Popular Music Vol. 26 Issue 01

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Table of Contents - Volume 26 - Issue 01 - 2006

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Introduction Introduction

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David Horn

Popular Music / Volume 26 / Issue 01 / January 2006, pp 1 - 4

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143007001079 (About DOI), Published online: 04 January 2007

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Interview with Paul Oliver Interview with Paul Oliver

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DAVID HORN

Popular Music / Volume 26 / Issue 01 / January 2006, pp 5 - 13

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143007001080 (About DOI), Published online: 04 January 2007

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Paul Oliver's contribution to ethnomusicology Paul Oliver's contribution to ethnomusicology

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JOHN BAILY

Popular Music / Volume 26 / Issue 01 / January 2006, pp 15 - 22

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143007001092 (About DOI), Published online: 04 January 2007

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Country music on location: ‘field recording’ before Bristol Country music on location: ‘field recording’ before Bristol

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TONY RUSSELL

Popular Music / Volume 26 / Issue 01 / January 2006, pp 23 - 31

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143007001109 (About DOI), Published online: 04 January 2007

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Folklore, commercialism and exploitation: copyright in the blues Folklore, commercialism and exploitation: copyright in the blues

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ROBERT SPRINGER

Popular Music / Volume 26 / Issue 01 / January 2006, pp 33 - 45

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143007001110 (About DOI), Published online: 04 January 2007

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O brother, let's go down home: loss, nostalgia and the blues O brother, let's go down home: loss, nostalgia and the blues

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RICHARD MIDDLETON

Popular Music / Volume 26 / Issue 01 / January 2006, pp 47 - 64

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143007001122 (About DOI), Published online: 04 January 2007

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For-the-record aesthetics and Robert Johnson's blues style as a product of recorded culture For-the-record aesthetics and Robert Johnson's blues style as a product of recorded culture

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ERIC W. ROTHENBUHLER

Popular Music / Volume 26 / Issue 01 / January 2006, pp 65 - 81

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143007001134 (About DOI), Published online: 04 January 2007

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Going to the Nation: the idea of Oklahoma in early blues recordings Going to the Nation: the idea of Oklahoma in early blues recordings

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CHRIS SMITH

Popular Music / Volume 26 / Issue 01 / January 2006, pp 83 - 96

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143007001146 (About DOI), Published online: 04 January 2007

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Bessie Smith's ‘Back-Water Blues’: the story behind the song Bessie Smith's ‘Back-Water Blues’: the story behind the song

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DAVID EVANS

Popular Music / Volume 26 / Issue 01 / January 2006, pp 97 - 116

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143007001158 (About DOI), Published online: 04 January 2007

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Bessie Smith: ‘Down Hearted Blues’ and ‘Gulf Coast Blues’ revisited Bessie Smith: ‘Down Hearted Blues’ and ‘Gulf Coast Blues’ revisited

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ALONA SAGEE

Popular Music / Volume 26 / Issue 01 / January 2006, pp 117 - 127

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S026114300700116X (About DOI), Published online: 04 January 2007

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Their eyes were watching God: African-American topical songs on the 1928 Florida hurricanes and floods Their eyes were watching God: African-American topical songs on the 1928 Florida hurricanes and floods

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LUIGI MONGE

Popular Music / Volume 26 / Issue 01 / January 2006, pp 129 - 140

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143007001171 (About DOI), Published online: 04 January 2007

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Feelin' bad this morning: why the British blues? Feelin' bad this morning: why the British blues?

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DAVE ALLEN

Popular Music / Volume 26 / Issue 01 / January 2006, pp 141 - 156

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143007001183 (About DOI), Published online: 04 January 2007

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Paul Oliver: a selective bibliography, 1952–2005 Paul Oliver: a selective bibliography, 1952–2005

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ROB FORD

Popular Music / Volume 26 / Issue 01 / January 2006, pp 157 - 186

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143007001195 (About DOI), Published online: 04 January 2007

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Reviews

Lost Sounds: Blacks and the Birth of the Recording Industry 1890–1919. By Tim Brooks. Urbana & Chicago: University of Illinois Press, 2004. 664 pp., 57 photographs. ISBN 0-252-02850-3 (cloth) Lost Sounds: Blacks and the Birth of the Recording Industry 1890–1919. By Tim Brooks. Urbana & Chicago: University of Illinois Press, 2004. 664 pp., 57 photographs. ISBN 0-252-02850-3 (cloth)

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Jennifer Ryan

Popular Music / Volume 26 / Issue 01 / January 2006, pp 187 - 188

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143007007015 (About DOI), Published online: 04 January 2007

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The Rolling Stones: An Oral History. By Alan Lysaght. Toronto: McArthur and Company, 2003. 310+v pp. ISBN 1-55278-392-8 (paperback) The Rolling Stones: An Oral History. By Alan Lysaght. Toronto: McArthur and Company, 2003. 310+v pp. ISBN 1-55278-392-8 (paperback)

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Adam Behr

Popular Music / Volume 26 / Issue 01 / January 2006, pp 189 - 191

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143007007027 (About DOI), Published online: 04 January 2007

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But Is It Garbage? On Rock And Trash. By Steven L. Hamelman. Athens & London: The University of Georgia Press, 2004. 272 pp. ISBN 0-82032587-2 But Is It Garbage? On Rock And Trash. By Steven L. Hamelman. Athens & London: The University of Georgia Press, 2004. 272 pp. ISBN 0-82032587-2

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Richard Witts

Popular Music / Volume 26 / Issue 01 / January 2006, pp 191 - 192

2007 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143007007039 (About DOI), Published online: 04 January 2007

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