Hostname: page-component-8448b6f56d-xtgtn Total loading time: 0 Render date: 2024-04-17T15:28:48.343Z Has data issue: false hasContentIssue false
  • English
  • Français

Briefly mentioned - François Delalande, Analyser la musique, pourquoi, comment? [Music analysis – why, how?]. Paris: INA Éditions: Collection Ina EXPERT, 2013. ISBN: 978-2-86938-201-5 - Ricciarda Belgiojoso, Constructing Urban Space with Sounds and Music. Farnham and Burlington, VT: Ashgate, 2014. ISBN: 978-1-47242-464-8 (hardcover); 978-1-47242-465-5 (eBook – PDF); 978-1-47242-466-2 (eBook – ePUB)

Published online by Cambridge University Press:  05 March 2015

Leigh Landy
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book reviews
Information
Organised Sound , Volume 20 , Issue 1: Special issue: Organised Sound Celebrates 20 Years , April 2015 , pp. 139 - 140
Copyright
© Cambridge University Press 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Delalande, F. 1998. Music Analysis and Reception Behaviours: Sommeil by Pierre Henry. Journal of New Music Research 27(1–2): 13–66.Google Scholar
Delalande, F. 2001. Le son des musiques: entre technologie et esthétique. Paris: INA/Buchet-Chastel.Google Scholar
Landy, L. 2007. Understanding the Art of Sound Organization. Cambridge, MA: MIT Press.Google Scholar