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Impressions of the Past

Published online by Cambridge University Press:  02 January 2015

Extract

The collection of over 1,100 cylinder seals and impressions on clay, now housed in the Ashmolean Museum, Oxford, is, after that of the British Museum, the richest of the kind in England. Here we have memories of Oxford Worthies beginning with the Reverend Greville Chester, who a hundred years ago travelled afar and brought home many antiquities. But it is appropriate that the first seal to be illustrated in this comprehensive catalogue is a boldly carved, prehistoric specimen purchased in Aleppo, in 1913, by T. E. Lawrence of Arabia, quondam Fellow of All Souls College, Oxford, friend and protCgC of D. G. Hogarth who was then Keeper of the Museum. To these two men we must add a third, no less famous, namely Leonard Woolley who was then directing the British Museum's excavations at Carchemish: the extensive travels of this trio not only in north Syria, but also throughout the Levant, enabled them to acquire from the peasantry these delectable little souvenirs of personal identity. Carved cylinder seals, sometimes worn as amulets, were often made for the purpose of registering ownership to property. There must have been much competition to acquire them, for Lawrence writing from Carchemish in a letter dated ‘End of February [1913]’ says to Hogarth: ‘Seriously, this last half-dozen, bought by me on the fringe of Abu Galgal, is very good. I rushed back, and have not been down again, because some villains began a dig at Deve Hüyük.… I got some good fibulae which are yours, and not Kenyon's this time at all events…’. Nonetheless, the British Museum was not forgotten and was moreover acquiring some share of the spoils from Carchemish (PL. XXXII).

Type
Articles
Copyright
Copyright © Antiquity Publications Ltd 1967

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References

* See Haller [16]. Note the similarity of this tree to that which is represented on the embroidered hat and robe of King Marduk-nadin-akhe, on a boundary stone of the 11th century bc, cf. King [17]. See also discussion of the tree in Mitannian iconography, Porada [18].

For selections from Ugaritic myths, epics and legends see James B. Pritchard [19]. A reference to the goddess Anath may be relevant in connexion with rows of heads on the seals: ‘Under her, heads like sheaves; over her hands like locusts’ (p. 136). There is a Hittite purification ritual in the course of which a fir (?) has to be planted in a pot at the right-hand side of a gate (p. 348). A buck and a goat are then consumed.

Interesting in this connexion is a seal of Matrunna, daughter of Aplahanda, King of Carchemish [20].

§ See however [21]. There is an important series of named rulers from Yarim Lim onwards. It is historically interesting that six generations from Aleppo corresponded with only two from Alalakh.