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Whitney Davis. Masking the blow: the scene of representation in late prehistoric Egyptian art. (California Study in the History of Art XXX. Series #14.) 316 pages, 53 illustrations. 1992. Berkeley (CA) & London: University of California Press; ISBN 0-520-07488-2 hardback $55 & £38.

Published online by Cambridge University Press:  02 January 2015

Ian Shaw
Ian Shaw*
Affiliation:
Department of Archaeology, University of Cambridge
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Type
Book reviews
Information
Antiquity , Volume 67 , Issue 255 , June 1993 , pp. 457 - 458
Copyright
Copyright © Antiquity Publications Ltd. 1993

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References

Asselberghs, H. 1961. Chaos en Beheersing: Documenten uit aeneolithisch Egypte. Leiden: E.J. Brill.Google Scholar
Capart, J. 1905. Primitive art in Egypt. London: Grevel.Google Scholar
Churcher, C.S. 1984. Zoological study of the ivory knife handle from Abu Zaidan, in Needler, W., Predynastic and Archaic Egypt in the Brooklyn Museum: 152–68. Brooklyn (NY): Brooklyn Museum.Google Scholar
Davis, W. 1989. The canonical tradition in ancient Egyptian art. Cambridge: Cambridge University Press.Google Scholar
Millet, N. 1990. The Narmer macehead and related objects, Journal of the American Research Center in Egypt 27: 53–9.Google Scholar
Williams, B. & Logan, T.J.. 1987. The Metropolitan Museum knife handle and aspects of pharaonic imagery before Narmer, Journal of Near Eastern Studies 46: 245–84.CrossRefGoogle Scholar