Hostname: page-component-8448b6f56d-tj2md Total loading time: 0 Render date: 2024-04-24T11:17:50.569Z Has data issue: false hasContentIssue false

“How I Had Liked This Villain! How I Had Admired Him!”: A. J. Raffles and the Burglar as British Icon, 1898–1939

Published online by Cambridge University Press:  20 February 2014

Abstract

This article analyzes the literary, theatrical, and film versions of E. W. Hornung's fictional “gentleman” burglar Raffles produced between 1898 and 1939. It argues that the character functioned as a nexus for the articulation of a pleasure culture surrounding burglary, highlighting how approbatory and sexualized versions of burglars pervaded popular and official discourse in Britain and, through the character's commercial success, throughout Europe and America. Depictions of Raffles's triumphs over law and order invited successive audiences to vicariously test, and transgress, the legal, social, cultural, political, gendered, and economic constraints of everyday life. As newspapers labelled real-life burglars “Raffles,” both criminologists and criminals around the globe appropriated this title to refashion burglars as glamorous celebrity personae through academic texts and autobiographies. This article thus demonstrates how notions of respectable masculinity were challenged by sympathetic portrayals of burglars fostered under the “new” journalism, human interest journalism, and the true-crime genre of entertainment.

Type
Articles
Copyright
Copyright © The North American Conference on British Studies 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 E. W. Hornung, “In the Chains of Crime: The Ides of March,” Cassell's Magazine (June 1898): 3–12.

2 Ibid.

3 After their initial appearance in Cassell's Magazine, the short stories were published collectively in volumes The Amateur Cracksman (1899), The Black Mask (1901), and A Thief in the Night (1905). Hornung, E. W., The Complete Short Stories of Raffles (London, 1987)Google Scholar; Hornung, E. W., Mr. Justice Raffles (1909; repr. Fairfield, 2007)Google Scholar.

4 Unknown Author, “Fiction,” Academy, 22 April 1899, 458; Doyle, Arthur Conan, Memories and Adventures (New York, 1924), 288Google Scholar.

5 Roth, Marty, Foul and Fair Play: Reading Genre in Classic Detective Fiction (London, 1995)Google Scholar, 52; Knight, Stephen, Crime Fiction, 1800–2000: Detection, Death, Diversity (Basingstoke, 2004), 70Google Scholar.

6 “A Modern Raffles,” Scotsman, 25 September 1928, 10.

7 D'Cruze, Shani, “‘Dad's Back’: Mapping Masculinities, Moralities, and the Law in the Novels of Margery Allingham,” Cultural and Social History 1, no. 3 (2004): 257CrossRefGoogle Scholar.

8 See, for example, Thomas, Ronald R., Detective Fiction and the Rise of Forensic Science (Cambridge, 1999)Google Scholar; Plain, Gill, Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (Edinburgh, 2001)Google Scholar; Frank, Lawrence, Victorian Detective Fiction and the Nature of Evidence: The Scientific Investigations of Poe, Dickens, and Doyle (Basingstoke, 2003)CrossRefGoogle Scholar; Joyce, Simon, Capital Offences: Geographies of Class and Crime in Victorian London (London, 2003)Google Scholar; D'Cruze, “Dad's Back,” 256–79.

9 Grandy, Christine, “‘Avarice’ and ‘Evil Doers’: Profiteers, Politicians, and Popular Fiction in the 1920s,” Journal of British Studies 50, no. 3 (2011): 667–89CrossRefGoogle Scholar.

10 Chapman, James and Hilton, Matthew, “From Sherlock Holmes to James Bond: Masculinity and National Identity in British Popular Fiction,” in Relocating Britishness, ed. Caunce, Stephen, Mazierska, Ewa, Sidney-Smith, Susan, and Walton, John K. (Manchester, 2004), 127Google Scholar.

11 Ibid., 128.

12 See British editions of The Amateur Cracksman by publishers Grant Richards (London, 1901), Eveleigh Nash (London, 1911), John Murray (London, 1926), Readers Library Publishing Company Ltd. (London, 1930), and Jonathan Cape Ltd. (London, 1936); A Thief in the Night by publishers Nelson Library (London, 1914) and George G. Harrap & Co. Ltd (London, 1926); French and German language editions: Hornung, E. W., Ein Einbrecher aus Passion (Stuttgart, 1903)Google Scholar and Hornung, E. W., Le Masque Noir: Aventures de Raffles, Cambrioleur Amateur (Paris, 1907)Google Scholar.

13 “At the Theatres,” Washington Times, 11 October 1903, 2; “Raffles and Redwood,” New York Times, 28 October 1903, 7; Letter from E. W. Hornung to Shane R. Chichester, 1 January 1907, E. W. Hornung Papers, MS 127, box 5, University of Birmingham Archives. This letter indicates that translations of the play were being prepared for France, Italy, and Sweden, but the materialization of these plans is unknown. “Drama,” Athenaeum, 19 May 1906, 619; “Raffles,” Play Pictorial 25 (1914): 88; “Entertainments,” Scotsman, 4 May 1909, 5; “Entertainments,” Scotsman, 15 October 1912, 4; “Glasgow ‘On Trial’ at King's,” Scotsman, 5 October 1915, 3; “Glasgow,” Scotsman, 27 November 1917, 3; “Theatre Royal,” Scotsman, 1 June 1921, 1; “Entertainments,” Scotsman, 20 July 1937, 8; “Glasgow Theatres,” Scotsman, 27 July 1937, 14.

14 Raffles, Vitagraph Company of America, United States of America, producer and director unknown, released 1907; Raffles, The Amateur Burglar, Gaumont Production Company, France, producer and director unknown, released 1910; Raffles, The Gentleman Thief, New Agency Film Company, Great Britain, producer and director unknown, released 1911; Raffles, The Amateur Cracksman, L. Lawrence Weber Photodrama Corporation, Hyclass Producing Company, United States of America, produced and directed by George Irving, released 1917; Mr. Justice Raffles, Hepworth Picture Plays, Great Britain, directed by Gerald Ames and Gaston Quiribet, produced by Cecil M. Hepworth, released 1921; Raffles, Universal Jewel Production Company, United States of America, produced and directed by King Baggot, released 1925; Raffles, Samuel Goldwyn Incorporated, United States of America, produced by Samuel Goldwyn, directed by Harry d'Abbadie D'Arrast and George Fitzmaurice, released 1930; The Return of Raffles, W. P. Film Company, Mansfield Markham, Great Britain, produced and directed by Mansfield Markham, released 1932; Raffles, Samuel Goldwyn Incorporation, United States of America, produced by Samuel Goldwyn, directed by Sam Wood, released 1939; Saler, Michael, “‘Clap If You Believe in Sherlock Holmes’: Mass Culture and the Re-enchantment of Modernity, c. 1890–c. 1940,” Historical Journal 46, no. 3 (2003): 599622CrossRefGoogle Scholar.

15 See, for example, Rafter, Nicole Hahn, “Criminal Anthropology: Its Reception in the United States and the Nature of Its Appeal,” in Criminals and Their Scientists: The History of Criminology in International Perspective, ed. Becker, Peter and Wetzell, Richard F. (Cambridge, 2006), 150–81Google Scholar.

16 Spraggs, Gillian, Outlaws and Highwaymen: The Cult of the Robber in England from the Middle Ages to the Nineteenth Century (London, 2001)Google Scholar.

17 Brewer, John, The Pleasures of the Imagination: English Culture in the Eighteenth Century (London, 1997), 431, 442Google Scholar.

18 Spraggs, Outlaws and Highwaymen, 53–54.

19 Ibid., 252–54.

20 Hornung, Amateur Cracksman, 41, 45, 76–93; Hornung, A Thief in the Night, 386–404.

21 Hornung, Amateur Cracksman, 173–75.

22 Ibid., 174.

23 See, for example, Cassell's Magazine (December 1900): xviii–xxii.

24 Francis, Martin, “The Domestication of the Male? Recent Research on Nineteenth- and Twentieth-Century British Masculinity,” Historical Journal 45, no. 3 (2002): 643CrossRefGoogle Scholar.

25 Tosh, John, Manliness and Masculinities in Nineteenth-Century Britain (Harlow, 2005), 193Google Scholar.

26 Hornung, Amateur Cracksman, 174.

27 Hornung, “In the Chains of Crime,” 3.

28 Peter Rowland, “Hornung, Ernest William (1866–1921),” Oxford Dictionary of National Biography (2004 ed.); Unknown Author, The Rules and Regulations with An Alphabetical List of the Members of the Reform Club (London, 1896)Google Scholar, Library of the Reform Club, 104 Pall Mall, London, 56.

29 Walkowitz, Judith, City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London (Chicago, 1992)CrossRefGoogle Scholar, 126; Thompson, John B., Political Scandal: Power and Visibility in the Media Age (Cambridge, 2000), 15Google Scholar.

30 Hornung's friendship with Ives can be reconstructed through their surviving correspondence. See letters from E. W. Hornung to George Ives, 2 May 1906, and 18 May 1903, George Ives Papers, f.1.4, Harry Ransom Humanities Research Center, University of Texas at Austin; letters from E. W. Hornung to George Ives, postmarked 18 April 1904, 13 May 1904, and 28 May 1907, British Sexological Society, Miscellaneous Series, Harry Ransom Humanities Research Center, University of Texas at Austin. For Ives's relationship with Wilde, see Cook, Matt, London and the Culture of Homosexuality, 1885–1914 (Cambridge, 2003), 145–47Google Scholar; Hornung's holiday with Wells is documented in photographs by Gissing, George, in The Collected Letters of George Gissing, vol. 7, ed. Matthiesen, Paul F., Young, Arthur C., and Coustillas, Pierre (Athens, OH, 1997), 196–99Google Scholar.

31 Cook, Matt, “Law,” in The Palgrave Modern History of Sexuality, ed. Cocks, H. G. and Houlbrook, Matt, (Basingstoke, 2006), 7475Google Scholar; Patrick Parrinder, “Wells, Herbert George (1866–1946),” Oxford Dictionary of National Biography (2004 ed.).

32 “Notes on Novels,” Academy, 12 October 1901, 342; A Thief in the Night,” Bookman 29, no. 170 (November 1905): 90Google Scholar.

33 Joyce, Simon, Capital Offenses: Geographies of Class and Crime in Victorian London (London, 2003), 146–49Google Scholar; Arthur Conan Doyle, The Memoirs of Sherlock Holmes (1894), reprinted in Sherlock Holmes: The Complete Stories (London, 2006), 832–33Google Scholar.

34 Hornung, Amateur Cracksman, 76–77.

35 McLaren, Angus, “Smoke and Mirrors: Willy Clarkson and the Role of Disguises in Inter-war England,” Journal of Social History 40, no. 3 (2007): 597CrossRefGoogle Scholar.

36 Ibid., 598.

37 Cocks, Harry, “Calamus in Bolton: Spirituality and Homosexual Desire in Late Victorian England,” Gender and History 13, no. 2 (2001): 199CrossRefGoogle Scholar.

38 Hornung, Amateur Cracksman, 45.

39 Jones, Max, The Last Great Quest: Captain Scott's Antarctic Sacrifice (Oxford, 2003), 216Google Scholar.

40 Bourke, Joanna, Dismembering the Male: Men's Bodies, Britain and the Great War (London, 1996), 124–70Google Scholar.

41 Cook, London and the Culture of Homosexuality, 31, 142.

42 Hornung, Amateur Cracksman, 163.

43 Cook, London and the Culture of Homosexuality, 103–16.

44 Holt, Richard, “Cricket and Englishness: The Batsman as Hero,” in European Heroes: Myth, Identity, Sport, ed. Holt, Richard, Mangan, J. A., and Lanfranchi, Pierre (London, 1996), 4870Google Scholar.

45 Hornung, Amateur Cracksman, 165.

46 Tozer, Malcolm, “A Sacred Trinity—Cricket, School, Empire: E.W. Hornung and His Young Guard,” in The Cultural Bond: Sport, Empire, Society, ed. Mangan, J. A. (London, 1992), 1415Google Scholar.

47 “Fiction,” Academy, 22 April 1899, 458.

48 “Literature,” Glasgow Herald, 20 March 1899, 11; “New Novels,” Daily Telegraph, 24 March 1899, 5; Edmund B. V. Christian, “Recent Cricket Matches in Fiction,” Windsor Magazine (August 1899): 280.

49 Hornung, Amateur Cracksman, 58.

50 Ibid., 106.

51 Ibid., 108.

52 “Notes on Novels,” Academy, 12 October 1901, 342; A Thief in the Night,” Bookman, 29 no. 170 (November 1905): 90Google Scholar.

53 Houlbrook, Matt, “‘A Pin to See the Peepshow’: Culture, Fiction and Selfhood in Edith Thompson's Letters, 1921–1922,” Past & Present 207, no. 1 (May 2010): 218CrossRefGoogle Scholar.

54 “At the Theatres,” Washington Times, 11 October 1903, 2.

55 Ibid.; “Raffles and Redwood,” New York Times, 28 October 1903, 7; “New Plays in Gotham,” Washington Post, 1 November 1903, 4.

56 Hornung, E. W., Raffles (New York, 1901)Google Scholar, B/HOR, Portsmouth City Archives; “At the Theatres,” Washington Times, 11 October 1903, 2.

57 “Raffles and Redwood,” New York Times, 28 October 1903, 7; “At the Theatres,” Washington Times, 11 October 1903, 2.

58 E. W. Hornung and Eugene Presbrey, Raffles, The Amateur Cracksman (1906), reprinted in Hornung, E. W., The A.J. Raffles Omnibus (Shelburne, 2000), 137–84Google Scholar.

59 Ibid.

60 “Drama,” Athenaeum, 19 May 1906, 619.

61 Davis, Tracy C., Actresses as Working Women: Their Social Identity in Victorian Culture (London, 1991), 137–81CrossRefGoogle Scholar; Gardner, Viv, “The Invisible Spectatrice: Gender, Geography and Theatrical Space,” in Women, Theatre and Performance: New Histories, New Historiographies, ed. Gale, Maggie B. and Gardner, Viv (Manchester, 2000), 2545Google Scholar.

62 Hornung and Presbrey, Raffles, The Amateur Cracksman, 180–83.

63 Miller, Elizabeth Carolyn, Framed: The New Woman Criminal in British Culture at the Fin de Siècle (Michigan, 2008), 4CrossRefGoogle Scholar.

64 Ibid., 5, 106–13.

65 Dixon, Jay, The Romance Fiction of Mills and Boon, 1909–1990s (London, 1999)Google Scholar.

66 “Our ‘100 Picture’ Gallery,” Strand Magazine, December 1906, 680–81.

67 du Maurier, Daphne, Gerald: A Portrait (1934; repr. London, 2004), 90Google Scholar.

68 “Drama,” Athenaeum, 19 May 1906, 619; Daphne du Maurier, Gerald, 92.

69 Findon, B. W., “Raffles,” Play Pictorial 25, no. 153 (November 1914): 88Google Scholar.

70 Clark, Anna, Desire: A History of European Sexuality (New York, 2008), 67Google Scholar.

71 Thomas, David, Carlton, David, and Etienne, Anne, Theatre Censorship from Walpole to Wilson (Oxford, 2007), 9296CrossRefGoogle Scholar.

72 “Life and Letters,” Academy, 14 December 1907, 236.

73 Ibid.

74 Williams, Gordon, British Theatre in the Great War: A Revaluation (London, 2003), 13Google Scholar.

75 Cohen, Deborah, Household Gods: The British and Their Possessions (London, 2006), 122–44Google Scholar.

76 Ibid., 133.

77 Raffles, The Amateur Cracksman (1917), Mr. Justice Raffles (1921), Raffles (1925), Raffles (1930), The Return of Raffles (1932), and Raffles (1939).

78 Kuhn, Annette, An Everyday Magic: Cinema and Cultural Memory (London, 2002), 12Google Scholar; Miller, Framed, 104–05.

79 Raffles (1925).

80 Ward, Paul, Britishness Since 1870 (London, 2004), 102–03Google Scholar; Roper, Michael, The Secret Battle: Emotional Survival in the Great War (Manchester, 2009), 286–89Google Scholar.

81 Raffles, The Amateur Cracksman (1917).

82 Irving's film was screened 23–27 September 1918; Hepworth's Mr. Justice Raffles (1921) ran 24–25 July 1922; and King Bagot's film ran 18–26 May 1925. “Entertainments,” Daily Mail, 23 September 1918, 2; “Entertainments,” Daily Mail, 27 September 1918, 2; “Entertainments,” The Times, 24 July 1922, 10; “Entertainments,” The Times, 25 July 1922, 12; “Entertainments,” Daily Mail, 18 May 1925, 8; “Entertainments,” Evening Standard, 26 May 1925, 10.

83 These actresses were Christine Mayo (1917), Eileen Dennes (1921), and “Miss DuPont” (1925).

84 See Collins, Marcus, Modern Love: An Intimate History of Men and Women in Twentieth-Century Britain (London, 2003), 3756Google Scholar.

85 Todd, Selina, “Young Women, Work, and Leisure in Interwar England,” Historical Journal 48, no. 3 (2005): 789809CrossRefGoogle Scholar.

86 Miller, Framed, 114–15.

87 Raffles (1930); Leff, Leonard J. and Simmons, Jerold L., The Dame in the Kimono: Hollywood, Censorship, and the Production Code from the 1920s to the 1960s (London, 1990), 1416Google Scholar; Richards, Jeffrey, “The British Board of Film Censors and Content Control in the 1930s: Images of Britain,” Historical Journal of Film, Radio and Television 1, no. 2 (1981): 96CrossRefGoogle Scholar.

88 R. H., “New Films,” Manchester Guardian, 12 July 1930, 15; “Tivoli Cinema: Mr. Ronald Colman in ‘Raffles,’” The Times, 5 August 1930, 8; “Ronald as ‘Raffles,’” News of the World, 13 July 1930, 5.

89 Evening Standard, 10 September 1930, 4; Evening Standard, 27 August 1930, 4; Evening Standard, 17 September 1930, 4; Daily Mirror, 6 August 1930, 17; Daily Mirror, 1 September 1930, 21; Daily Express, 2 October 1930, 10.

90 Evening Standard, 29 July 1930, 4.

91 “Kay Francis,” Picture Show Supplement, 5 July 1930, 14.

92 LeMahieu, Daniel, A Culture for Democracy: Mass Communication and the Cultivated Mind in Britain Between the Wars (Oxford, 1988), 243Google Scholar.

93 Judicial Statistics, England and Wales, 1938. House of Commons Parliamentary Papers, (1940), Cmd. 6167, 16.

94 Raffles (1939); Morley, Sheridan, David Niven: The Other Side of the Moon (Sevenoaks, 1986), 144Google Scholar.

95 “David Niven Is a Subaltern,” Evening Standard, 4 March 1940, 5; “Easter Egg Films,” Daily Mirror, 21 March 1940, 17.

96 Reginald Whitley, “He Puts Army Before Films,” Daily Mirror, 20 March 1940, 7.

97 Ibid.; “Raffles,” Picture Show, 4 May 1940, 13; Lionel Collier, “Reviews,” Picturegoer and Film Weekly, 4 May 1940, 10.

98 “Picture Theatres,” Evening Standard, 25 March 1940, 10; “Picture Theatres,” Evening Standard, 19 April 1940, 10.

99 “Gentleman Burglar,” Daily Express, 13 February 1906, 5; “Parisian Raffles,” Daily Express, 6 August 1906, 1; “Raffles of the Paintpot,” Daily Mirror, 2 January 1907, 4; “‘Raffles’ in Real Life,” Daily Express, 30 March 1907, 1; “Another Paris Raffles,” Daily Express, 30 September 1907, 1; “Female Jekyll and Hyde,” Daily Express, 11 October 1907, 1; “Girl Raffles,” Daily Express, 31 December 1907, 1; “Raffles in Real Life,” Daily Express, 27 June 1908, 5; “An Office Boy as Raffles,” Daily Express, 7 November 1908, 5; “Memoirs of a Real Raffles,” Daily Mirror, 28 April 1909, 5; “A Swiss Raffles,” Daily Express, 20 April 1914, 1; “‘Old Man’ with Four Legs: Newest Tool in the Burglar's Outfit,” Daily Express, 12 January 1916, 7; “Raffles in Real Life,” Daily Express, 14 June 1919, 6; “Gentleman Cracksman: Thrilling Gaol Escape Recalled,” Daily Telegraph, 11 December 1921, 1; “Gentleman Cracksman,” News of the World, 11 December 1921, 1; “Gentleman Burglar's Smart Clientele,” The Times, 17 January 1922, 10; “Raffles as Art Connoisseur,” Daily Express, 19 January 1922, 9; “Jewel Thieves Busy,” The Times, 8 February 1922, 7; “Berlin ‘Raffles,’” The Times, 17 June 1922, 7; “‘Gentleman’ Burglar's Astounding Career,” Daily Express, 4 December 1922, 2; “A French ‘Raffles,’” The Times, 22 January 1923, 9; “A Paris ‘Raffles,’” Manchester Guardian, 23 January 1923, 9; “Burglar's £1,200 Haul,” Daily Mirror, 9 January 1924, 3; “Copying ‘Raffles,’” Daily Mail, 17 August 1926, 5; “Disciples of Raffles,” Scotsman, 15 October 1926, 3; “Two Young Fools,” Daily Mirror, 15 October 1926, 2; “Courteous Thief Surrenders,” Daily Express, 14 April 1927, 9; “Raffles the Second,” John Bull, 2 July 1927, 13; “Raffles in Belgrade,” Observer, 10 July 1927, 12; “A Plum-Coloured Plunderer,” John Bull, 24 December 1927, 11; “Beware the Motor Raffles,” Evening Standard, 15 November 1927, 5; “A Modern Raffles,” Scotsman, 25 September 1928, 10; “Capture of U.S. ‘Raffles,’” Daily Express, 23 October 1929, 8; “‘Raffles’ as a Knight Errant,” Daily Express, 28 August 1930, 1; “London Hunt for a ‘Raffles,’” Daily Express, 3 September 1930, 9; “Armed Burglar in a Bedroom,” The Times, 10 July 1931, 8; “Woman Raffles Unmasked,” John Bull, 18 July 1931, 10; “A Crooked Queen of Diamonds,” John Bull, 10 October 1931, 13; “Hunt for a ‘Raffles,’” Daily Mirror, 5 November 1931, 3; “Beauty and the Burglar,” Daily Express, 22 April 1932, 3; “Prison for Student,” Scotsman, 12 June 1932, 14; “‘Life's Grand’ Says Convict,” Daily Express, 9 March 1936, 11; “Housemaid ‘Raffles’ Goes Back to Gaol,” Daily Mirror, 8 April 1938, 3; “Burglar Girl,” Daily Express, 31 December 1938, 5; “Guest of Star He Robbed,” Daily Mirror, 28 March 1939, 3.

100 See “A Criminal Prodigy,” Irish Times, 7 November 1934, 13; “Une Etrange Figure,” Le Figaro, 27 February 1925, 1; “De bankierszoon als inbreker,” Het Nieuws Van Den Dag Voor Nederlandsch-Indië, 21 August 1911, 6; “‘Cat’ Burglar: A Modern Raffles,” Brisbane Courier, 11 November 1927, 8; “Feminine Raffles Comes to Grief,” Los Angeles Times, 23 June 1927, 7.

101 MacBrayne, Lewis E. and Ramsay, James E., One More Chance: An Experiment in Human Salvage (Boston, 1916), 44Google Scholar.

102 Judicial statistics, England and Wales, 1909. House of Commons Parliamentary Papers (1911), Cd. 5473, 5501, 10–11.

103 Goodwin, John, Sidelights on Criminal Matters (London, 1923), 66Google Scholar.

104 Arrow, Charles, Rogues and Others (London, 1926), 44Google Scholar.

105 “Convict Report on Completion of 4 Years,” 1 August 1927, The National Archives, HO 144/11473, document 254.529/30; Smithson, George, Raffles in Real Life: The Confessions of George Smithson alias “GENTLEMAN GEORGE” (London, 1930)Google Scholar.

106 Smithson, Raffles in Real Life, 17–18.

107 Ibid., 17.

108 Letter stamped “HOME OFFICE7 JAN. 1930. RECEIVED,” The National Archives, HO 144/11473, in folder numbered 254.529/33.

109 Houlbrook, “A Pin to See the Peepshow,” 223.

110 Ibid.

111 Smithson, Raffles in Real Life, 242.

112 Script of interview “Kaleidoscope Special: Graham Greene in conversation with Ronald Harwood the day before the world premiere of his play THE RETURN OF A.J. RAFFLES,” BBC Radio 4, 3 December 1975, BBC Written Archives Centre, TX 03/12/1975, 2.

113 Ibid.

114 Ibid., 2–3.

115 Raffles, Yorkshire Television Ltd, Great Britain, produced by Jacky Stoller, directed by Christopher Hodson, David Cunliffe, and Alan Gibson, aired 1975–1977; Nancy Banks-Smith, “Raffles and Bunny,” Guardian, 26 February 1977, 8.

116 See episodes “The First Step” and “A Costume Piece” from Raffles (Yorkshire Television, 1977).