Hostname: page-component-76fb5796d-vvkck Total loading time: 0 Render date: 2024-04-25T23:20:08.280Z Has data issue: false hasContentIssue false
  • English
  • Français

Ethics in a Time of AIDS: DV8 Physical Theatre's Dead Dreams of Monochrome Men

Published online by Cambridge University Press:  27 July 2015

Gavin Wittje
Get access Rights & Permissions [Opens in a new window]

Abstract

In this article, I explore the way that the creation and presentation of Lloyd Newsom's Dead Dreams of Monochrome Men (1988) for DV8 confronted the choreographer, performers, and audience with questions about the ethics of sex and romance and the treatment of gay men during the AIDS crisis. To analyze the complex affective relationships within and around the piece, I follow Emmanuel Levinas's ethical theory of the face in conjunction with Gilles Deleuze and Felix Guattari's related theory of faciality, which I interpret as referring to a disciplinary situation in which subjects are created through a process of terrorizing and shaming.

Keywords

AffectAIDSapologyconfessiondanceDead Dreams of Monochrome MenDeleuzeDouglas WrightDV8LevinasLloyd NewsonNigel CharnockRussell Maliphantshamevulnerability
Type
Articles
Information
Dance Research Journal , Volume 47 , Issue 2 , August 2015 , pp. 63 - 78
Copyright
Copyright © Congress on Research in Dance 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Arditti, Michael. 1993. “At the Theatre of Blood and Bruises.” The Independent, November 6. http://www.independent.co.uk/arts-entertainment/dance--at-the-theatre-of-blood-and-bruises-dv8-tread-a-fine-line-between-athleticism-and-masochism-their-new-work-msm-goes-one-step-further-michael-arditti-reports-1502507.html (accessed December 12, 2010).Google Scholar
Constanti, Sophie. 1989. “Giving Birth to Dead Dreams.” Dance Theatre Journal 6(4): 5–6.Google Scholar
Deleuze, Gilles. 1986. Cinema 1: The Movement Image. Translated by Tomlinson, Hugh and Habberjam, Barbara. Minneapolis, MN: University of Minnesota.CrossRefGoogle Scholar
Deleuze, Gilles. 1995. Negotiations. Translated by Joughin, Martin. New York: Columbia University Press.Google Scholar
Deleuze, Gilles, and Guattari, Felix. 1987. A Thousand Plateaus. Minneapolis, MN: University of Minnesota Press.Google Scholar
Giannachi, Gabriella, and Luckhurst, Mary. 1999. On Directing: Interviews with Directors. London: Faber and Faber Limited.Google Scholar
Levinas, Emmanuel. 1969. Totality and Infinity. Translated by Lingis, Alphonso. Pittsburgh, PA: Duquesne University Press.Google Scholar
Levinas, Emmanuel. 1981. Otherwise than Being. Translated by Lingis, Alphonso. Pittsburgh, PA: Duquesne University Press.Google Scholar
Levinas, Emmanuel. 1987. Collected Philosophical Papers. Translated by Lingis, Alphonso. Boston: Kluwer Academic.CrossRefGoogle Scholar
Lingis, Alphonso. 1994. The Community of Those Who Have Nothing in Common. Bloomington, IN: Indiana University Press.Google Scholar
Marder, Michael. 2008. “Terror of the Ethical: On Levinas's Il y a.” Postmodern Culture 18. doi: 10.1353/pmc.0.0014.CrossRefGoogle Scholar
Masters, Brian. 1985. Killing for Company. London: Jonathan Cape, Ltd.Google Scholar
Meisner, Nadine. 1992. “Strange Fish.” Dance and Dancers 10–13.Google Scholar
Newson, Lloyd. 1993. “Lloyd Newson on Dance.” Dance Now 11–13.CrossRefGoogle Scholar
Shank, Theodore. 1993. “Physical Risk and Emotional Vulnerability: Lloyd Newson and DV8 Physical Theatre.” TheatreForum 3: 13–22.Google Scholar
Tomkins, Silvan S. 2008. Affect Imagery Consciousness: The Complete Edition. New York: Springer.Google Scholar
Watney, Simon. 1989. Policing Desire: Pornography, AIDS, and the Media. Minneapolis, MN: University of Minnesota Press.Google Scholar
Wittje, Gavin. 2013. “The Voice of One Crying Out in the Wilderness: Post-War Dance and the Ethics of Intense, Interpersonal Vulnerability.” PhD diss., The Graduate Theological Union.Google Scholar