Hostname: page-component-8448b6f56d-c47g7 Total loading time: 0 Render date: 2024-04-25T06:07:28.197Z Has data issue: false hasContentIssue false
  • English
  • Français

The Sutton Hoo Lyre, Beowulf, and the Origins of the Frame Harp

Published online by Cambridge University Press:  02 January 2015

Rupert Bruce-Mitford  and
Myrtle Bruce-Mitford
Get access Rights & Permissions [Opens in a new window]

Extract

The old reconstruction, widely publicized and discussed by specialists, has been on exhibition in the British Museum since 1949. It is now replaced by the new reconstruction (PL. I). The change of this very early stringed instrument, the earliest reconstructible stringed instrument in Europe, from harp to lyre, is of great archaeological and musicological interest.

Type
Research Article
Information
Antiquity , Volume 44 , Issue 173 , March 1970 , pp. 7 - 13
Copyright
Copyright © Antiquity Publications Ltd 1970

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bessinger, J. B. 1958. Beowulf and the Harp at Sutton Hoo, University of Toronto Quarterly, XXVII, 148–68.CrossRefGoogle Scholar
Bruce-Mitford, R. L. S. 1949. The Sutton Hoo ShipBurial, Proc. Roy. Inst. G.B., XXXIV, 3, No. 156, 10.Google Scholar
Bruce-Mitford, R. L. S. 1965. Review of Evison (1964), Arch. J. CXXIL, 247–9.Google Scholar
Chambers, R. W. 1967. Beowulf. An Introduction to the Study of the Poem (3rd ed. with supplement by Wrenn, L.; Cambridge University Press).Google Scholar
Evison, V. I. 1964. The Fifth-Century Invasions South of the Thames (Athlone Press).Google Scholar
Faussett, B. 1856. Inventorium Sepulchrale (London).Google Scholar
Fremersdorf, F. 1941–2. Zwei Wichtige Frankengräber aus Köln, IPEK (1943).Google Scholar
Galpin, F. W. 1910. Old English Instruments of Music, ch. 2.Google Scholar
Gerbert, Martin, 1774. De Cantu et Musica Sacra, Tom. II, Tab. VI (T. II T.XXXII).Google Scholar
Haves, G. 1960. In (ed.) Westrup, J., New Oxford History of Music, III, ch. XIII.Google Scholar
Leeds, E. T., and Harden, D. B.. 1936. The Anglo-Saxon Cemetery at Abingdon, Berkshire (Oxford).Google Scholar
Megaw, J. V. S. 1968. In (eds.) Coles, J. M. and Simpson, D. A., Studies in Ancient Europe (Leicester University Press).Google Scholar
Myres, J. N. L. 1968. The Early History of Abingdon and its Abbey in M. Biddle, Mrs H. T. Lambrick and J. N. L. Myres, II, The Anglo-Saxon Cemetery, Medieval Archaeology, XII, 35–41.Google Scholar
Panum, H. 1921. Stringed Instruments of the Middle Ages.Google Scholar
Pope, J. C. 1942. Rhythm of Beowulf (Yale University Press).Google Scholar
Roach Smith, C. 1843. Account of some Antiquities found in the neighbourhood of Sandwich, in the County of Kent, Archaeologia, XXX, 132–6.Google Scholar
Steger, H. 1961. David Rex et Propheta (Nürnberg).Google Scholar
Veeck, W. 1931. Die Alamannen in Württenberg.Google Scholar
Werner, J. 1954. Leier und Harfe im Germanischen Frühmittelalter, in (eds.) Büttner, H., Feger, O., Meyer, B., Aus Verfassungs und Landesgeschichte (Festschrift für Theodore Mayer), I, 9–15.Google Scholar
Wrenn, C. L. 1962. Two Anglo-Saxon Harps, Comparative Literature, XIV, 118–28.CrossRefGoogle Scholar
Wrenn, C. L. 1963. Sutton Hoo and Beowulf, in (ed.) Nicholson, L. E., An Anthology of Beowulf Criticisms 321–5 (University of Notre Dame Press: reprinted from Mélanges de Linguistique et de Philologie (Femaré Mossé in Memoriam) Paris, 1959, 495–507.Google Scholar