Hostname: page-component-8448b6f56d-c47g7 Total loading time: 0 Render date: 2024-04-23T13:40:48.465Z Has data issue: false hasContentIssue false

Voyages into pictured pasts

Published online by Cambridge University Press:  02 January 2015

Christopher Chippindale*
Affiliation:
Cambridge University Museum of Archaeology & Anthropology, Downing Street, Cambridge CB2 3DZ, England

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Copyright
Copyright © Antiquity Publications Ltd. 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Akerman, K. & Stanton, J. 1994. Riji and Jaku1i: Kiinberley pearl shellin Aboriginal Australin. Darwin (NT): Northern Territory Museum of Arts & Sciences. Monograph Series 4.Google Scholar
Chaloupka, G. & Giuliani, P. 1984. Gundulk abel guiidalgMaycdi flora. n report on Aboriginal use of planfs in Kakadu. Darwin (NT): Northern Territory Museum of Arts and Sciences.Google Scholar
Chaloupka, G. & , N.K. 1981. Cultural snrvey of Yarnitj Gunerrd (Yamitj’s Country): a report to the Australia11 National Parks and Wildlife Service Unpublished report. Darwin (NT): Museums arid Art Galleries of the Northern Territory.Google Scholar
Chippindale, C. & Taçon, P.S.C. 1993. Two old painted panels from Kakadu: variation and sequence in Arnhem Land rock art, in Steinbring, J. et al. (ed.), Time and space: dating and spatial considerations in rock art research (papers of Symposia F and E. AURA Congress Cairns 1992): 3256. Melbiiurne (VIC): Australian Rock Art Research Association. Occasional AURA Publication 8.Google Scholar
Crawford, I.M. 1968. The rirt of the Iliandjina. Melbourne (VIC): Oxford University Press.Google Scholar
Crawford, I.M. 1977. The relationship of Bradshaw arid Wandjina art in north-west Kimberley, in Ucko (1977): 357–69.Google Scholar
Davidson, I. 1994. Comment [on Taçon & Chippindale 1994]: Cambridge Archaeological Journal 4 (2): 234–7.Google Scholar
Dyer, C.A. (ed.). 1994. Kunwinjku art from Injalak 1992–1992: the John W. Kluge Commission. North Adelaide (SA): Museum Art International.Google Scholar
Flood, J. 1989. Archaeology of the Urearntinie. Revised edition. Sydney (NSW): Collins.Google Scholar
Jones, R. (ed.) 1985. Archaeological research in Kakadu NofionalPark. Canberra (ACT): Australia National Parks and Wildlife Service. Special Publication 13.Google Scholar
Lawlor, Robert 1991. Voices of the first day: awakening in Ahoriginal dreamtime. Rochester (VT): Inner Traditions.Google Scholar
Taçon, P.S.C. & Chippindale, C. 1994. Australia’s ancient warriors: changing depictions of fighting in the rock art of Arnhem Land, N.T., Cambridge Archaeological Journal 4 (2): 211–48.CrossRefGoogle Scholar
Ucko, P. (ed.). 1977. Form in indigenous art: schematisation in the art of Aboriginal Australia and prehistoric Europe. Canberra (ACT): Australian Institute of Aboriginal Studies.Google Scholar
Walsh, G.L. 1988. Australia’s greatest rock art. Bathurst (NSW): E.J. Brill – Robert Brown.Google Scholar
Walsh, G.L. 1991. Rock painting sizes in the Kimlierley and Victoria River District, Rock Art Research 8 (2): 131–2.Google Scholar
Welch, D. 1991. The bichrome art period in the Kimberley, Australia, Rock Art Research 7 (2): 110–24.Google Scholar