Cambridge Journals Online - Twentieth-Century Music Vol. 5 Iss. 01

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Vol. 5 Issue 01

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Table of Contents - Volume 5 - Issue 01 - 2008

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Articles

Four Analytical Sites in Bartók’s Third String Quartet Four Analytical Sites in Bartók’s Third String Quartet

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JONATHAN W. BERNARD

twentieth-century music / Volume 5 / Issue 01 / March 2008, pp 3 - 23

DOI: http://dx.doi.org/10.1017/S1478572208000583 (About DOI), Published online: 09 October 2008

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Motivic Chains in Bartók’s Third String Quartet Motivic Chains in Bartók’s Third String Quartet

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JOSEPH N. STRAUS

twentieth-century music / Volume 5 / Issue 01 / March 2008, pp 25 - 44

DOI: http://dx.doi.org/10.1017/S1478572208000595 (About DOI), Published online: 09 October 2008

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Transcending the Icon: Spirituality and Postmodernism in Arvo Pärt’s Tabula Rasa and Spiegel im Spiegel Transcending the Icon: Spirituality and Postmodernism in Arvo Pärt’s Tabula Rasa and Spiegel im Spiegel

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MARIA CIZMIC

twentieth-century music / Volume 5 / Issue 01 / March 2008, pp 45 - 78

DOI: http://dx.doi.org/10.1017/S1478572208000601 (About DOI), Published online: 09 October 2008

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Shadows of the Past: Akhmatova’s Poem Without a Hero and Lourié’s Incantations Shadows of the Past: Akhmatova’s Poem Without a Hero and Lourié’s Incantations

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KLÁRA MÓRICZ

twentieth-century music / Volume 5 / Issue 01 / March 2008, pp 79 - 108

DOI: http://dx.doi.org/10.1017/S1478572208000613 (About DOI), Published online: 09 October 2008

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Brian Wilson’s Pet Sounds Brian Wilson’s Pet Sounds

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PHILIP LAMBERT

twentieth-century music / Volume 5 / Issue 01 / March 2008, pp 109 - 133

DOI: http://dx.doi.org/10.1017/S1478572208000625 (About DOI), Published online: 09 October 2008

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Reviews

Theodor W. Adorno & Alban Berg: Correspondence, 1925–1935, ed. Henri Lonitz, trans. Wieland Hoban (Cambridge, and Malden, MA: Polity, 2005), ISBN 978 0 7456 2335 1 (hb), 978 0 7456 2336 8 (pb) Theodor W. Adorno & Alban Berg: Correspondence, 1925–1935, ed. Henri Lonitz, trans. Wieland Hoban (Cambridge, and Malden, MA: Polity, 2005), ISBN 978 0 7456 2335 1 (hb), 978 0 7456 2336 8 (pb)

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ARVED ASHBY

twentieth-century music / Volume 5 / Issue 01 / March 2008, pp 135 - 139

DOI: http://dx.doi.org/10.1017/S1478572208000637 (About DOI), Published online: 09 October 2008

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David E. Schneider, Bartók, Hungary, and the Renewal of Tradition: Case Studies in the Intersection of Modernity and Nationality, California Studies in 20th-Century Music, 5 (Berkeley, Los Angeles, and London: University of California Press, 2006), ISBN 978 0 520 24503 7 (hb)

Danielle Fosler-Lussier, Music Divided: Bartók’s Legacy in Cold War Culture, California Studies in 20th-Century Music, 7 (Berkeley, Los Angeles, and London: University of California Press, 2007), ISBN 978 0 520 24965 3 (hb) David E. Schneider, Bartók, Hungary, and the Renewal of Tradition: Case Studies in the Intersection of Modernity and Nationality, California Studies in 20th-Century Music, 5 (Berkeley, Los Angeles, and London: University of California Press, 2006), ISBN 978 0 520 24503 7 (hb)

Danielle Fosler-Lussier, Music Divided: Bartók’s Legacy in Cold War Culture, California Studies in 20th-Century Music, 7 (Berkeley, Los Angeles, and London: University of California Press, 2007), ISBN 978 0 520 24965 3 (hb)

false

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STEPHEN WALSH

twentieth-century music / Volume 5 / Issue 01 / March 2008, pp 140 - 145

DOI: http://dx.doi.org/10.1017/S1478572208000649 (About DOI), Published online: 09 October 2008

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CageTalk: Dialogues with & About John Cage, ed. Peter Dickinson, Eastman Studies in Music, 38 (Rochester, NY: University of Rochester Press, 2006), ISBN 978 1 58046 237 2 (hb) CageTalk: Dialogues with & About John Cage, ed. Peter Dickinson, Eastman Studies in Music, 38 (Rochester, NY: University of Rochester Press, 2006), ISBN 978 1 58046 237 2 (hb)

false

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AMY C. BEAL

twentieth-century music / Volume 5 / Issue 01 / March 2008, pp 146 - 149

DOI: http://dx.doi.org/10.1017/S1478572208000650 (About DOI), Published online: 09 October 2008

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Brian S. Locke, Opera and Ideology in Prague: Polemics and Practice at the National Theatre, 1900–1938, Eastman Studies in Music, 39 (Rochester, NY: University of Rochester Press, 2006), ISBN 978 1 58046 228 0 (hb) Brian S. Locke, Opera and Ideology in Prague: Polemics and Practice at the National Theatre, 1900–1938, Eastman Studies in Music, 39 (Rochester, NY: University of Rochester Press, 2006), ISBN 978 1 58046 228 0 (hb)

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JOHN TYRRELL

twentieth-century music / Volume 5 / Issue 01 / March 2008, pp 150 - 154

DOI: http://dx.doi.org/10.1017/S1478572208000662 (About DOI), Published online: 09 October 2008

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