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  • Editor(s):
  • Iain Fenlon, King's College, Cambridge, UK

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Table of Contents - Volume 21  

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Research Articles

 
 

INSTRUMENTS REAL AND IMAGINARY: AARON'S INTERPRETATION OF ISIDORE AND AN ILLUSTRATED COPY OF THE TOSCANELLO

Anne-Emmanuelle Ceulemans

Early Music History, Volume 21, October 2002, pp 1-35
doi:10.1017/S0261127902002012 (About doi), Published Online by Cambridge University Press 04 Sep 2002
 

MUSICA MUNDANA, ARISTOTELIAN NATURAL PHILOSOPHY AND PTOLEMAIC ASTRONOMY

Gabriela Ilnitchi

Early Music History, Volume 21, October 2002, pp 37-74
doi:10.1017/S0261127902002024 (About doi), Published Online by Cambridge University Press 04 Sep 2002
 

EROS AND THANATOS: A FICINIAN AND LAURENTIAN READING OF VERDELOT'S SÌ LIETA E GRATA MORTE

Stefano La Via

Early Music History, Volume 21, October 2002, pp 75-116
doi:10.1017/S0261127902002036 (About doi), Published Online by Cambridge University Press 04 Sep 2002
 

CATHOLIC MUSIC IN THE DIOCESE OF AUGSBURG c.1600: A RECONSTRUCTED TRICINIUM ANTHOLOGY AND ITS CONFESSIONAL IMPLICATIONS

Christian Thomas Leitmeir

Early Music History, Volume 21, October 2002, pp 117-173
doi:10.1017/S0261127902002048 (About doi), Published Online by Cambridge University Press 04 Sep 2002
 

THE DEBATE ON SONG IN THE ACCADEMIA FIORENTINA

Robert Nosow

Early Music History, Volume 21, October 2002, pp 175-221
doi:10.1017/S026112790200205X (About doi), Published Online by Cambridge University Press 04 Sep 2002
 

THE CARDONA AND FERNÁNDEZ DE CÓRDOBA COATS OF ARMS IN THE CHIGI CODEX

Emilio Ros-Fábregas

Early Music History, Volume 21, October 2002, pp 223-258
doi:10.1017/S0261127902002061 (About doi), Published Online by Cambridge University Press 04 Sep 2002
 

Book Reviews

 
 

ERIC CHAFE, Analyzing Bach Cantatas. New York and Oxford, Oxford University Press, 2000. xviii + 286 pp.

John Butt

Early Music History, Volume 21, October 2002, pp 259-290
doi:10.1017/S0261127902232076 (About doi), Published Online by Cambridge University Press 04 Sep 2002
 

Research Articles

 
 

JEANICE BROOKS, Courtly Song in Late Sixteenth-Century France. Chicago and London, University of Chicago Press. 2000. xvi + 560 pp.

Rebecca Wagner Oettinger

Early Music History, Volume 21, October 2002, pp 259-290
doi:10.1017/S026112790222207X (About doi), Published Online by Cambridge University Press 04 Sep 2002
 

Book Reviews

 
 

RICHARD FREEDMAN, The Chansons of Orlando di Lasso and their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. Eastman Studies in Music. Rochester, NY, University of Rochester Press. 2000. xxiv + 259 pp.

Rebecca Wagner Oettinger

Early Music History, Volume 21, October 2002, pp 259-290
doi:10.1017/S0261127902212073 (About doi), Published Online by Cambridge University Press 04 Sep 2002
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