Twentieth-Century Music Vol. 1 Issue 02

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Table of Contents - Volume 1 - Issue 02 - 2004

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Editorial

Editorial: Twentieth-Century Music – Plural Editorial: Twentieth-Century Music – Plural

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David Clarke

twentieth century music / Volume 1 / Issue 02 / September 2004, pp 155 - 159

2004 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S1478572205000010 (About DOI), Published online: 22 April 2005

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Articles

Darmstadt as Other: British and American Responses to Musical Modernism Darmstadt as Other: British and American Responses to Musical Modernism

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BJÖRN HEILE

twentieth century music / Volume 1 / Issue 02 / September 2004, pp 161 - 178

2004 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S1478572205000162 (About DOI), Published online: 22 April 2005

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Hans Werner Henze as Post-Mahlerian: Anachronism, Freedom, and the Erotics of Intertextuality Hans Werner Henze as Post-Mahlerian: Anachronism, Freedom, and the Erotics of Intertextuality

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STEPHEN DOWNES

twentieth century music / Volume 1 / Issue 02 / September 2004, pp 179 - 207

2004 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S1478572205000113 (About DOI), Published online: 22 April 2005

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Would You Like Some World Music with your Latte? Starbucks, Putumayo, and Distributed Tourism Would You Like Some World Music with your Latte? Starbucks, Putumayo, and Distributed Tourism

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ANAHID KASSABIAN

twentieth century music / Volume 1 / Issue 02 / September 2004, pp 209 - 223

2004 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S1478572205000125 (About DOI), Published online: 22 April 2005

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Feldman, Analysis, Experience Feldman, Analysis, Experience

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DORA A. HANNINEN

twentieth century music / Volume 1 / Issue 02 / September 2004, pp 225 - 251

2004 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S1478572205000137 (About DOI), Published online: 22 April 2005

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Listening to Ravel, Watching Un coeur en hiver: Cinematic Subjectivity and the Music-film Listening to Ravel, Watching Un coeur en hiver: Cinematic Subjectivity and the Music-film

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JULIE BROWN

twentieth century music / Volume 1 / Issue 02 / September 2004, pp 253 - 275

2004 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S1478572205000149 (About DOI), Published online: 22 April 2005

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Anthony Pople, 1955–2003: an Appreciation Anthony Pople, 1955–2003: an Appreciation

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JONATHAN DUNSBY

twentieth century music / Volume 1 / Issue 02 / September 2004, pp 277 - 283

2004 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S1478572205000150 (About DOI), Published online: 22 April 2005

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Reviews

Kevin Holm-Hudson, ed., Progressive Rock Reconsidered (New York and London: Routledge, 2002), ISBN 0 8153 3714 0 (hb), 0 8153 3715 9 (pb) Kevin Holm-Hudson, ed., Progressive Rock Reconsidered (New York and London: Routledge, 2002), ISBN 0 8153 3714 0 (hb), 0 8153 3715 9 (pb)

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Mark Spicer

twentieth century music / Volume 1 / Issue 02 / September 2004, pp 285 - 293

2004 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S1478572205210174 (About DOI), Published online: 22 April 2005

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Kevin Holm-Hudson, ed., Progressive Rock Reconsidered Kevin Holm-Hudson, ed., Progressive Rock Reconsidered

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Allan Moore

twentieth century music / Volume 1 / Issue 02 / September 2004, pp 293 - 297

2004 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S1478572205220170 (About DOI), Published online: 22 April 2005

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Arnold Whittall, Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge: Cambridge University Press, 2003), ISBN 0 521 81642 4 (hb), 0 521 01668 1 (pb) Arnold Whittall, Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge: Cambridge University Press, 2003), ISBN 0 521 81642 4 (hb), 0 521 01668 1 (pb)

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Julian Johnson

twentieth century music / Volume 1 / Issue 02 / September 2004, pp 297 - 301

2004 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S1478572205230177 (About DOI), Published online: 22 April 2005

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Goffredo Plastino, ed., Mediterranean Mosaic: Popular Music and Global Sounds (New York and London: Routledge, 2003), ISBN 0 415 93655 1 (hb), ISBN 0 415 93656 X (pb) Goffredo Plastino, ed., Mediterranean Mosaic: Popular Music and Global Sounds (New York and London: Routledge, 2003), ISBN 0 415 93655 1 (hb), ISBN 0 415 93656 X (pb)

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Caroline Bithell

twentieth century music / Volume 1 / Issue 02 / September 2004, pp 301 - 308

2004 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S1478572205240173 (About DOI), Published online: 22 April 2005

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Mark Carroll, Music and Ideology in Cold War Europe (Cambridge: Cambridge University Press, 2003), ISBN 0 521 82072 3 (hb) Mark Carroll, Music and Ideology in Cold War Europe (Cambridge: Cambridge University Press, 2003), ISBN 0 521 82072 3 (hb)

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Stephen Walsh

twentieth century music / Volume 1 / Issue 02 / September 2004, pp 308 - 314

2004 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S147857220525017X (About DOI), Published online: 22 April 2005

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