Hostname: page-component-8448b6f56d-c4f8m Total loading time: 0 Render date: 2024-04-23T10:06:19.980Z Has data issue: false hasContentIssue false

The Great Globe Itself: Sam Wanamaker's ‘Shakespeare's Globe’

Published online by Cambridge University Press:  02 January 2015

Jean Wilson*
Affiliation:
Department of English, Boston University, 236 Bay State Road, Boston MA 02215, USA

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review articles
Copyright
Copyright © Antiquity Publications Ltd. 1997

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Gent, L. (ed.) 1995. Albion's Classicism: the visual arts in Britain. New Haven [CT) & London: Yale University Press.Google Scholar
Godfrey, R.T. 1994. Wenceslaus Hollar: a Bohemian artist in England. New Haven [CT) & London: Yale University Press.Google Scholar
Gurr, A. with ORRELL, J. 1989. Rebuilding Shakespeare's Globe. London: Weidenfeld & Nicolson.Google Scholar
Kennedy, D. 1993. Looking at Shakespeare: a visual history of twentieth-century performance. Cambridge: Cambridge University Press.Google Scholar
Orrell, J. 1983. The quest for Shakespeare's Globe. Cambridge: Cambridge University Press.Google Scholar
Orrell, J. 1988. The human stage: English theatre design 1567-1640. Cambridge: Cambridge University Press.Google Scholar
Orrell, J. & GUM, A. 1989. What the Rose can tell us, Antiquity 63: 421–9. [Revised version of ‘What the Rose can tell us’,Times Literory Supplement 9-15 June 1989: 636, 649.)CrossRefGoogle Scholar
Wilson, J. 1980. Entertainmentsfor Elizabeth I. Stroud: Alan Sutton.Google Scholar
Wilson, J. 1995. The Archaeology of Shakespeare. Woodbridge: D.S. Brewer & Totowa (NJ): Rowan & Littlefield.Google Scholar