Most of the opposition directed at the new AcropolisMuseum (herafter NAM), both beforeand since its opening in June 2009, has turned out to be politically motivated, mainly from the Left in Greece, mainly from the Right in Britain (the Daily Telegraph called it 'a hideous visitor centre in modern Athens'before it was even built [Wilson 2006]). Dimitris Plantzos comes at the museum from a different angle, but he too is determinedly on the attack. A first sign of this is his total silence about the protection and exhibition of the archaeological site underlying the museum, one of its major positive (and innovatory) features.