF OPERA IN THE ANCIEN RÉGIME: 1647–1785 Cambridge: Cambridge University Press, 2002 pp. viii + 411, ISBN 0 521 80188 5

false

preview

Abstract
Article Structure
Figures and Tables
References

STEPHEN BAYSTED

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 316 - 318

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604250187 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

PETER WILLIAMS BACH: THE GOLDBERG VARIATIONS Cambridge: Cambridge University Press, 2001 pp. vi + 112, ISBN 0 521 00193 5 PETER WILLIAMS BACH: THE GOLDBERG VARIATIONS Cambridge: Cambridge University Press, 2001 pp. vi + 112, ISBN 0 521 00193 5

false

preview

Abstract
Article Structure
Figures and Tables
References

DENIS COLLINS

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 318 - 319

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604260183 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

Reviews: Editions

GIROLAMO ABOS, STABAT MATER ED. JOSEPH VELLA BONDIN Recent Researches in the Music of the Classical Era 68 Middleton, WI: A-R Editions, 2003 pp. xxiv + 75, ISBN 0 89579 531 0 GIROLAMO ABOS, STABAT MATER ED. JOSEPH VELLA BONDIN Recent Researches in the Music of the Classical Era 68 Middleton, WI: A-R Editions, 2003 pp. xxiv + 75, ISBN 0 89579 531 0

false

preview

Abstract
Article Structure
Figures and Tables
References

MICHAEL TALBOT

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 320 - 321

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S147857060427018X (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

ARTARIA 195: BEETHOVEN’S SKETCHBOOK FOR THE MISSA SOLEMNIS AND THE PIANO SONATA IN E MAJOR, OPUS 109 TRANSCRIBED, EDITED AND WITH A COMMENTARY BY WILLIAM KINDERMAN Champaign: University of Illinois Press, 2002 3 volumes, pp. 384, ISBN 0 252 02749 3 ARTARIA 195: BEETHOVEN’S SKETCHBOOK FOR THE MISSA SOLEMNIS AND THE PIANO SONATA IN E MAJOR, OPUS 109 TRANSCRIBED, EDITED AND WITH A COMMENTARY BY WILLIAM KINDERMAN Champaign: University of Illinois Press, 2002 3 volumes, pp. 384, ISBN 0 252 02749 3

false

preview

Abstract
Article Structure
Figures and Tables
References

WILLIAM DRABKIN

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 321 - 324

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604280186 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

LUDWIG VAN BEETHOVEN, STRING QUARTET IN C SHARP MINOR, OP. 131 ED. EMIL PLATEN Munich: Henle, 2002 ISMN M 2018 0742 3 LUDWIG VAN BEETHOVEN, STRING QUARTET IN A MINOR, OP. 132 ED. EMIL PLATEN Munich: Henle, 2002 ISMN M 2018 0743 0 LUDWIG VAN BEETHOVEN, STRING QUARTET IN C SHARP MINOR, OP. 131 ED. EMIL PLATEN Munich: Henle, 2002 ISMN M 2018 0742 3 LUDWIG VAN BEETHOVEN, STRING QUARTET IN A MINOR, OP. 132 ED. EMIL PLATEN Munich: Henle, 2002 ISMN M 2018 0743 0

false

preview

Abstract
Article Structure
Figures and Tables
References

BARRY COOPER

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 324 - 326

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604290182 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

ANTONIO SALIERI, MASS IN D MINOR ED. JANE SCHATKIN HETTRICK Recent Researches in the Music of the Classical Era 65 Middleton, WI: A-R Editions, 2002 pp. xxii + 162, ISBN 0 89579 1 ANTONIO SALIERI, MASS IN D MINOR ED. JANE SCHATKIN HETTRICK Recent Researches in the Music of the Classical Era 65 Middleton, WI: A-R Editions, 2002 pp. xxii + 162, ISBN 0 89579 1

false

preview

Abstract
Article Structure
Figures and Tables
References

JEREMIAH W. MCGRANN

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 326 - 328

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604300187 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

Reviews: Recordings

MICHEL-RICHARD DE LALANDE (1657–1726) MUSIC FOR THE SUN KING Te Deum laudamus (S32); ‘Panis angelicus’, from Sacris solemniis (S74); La grande pièce royale (S161); Venite, exultemus (S58) Carolyn Sampson (dessus 1), Natalie Clifton-Griffith (dessus 2), James Gilchrist (haute-contre), Paul Agnew (taille), Jonathan Gunthorpe (basse-taille 1), James Mustard (basse-taille 2) / Ex Cathedra Chamber Choir / Ex Cathedra Baroque Orchestra / Jeffrey Skidmore Hyperion CDA67325, 2002; one disc, 1′11′′ MICHEL-RICHARD DE LALANDE (1657–1726) MUSIC FOR THE SUN KING Te Deum laudamus (S32); ‘Panis angelicus’, from Sacris solemniis (S74); La grande pièce royale (S161); Venite, exultemus (S58) Carolyn Sampson (dessus 1), Natalie Clifton-Griffith (dessus 2), James Gilchrist (haute-contre), Paul Agnew (taille), Jonathan Gunthorpe (basse-taille 1), James Mustard (basse-taille 2) / Ex Cathedra Chamber Choir / Ex Cathedra Baroque Orchestra / Jeffrey Skidmore Hyperion CDA67325, 2002; one disc, 1′11′′

false

preview

Abstract
Article Structure
Figures and Tables
References

C. JANE GOSINE

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 328 - 331

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604310183 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

JEAN-JOSEPH CASSANÉA DE MONDONVILLE (1711–1772) SIX SONATES EN SYMPHONIE, OP. 3 Les Musiciens du Louvre / Marc Minkowski Archiv 474 550-2, 2003; one disc, 0′58′′ JEAN-JOSEPH CASSANÉA DE MONDONVILLE (1711–1772) SIX SONATES EN SYMPHONIE, OP. 3 Les Musiciens du Louvre / Marc Minkowski Archiv 474 550-2, 2003; one disc, 0′58′′

false

preview

Abstract
Article Structure
Figures and Tables
References

MARY CYR

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 331 - 333

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S147857060432018X (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

ANTONIO VIVALDI (1678–1741) LA VERITÀ IN CIMENTO Nathalie Stutzmann (Damira), Gemma Bertagnolli (Rosane), Guillemette Laurens (Rustena), Anthony Rolfe Johnson (Mamud), Sara Mingardo (Melindo), Philippe Jaroussky (Zelim) / Ensemble Matheus / Jean-Christophe Spinosi Opus 111 op30365, 2003; three discs, 2′38′′ ANTONIO VIVALDI (1678–1741) LA VERITÀ IN CIMENTO Nathalie Stutzmann (Damira), Gemma Bertagnolli (Rosane), Guillemette Laurens (Rustena), Anthony Rolfe Johnson (Mamud), Sara Mingardo (Melindo), Philippe Jaroussky (Zelim) / Ensemble Matheus / Jean-Christophe Spinosi Opus 111 op30365, 2003; three discs, 2′38′′

false

preview

Abstract
Article Structure
Figures and Tables
References

ERIC CROSS

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 333 - 335

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604330186 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

Communications

REPORTS REPORTS

false

preview

Abstract
Article Structure
Figures and Tables
References

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 337 - 340

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S1478570604210193 (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

CONFERENCES CONFERENCES

false

preview

Abstract
Article Structure
Figures and Tables
References

Eighteenth Century Music / Volume 1 / Issue 02 / September 2004, pp 341 - 346

2004 Cambridge University Press

DOI: http://dx.doi.org/DOI:10.1017/S147857060422019X (About DOI), Published online: 07 January 2005

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * ???en.toc.displayArticle.1000 ??? characters remaining

Abstract
Buy This Article $30.00 / £20.00
Rent This Article Now for 24 Hours
$5.99 / £3.99 / €4.49
Request Permissions

View Selected Abstracts
Save to My Saved Articles
Export Citation (s)
Download PDF (s)

Add to Basket

View Table of Contents as PDF
View Cover
Forward TOC

Previous Issue
Next Issue

Copyright Statement
Rights and Permissions
Privacy Policy
Terms of Use
Feedback
Press Releases