Hostname: page-component-8448b6f56d-t5pn6 Total loading time: 0 Render date: 2024-04-18T15:13:12.834Z Has data issue: false hasContentIssue false

The Returns of Alwin Nikolais: Bodies, Boundaries and the Dance Canon edited by Claudia Gitelman and Randy Martin. 2007. Hanover, CT: Wesleyan University Press. 312 pp., 16 color plates, 33 b/w illus., index. $75.00 cloth, $27.95 paper.

Published online by Cambridge University Press:  02 April 2012

Kate Elswit
Affiliation:
Stanford University

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Copyright
Copyright © Congress on Research in Dance 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

1. Siegel's, article, “The Omniloquence of Alwin Nikolais,” was originally published in Dance Magazine (April 1968).Google Scholar It is reprinted in Gitelman and Martin (46–52).

2. See Nikolais, Alwin, “No Man from Mars,” in The Modern Dance: Seven Statements of Belief, edited by Cohen, Selma Jeanne (Hanover, CT: Wesleyan University Press, 1966), 6375)Google Scholar; and Siegel, Marcia B., ed., “Nik: A Documentary,” Dance Perspectives, no. 48 (1971).Google Scholar