Popular Music Vol. 21 Issue 03

Popular Music

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Table of Contents - Volume 21 - Issue 03 - 2002

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Editorial

Introduction to ‘Music and Television’ special issue Introduction to ‘Music and Television’ special issue

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Keith Negus and John Street

Popular Music / Volume 21 / Issue 03 / October 2002, pp 245 - 248

2002 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143002002167 (About DOI), Published online: 09 December 2002

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Research Articles

‘One night on TV is worth weeks at the Paramount’: musicians and opportunity in early television, 1948–55 ‘One night on TV is worth weeks at the Paramount’: musicians and opportunity in early television, 1948–55

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Murray Forman

Popular Music / Volume 21 / Issue 03 / October 2002, pp 249 - 276

2002 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143002002179 (About DOI), Published online: 09 December 2002

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Look! Hear! The uneasy relationship of music and television Look! Hear! The uneasy relationship of music and television

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Simon Frith

Popular Music / Volume 21 / Issue 03 / October 2002, pp 277 - 290

2002 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143002002180 (About DOI), Published online: 09 December 2002

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Chewing gum for the ears: children's television and popular music Chewing gum for the ears: children's television and popular music

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Karen Lury

Popular Music / Volume 21 / Issue 03 / October 2002, pp 291 - 305

2002 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143002002192 (About DOI), Published online: 09 December 2002

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Authentic boy bands on TV? Performers and impresarios in The Monkees and Making the Band Authentic boy bands on TV? Performers and impresarios in The Monkees and Making the Band

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Matthew Stahl

Popular Music / Volume 21 / Issue 03 / October 2002, pp 307 - 329

2002 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143002002209 (About DOI), Published online: 09 December 2002

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Tracking British television: pop music as stock soundtrack to the small screen Tracking British television: pop music as stock soundtrack to the small screen

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K.J. Donnelly

Popular Music / Volume 21 / Issue 03 / October 2002, pp 331 - 343

2002 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143002002210 (About DOI), Published online: 09 December 2002

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From fanfare to funfair: the changing sound world of UK television idents From fanfare to funfair: the changing sound world of UK television idents

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Mark Brownrigg and Peter Meech

Popular Music / Volume 21 / Issue 03 / October 2002, pp 345 - 355

2002 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143002002222 (About DOI), Published online: 09 December 2002

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Sounds real: music and documentary Sounds real: music and documentary

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John Corner

Popular Music / Volume 21 / Issue 03 / October 2002, pp 357 - 366

2002 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143002002234 (About DOI), Published online: 09 December 2002

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Middle Eight

Television's problem with (classical) music Television's problem with (classical) music

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Michael Chanan

Popular Music / Volume 21 / Issue 03 / October 2002, pp 367 - 374

2002 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143002002246 (About DOI), Published online: 09 December 2002

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Book Reviews

Progressive Rock Reconsidered. Edited by Kevin Holm-Hudson. New York and London: Routledge, 2002. 280 pp Progressive Rock Reconsidered. Edited by Kevin Holm-Hudson. New York and London: Routledge, 2002. 280 pp

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Chris Atton

Popular Music / Volume 21 / Issue 03 / October 2002, pp 375 - 388

2002 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S026114300226225X (About DOI), Published online: 09 December 2002

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Clubbing: Dancing, Ecstasy and Vitality. By Ben Malbon. London: Routledge, 1999. 236 pp Clubbing: Dancing, Ecstasy and Vitality. By Ben Malbon. London: Routledge, 1999. 236 pp

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Andy Bennett

Popular Music / Volume 21 / Issue 03 / October 2002, pp 375 - 388

2002 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143002212258 (About DOI), Published online: 09 December 2002

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The Mourning of John Lennon. By Anthony Elliott. California: University of California Press, 1999. 219 pp The Mourning of John Lennon. By Anthony Elliott. California: University of California Press, 1999. 219 pp

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Dónal Griffin

Popular Music / Volume 21 / Issue 03 / October 2002, pp 375 - 388

2002 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143002222254 (About DOI), Published online: 09 December 2002

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Karaoke Around the World: Global Technology, Local Singing. By Toru Mitsui and Shuhei Hosokawa. London and New York: Routledge, 1998. 206 pp Karaoke Around the World: Global Technology, Local Singing. By Toru Mitsui and Shuhei Hosokawa. London and New York: Routledge, 1998. 206 pp

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Kyoko Koizumi

Popular Music / Volume 21 / Issue 03 / October 2002, pp 375 - 388

2002 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143002232250 (About DOI), Published online: 09 December 2002

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Blue Nippon: Authenticating Jazz in Japan. By E. Taylor Atkins. Durham: Duke University Press, 2001. 355 pp Blue Nippon: Authenticating Jazz in Japan. By E. Taylor Atkins. Durham: Duke University Press, 2001. 355 pp

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Mina Yang

Popular Music / Volume 21 / Issue 03 / October 2002, pp 375 - 388

2002 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143002242257 (About DOI), Published online: 09 December 2002

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Wrong's What I Do Best: Hard Country Music and Contemporary Culture. By Barbara Ching. New York: Oxford University Press, 2001. 186 pp Wrong's What I Do Best: Hard Country Music and Contemporary Culture. By Barbara Ching. New York: Oxford University Press, 2001. 186 pp

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S. Renee Dechert

Popular Music / Volume 21 / Issue 03 / October 2002, pp 375 - 388

2002 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143002252253 (About DOI), Published online: 09 December 2002

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Popular Music

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