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  • GOTTFRIED AUGUST HOMILIUS (1714–1785) EIN LÄMMLEIN GEHT UND TRÄGT DIE SCHULD, PASSIONSKANTATE Monika Mauch (soprano), Bogna Bartosz (alto), Markus Brutscher (tenor), Hans Christoph Begemann (bass) / Neue Düsseldorfer Hofmusik / Basler Madrigalisten / Fritz Näf Carus-Verlag, Carus 83.262, 2007; two discs, 94 minutesGOTTFRIED AUGUST HOMILIUS (1714–1785) JOHANNESPASSION Jana Reiner (soprano), Katja Fischer (soprano), Franz Vitzthum (countertenor), Jan Kobow (tenor), Tobias Berndt (bass), Clemens Heidrich (bass) Kruzianer Stephan Keucher (tenor), Kruzianer Chrian Lutz (tenor) / Dresdner Kreuzchor / Dresdner Barockorchester / Roderich Kreile Carus-Verlag, Carus 83.261, 2007; two discs, 119 minutesGOTTFRIED AUGUST HOMILIUS (1714–1785) WEIHNACHTSORATORIUMCHRISTIAN AUGUST JACOBI (1688–1725) DIE HIMMEL STEHT UNS WIEDER OFFEN Christiane Kohl (soprano), Annette Markert (alto), Marcus Ullmann (tenor), Tobias Berndt (bass) / Sächsisches Vocalensemble / Matthias Jung Viruosi Saxoniae / Ludwig Güttler Carus-Verlag, Carus 83.235, 2008; one disc, 58 minutes

Eighteenth Century Music

Table of Contents - 2010 - Volume 7, Issue 02  

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Reviews: Recordings

GOTTFRIED AUGUST HOMILIUS (1714–1785) EIN LÄMMLEIN GEHT UND TRÄGT DIE SCHULD, PASSIONSKANTATE Monika Mauch (soprano), Bogna Bartosz (alto), Markus Brutscher (tenor), Hans Christoph Begemann (bass) / Neue Düsseldorfer Hofmusik / Basler Madrigalisten / Fritz Näf Carus-Verlag, Carus 83.262, 2007; two discs, 94 minutes

GOTTFRIED AUGUST HOMILIUS (1714–1785) JOHANNESPASSION Jana Reiner (soprano), Katja Fischer (soprano), Franz Vitzthum (countertenor), Jan Kobow (tenor), Tobias Berndt (bass), Clemens Heidrich (bass) Kruzianer Stephan Keucher (tenor), Kruzianer Chrian Lutz (tenor) / Dresdner Kreuzchor / Dresdner Barockorchester / Roderich Kreile Carus-Verlag, Carus 83.261, 2007; two discs, 119 minutes

GOTTFRIED AUGUST HOMILIUS (1714–1785) WEIHNACHTSORATORIUM

CHRISTIAN AUGUST JACOBI (1688–1725) DIE HIMMEL STEHT UNS WIEDER OFFEN Christiane Kohl (soprano), Annette Markert (alto), Marcus Ullmann (tenor), Tobias Berndt (bass) / Sächsisches Vocalensemble / Matthias Jung Viruosi Saxoniae / Ludwig Güttler Carus-Verlag, Carus 83.235, 2008; one disc, 58 minutes

ELLEN EXNER

Ellen Exner is a doctoral candidate in historical musicology at Harvard University. She is currently completing her dissertation, entitled ‘Frederick the Great and the Origins of Modern Musical Life in Berlin (1732 to 1756)’, with a graduate fellowship through the Radcliffe Institute for Advanced Study. Exner also freelances in the Boston area on both modern and baroque oboes.