Hostname: page-component-8448b6f56d-wq2xx Total loading time: 0 Render date: 2024-04-17T15:37:03.738Z Has data issue: false hasContentIssue false

Closer: Performance, Technologies, Phenomenology. by Susan Kozel. 2007. Cambridge, MA: The MIT Press. 362 pp., notes, works cited, index, and illustrations. $35.00 cloth.

Published online by Cambridge University Press:  09 February 2012

Catherine M. Soussloff
Affiliation:
University of British Columbia

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Copyright
Copyright © Congress on Research in Dance 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Bois, Yve-Alain, Hollier, Denis, and Kraus, Rosalind. 1998. “A Conversation with Hubert Damisch,” October 85 (Summer): 317.CrossRefGoogle Scholar
Hebdige, Dick. 1979. Subculture: The Meaning of Style. London: Methuen.Google Scholar
Merleau-Ponty, Maurice. 1993 [1964]. “Indirect Language and the Voices of Silence,” TransLated by McCleary, R. C.. In The Merleau-Ponty Aesthetics Reader: Philosophy and Painting, edited by Johnson, Galen A., 76120. Evanston, IL: Northwestern University Press.Google Scholar