Hostname: page-component-76fb5796d-25wd4 Total loading time: 0 Render date: 2024-04-27T04:17:29.246Z Has data issue: false hasContentIssue false
  • English
  • Français

Culture, Literature, and the History of Medicine

Published online by Cambridge University Press:  17 May 2012

Erin Sullivan
Erin Sullivan
Affiliation:
Erin Sullivan, Lecturer and Fellow, The Shakespeare Institute, University of Birmingham, Mason Croft, Church Street, Stratford-upon-Avon, Warwickshire, CV37 6HP, UK. Email: e.sullivan@ bham.ac.uk
Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Essay Review
Information
Medical History , Volume 55 , Issue 4 , October 2011 , pp. 541 - 548
Copyright
Copyright © The Author(s) 2011. Published by Cambridge University Press

References

1 Descriptions of the unit of assessments (UOAs) can be found at RAE 2008, <http://www.rae.ac.uk/aboutus/uoa.asp>, accessed 15 April 2011.

2 For further detail see W.F. Bynum and Michael Neve, ‘Hamlet on the Couch’, in W.F. Bynum, Roy Porter and Michael Shepherd (eds), The Anatomy of Madness: Essays in the History of Psychiatry, Volume 1: People and Ideas (London: Tavistock, 1985), 289–304.

3 Quoted in Peter Burke, What Is Cultural History? (Cambridge: Polity, 2008), 9–10.

4 Roy Porter, ‘The Patient’s View: Doing Medical History from Below’, Theory and Society, 4, 2 (1985), 175–6.

5 See for instance Jonathan Sawday, The Body Emblazoned: Dissection and the Human Body in Renaissance Culture (Abingdon: Routledge, 2007); or Sara Danius, The Senses of Modernism: Technology, Perception, and Aesthetics (Ithaca: Cornell University Press, 2002).