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Ritual harmony: Toward an evolutionary theory of music

Published online by Cambridge University Press:  01 October 2008

Candace S. Alcorta
Affiliation:
Department of Anthropology, Unit 2176, University of Connecticut, Storrs, CT 06269-2176. candace.alcorta@uconn.edurichard.sosis@uconn.edudaniel.finkel@uconn.eduhttp://www.anth.uconn.edu/faculty/sosis/
Richard Sosis
Affiliation:
Department of Anthropology, Unit 2176, University of Connecticut, Storrs, CT 06269-2176. candace.alcorta@uconn.edurichard.sosis@uconn.edudaniel.finkel@uconn.eduhttp://www.anth.uconn.edu/faculty/sosis/
Daniel Finkel
Affiliation:
Department of Anthropology, Unit 2176, University of Connecticut, Storrs, CT 06269-2176. candace.alcorta@uconn.edurichard.sosis@uconn.edudaniel.finkel@uconn.eduhttp://www.anth.uconn.edu/faculty/sosis/

Abstract

Juslin & Västfjäll (J&V) advance our understanding of the proximate mechanisms underlying emotional responses to music, but fail to integrate their findings into a comprehensive evolutionary model that addresses the adaptive functions of these responses. Here we offer such a model by examining the ontogenetic relationship between music, ritual, and symbolic abstraction and their role in facilitating social coordination and cooperation.

Type
Open Peer Commentary
Copyright
Copyright © Cambridge University Press 2008

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