Hostname: page-component-76fb5796d-qxdb6 Total loading time: 0 Render date: 2024-04-25T12:49:45.732Z Has data issue: false hasContentIssue false

Michel Lorblanchet. Art pariétal: grottes ornées du Quercy. 448 pages, numerous colour & b&w illustrations, tables. 2010. Paris: Rouergue; 978-2-8126-0164-4 hardback € 49.

Published online by Cambridge University Press:  02 January 2015

April Nowell*
Affiliation:
Department of Anthropology, University of Victoria, Canada (Email: anowell@uvic.ca)

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book review
Copyright
Copyright © Antiquity Publications Ltd. 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Conkey, M. 1993. Humans as materialists and symbolists: image making in the Upper Palaeolithic, in Rasmussen, D. T. (ed.) The origin and evolution of humans and humanness: 95118. Boston: Jones & Bartless.Google Scholar
Conkey, M. 1997. Beyond art and between the caves: thinking about context in the interpretive process, in Conkey, M., Soffer, O., Stratmann, D. & Jablonski, N. G. (ed.) Beyond art: Pleistocene image and symbol (Memoirs of the California Academy of Sciences 23): 343–68. San Francisco: California Academy of Sciences.Google Scholar
Conkey, M. 2010. Images without words: the construction of prehistoric imaginaries for definitions of “us”. Journal of Visual Culture 9: 272–83.Google Scholar
Dobres, M.-A. 2001 Meaning in the making: agency and the social embodiment of technology and art, in Schiffer, M. B. (ed.) Anthropological perspectives on technology: 4776. Albuquerque (NM): University of New Mexico Press.Google Scholar
Menu, M. 2009. L'analyse de l'art préhistorique. L'Anthropologie 113: 547–58.Google Scholar
Nowell, A. 2006. From a Palaeolithic art to Pleistocene visual cultures. Journal of Archaeological Method and Theory 13: 239–49.Google Scholar
Tosello, G. & Fritz, C.. 2007. The hidden meaning of forms: methods of recording Palaeolithic parietal art. Journal of Archaeological Method and Theory 14: 4880.Google Scholar