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  • Editor(s):
  • Iain Fenlon, King's College, Cambridge, UK

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Table of Contents - Volume 23  

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Research Articles

 
 

GUILLAUME DE MACHAUT AND HIS CANONRY OF REIMS, 1338–1377

ROGER BOWERS

Early Music History, Volume 23, October 2004, pp 1-48
doi:DOI:10.1017/S0261127904000038 (About doi), Published Online by Cambridge University Press 16 Sep 2004
 

‘NOTES AS A GARLAND’: THE CHRONOLOGY AND NARRATIVE OF BYRD'S GRADUALIA

KERRY MCCARTHY

Early Music History, Volume 23, October 2004, pp 49-84
doi:DOI:10.1017/S0261127904000051 (About doi), Published Online by Cambridge University Press 16 Sep 2004
 

FOLIO FORMAT AND MUSICAL ORGANISATION IN THE LITURGICAL REPERTOIRE OF THE IVREA AND APT CODICES

KEVIN N. MOLL

Early Music History, Volume 23, October 2004, pp 85-152
doi:DOI:10.1017/S0261127904000063 (About doi), Published Online by Cambridge University Press 16 Sep 2004
 

ARCHITECTURAL SPACES FOR MUSIC: JACOPO SANSOVINO AND ADRIAN WILLAERT AT ST MARK'S

LAURA MORETTI

Early Music History, Volume 23, October 2004, pp 153-184
doi:DOI:10.1017/S026112790400004X (About doi), Published Online by Cambridge University Press 16 Sep 2004
 

READING CARNIVAL: THE CREATION OF A FLORENTINE CARNIVAL SONG

WILLIAM F. PRIZER

Early Music History, Volume 23, October 2004, pp 185-252
doi:DOI:10.1017/S0261127904000014 (About doi), Published Online by Cambridge University Press 16 Sep 2004
 

SCHEIN'S OCCASIONAL MUSIC AND THE SOCIAL ORDER IN 1620S LEIPZIG

STEPHEN ROSE

Early Music History, Volume 23, October 2004, pp 253-284
doi:DOI:10.1017/S0261127904000026 (About doi), Published Online by Cambridge University Press 16 Sep 2004
 

Reviews

 
 

S. Wälli, Melodien aus mittelalterlichen Horaz-Handschriften: Edition und Interpretation der Quellen. Monumenta Monodica Medii Aevi. Subsidia, Band III. Kassel, Bärenreiter, 2002. xii+379 pp.

Sam Barrett

Early Music History, Volume 23, October 2004, pp 285-305
doi:DOI:10.1017/S0261127904210075 (About doi), Published Online by Cambridge University Press 16 Sep 2004
 

Colleen Reardon, Holy Concord Within Sacred Walls: Nuns and Music in Siena, 1575–1700. Oxford and New York: Oxford University Press, 2001. viii+289 pp. Elissa B. Weaver, Convent Theatre in Early Modern Italy: Spiritual Fun and Learning for Women. Cambridge: Cambridge University Press, 2002. xiii+304 pp. Anne MacNeil, Music and Women of the Commedia dell'Arte in the Late Sixteenth Century. Oxford and New York: Oxford University Press, 2003. viii+360 pp.

Suzanne G. Cusick

Early Music History, Volume 23, October 2004, pp 305-318
doi:DOI:10.1017/S0261127904220071 (About doi), Published Online by Cambridge University Press 16 Sep 2004
 

Tim Carter, Monteverdi's Musical Theatre. Yale University Press: New Haven and London, 2002. x+326 pp.

Guiseppe Gerbino

Early Music History, Volume 23, October 2004, pp 318-324
doi:DOI:10.1017/S0261127904230078 (About doi), Published Online by Cambridge University Press 16 Sep 2004
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